+ Reply to Thread
Page 5 of 7 FirstFirst ... 34567 LastLast
Results 41 to 50 of 64

Thread: Thank you Art of Sound

  1. #41
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,626
    I'm Geoff.

    Default

    Quote Originally Posted by Box13 View Post
    Why is that then?
    Because it's subtle. I don't like rows of shiny silver stuff staring me in the face. Fortunately the equipment I like seems to come in black anyway. Speakers apart.
    It is impossible for anything digital to sound analogue, because it isn't analogue!

  2. #42
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Thumbs up Keep it black and as 'functional' looking as possible!

    I'm the exact same: hi-fi equipment should be heard and not 'seen', as it's merely a tool for reproducing music, not an object to be admired!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  3. #43
    Join Date: Jan 2009

    Location: Essex

    Posts: 32,325
    I'm openingabottleofwine.

    Default

    Quote Originally Posted by Marco View Post
    I'm the exact same: hi-fi equipment should be heard and not 'seen', as it's merely a tool for reproducing music, not an object to be admired!

    Marco.
    So why the desire for distracting VU meters?

    PS I prefer black cosmetics (or 'snot' green! )
    Barry

  4. #44
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Barry View Post
    So why the desire for distracting VU meters?
    'Cos it's retro-tastic, dude! That's a different ball game altogether. Not that I have any on my current equipment...

    However, that's why I like rather 'sober' looking broadcast equipment. It looks purposeful: like it 'means business', instead of prettifying things to pacify the ponces!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  5. #45
    Box13 Guest

    Default Better Build Quality

    I've just noticed that the aluminium fronted equipment is usually better build quality.
    A more substantial box and rear, even though the front is what you see.
    I just don't think you can beat a good quarter inch of solid alloy.

  6. #46
    Join Date: Jan 2009

    Location: Essex

    Posts: 32,325
    I'm openingabottleofwine.

    Default

    Quote Originally Posted by Box13 View Post
    I've just noticed that the aluminium fronted equipment is usually better build quality.
    A more substantial box and rear, even though the front is what you see.
    I just don't think you can beat a good quarter inch of solid alloy.
    "You shouldn't judge a book by its cover".
    Barry

  7. #47
    Join Date: Aug 2012

    Location: Sunny Portsmouth

    Posts: 9,165
    I'm TheMostHonestPersonYouWillMeet.

    Default

    Quote Originally Posted by Box13 View Post
    I've just noticed that the aluminium fronted equipment is usually better build quality.
    A more substantial box and rear, even though the front is what you see.
    I just don't think you can beat a good quarter inch of solid alloy.
    Sorry but I don't agree... my Audo Note amp has a subtle acrylic type black facia and I think it looks nice and understated, just how I like my equipment to look to be honest...
    Bev


    Mark Levinson N°390s CD Through:Atlas Elektra XLR's To: Mark Levinson N°383 To: Magneplanar .7's

  8. #48
    Box13 Guest

    Default

    Quote Originally Posted by Ninanina View Post
    Sorry but I don't agree... my Audo Note amp has a subtle acrylic type black facia and I think it looks nice and understated, just how I like my equipment to look to be honest...
    Nina, I meant the build quality, not the appearence, I find silver is usually a more substantial support for the components.

  9. #49
    Box13 Guest

    Default Teac A5000

    Now having said all that I have just bought the above.
    It came today and the bottom line is; is it worth my £23:00?
    I think it is.
    It is now taking the signal from my Denon510 and into my Hitachi 3's.
    Interconnects are the Van Damme grey 0.5m and the 79 strand oxy-free copper speaker cable.
    The sound is articulate and dynamic and my next acquisition is to be a DAB tuner.

  10. #50
    Box13 Guest

    Default An additional source/reproducer.

    Quote Originally Posted by Box13 View Post
    Now having said all that I have just bought the above.
    It came today and the bottom line is; is it worth my £23:00?
    I think it is.
    It is now taking the signal from my Denon510 and into my Hitachi 3's.
    Interconnects are the Van Damme grey 0.5m and the 79 strand oxy-free copper speaker cable.
    The sound is articulate and dynamic and my next acquisition is to be a DAB tuner.
    Hooked my good old tape deck into the 'system' and it's standing up rather well

+ Reply to Thread
Page 5 of 7 FirstFirst ... 34567 LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •