Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
All part of AOS thread drift my dear just like the chat about frocks. Photography is meant to stimulate discussion anyway.
Yesh, but frocks are funny!!
Pictures of politicians in frocks - now that would be *really* funny!!
Marco.
P.S You have an important PM on its way from Beechy. Call me when you get it
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
you want another piccy?
this is the fruits of todays labour.. a stop for a corporate broshure for a company called one creative...
stuff the weddings this shit is what i wanna do with my life.. this sort of photography really makes me tick!
CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra
Fantastic composition and lighting, was it all done 'in-camera' or is it PP in Photoshop or whatever, brilliant either way.
One small point, would it not have been better if the moody geeza had worn a new pair of shoes or were you maybe making some sort of statement like maybe '...look at this guy, been round the block a time or two, not afraid to get his shoes scuffed..'?
Anyway, very well done indeed.
Cheers
Yeah I too find the shoe distracting! I tried lowering the exposure just on the sole .. But It looked odd somehow!?
Anyway it's shot with mostly natural night to capture the ambiance of the garage (7.1 60th 800iso) with a little bit of very difused flash. I did take my lights but we were a bit rushed and i recon it's prob turned out better for not useing proper lighting!
I used lightroom for the editing - it was croped and rotated slightly (I couldn't get the low angle and the camera completely straight) contrast slightly enhansed, sharpened, de saturated, slight sepia tint added to the highlights, very feathered post crop vignette applied, more yellow gradient tint on the ceiling, and a grey grad from the bottom left to focus the eye into the frame a bit. Quite a bit of fiddleing but I'm pretty chuffed with the end product! Thank you for the positive feedback, it's always nice to here!
CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra
Posts: 347
Hamish,
The garage shot is quite smart-and what an expertise in dry darkroom technicking- Eh!
I appreciate that it is not easy to convert images into B&W-although there are a couple of softwares available which do a good fast job. Shooting digital by choosing B&W I have realized is a total waste. It has to be standard colour and then converted to B&W.
Do you use RAW only?
Varun
raw is the only real way to shoot with digital, it allows a level of adjustment using softwear like adobe bridge or lightroom that is really not available to those shooting with jpeg
i dont find b&w convertersion an issue, but a high quality photo based monitor is a must!!
CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra