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Thread: The "Quad experiment" at Scalford 2015

  1. #1
    Join Date: Jan 2009

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    Default The "Quad experiment" at Scalford 2015

    The June issue of Hi-Fi World has a report of this year’s HiFi Wigwam show at Scalford. In an attic room there was a demonstration of an audio system called “Quad experiment”.

    It comprised four equi-spaced Quad 57 electrostatic speakers turned through 90 degrees, so the nominally vertical panels were horizontal. A Class D power amplifier fed each speaker.

    The really interesting aspect was that the signal for the left-hand channel was fed across the sound stage, to the three speakers on the right, with the signal being progressively attenuated and delayed. The signal for the right-hand channel was similarly fed across the sound stage, also progressively attenuated and delayed.

    The show report claimed the imaging was “awesome” the bass was "strong" without any cabinet resonance; in fact the system was described as “stunning”.

    The idea of sequentially feeding both the left and right signals to electrostatic elements using delay lines is not new. Peter Walker discussed it in his Wireless World article of 1955, and of course a similar idea was employed in the Quad 63 and in all later ESL designs. But this is the first I have heard of anyone trying out the idea using Quad 57s.

    Did anyone visit the “Quad experiment”, and if you did what were your impressions? I really would like to know, as it is a scheme I would be interested in trying out for myself.
    Barry

  2. #2
    Join Date: Oct 2012

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    I'm Alan.

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    Hi Barry, I was there and it was stunning.

    If you can try it out yourself I would, everything that has been said is correct.

    Alan
    I love Hendrix for so many reasons. He was so much more than just a blues guitarist - he played damn well any kind of guitar he wanted. In fact I'm not sure if he even played the guitar - he played music. - Stevie Ray Vaughan

  3. #3
    Join Date: Jan 2009

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    Hi Alan,

    That's reassuring to know. For me it would be a future project, since at the moment I do not have the room for four spaced 57s. But I could well move to somewhere larger where there was enough room.

    I assume the time delay between speakers is simply the separation divided by the speed of sound, so assuming a 1.5m separation the delay would be something like 4.5ms. What do you think the attenuation between speakers would be, 6dB, or greater?

    Regards
    Barry

  4. #4
    Join Date: Jan 2013

    Location: Birmingham

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    I'm James.

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    Quote Originally Posted by Barry View Post
    The June issue of Hi-Fi World has a report of this year’s HiFi Wigwam show at Scalford. In an attic room there was a demonstration of an audio system called “Quad experiment”.

    It comprised four equi-spaced Quad 57 electrostatic speakers turned through 90 degrees, so the nominally vertical panels were horizontal. A Class D power amplifier fed each speaker.

    The really interesting aspect was that the signal for the left-hand channel was fed across the sound stage, to the three speakers on the right, with the signal being progressively attenuated and delayed. The signal for the right-hand channel was similarly fed across the sound stage, also progressively attenuated and delayed.

    The show report claimed the imaging was “awesome” the bass was "strong" without any cabinet resonance; in fact the system was described as “stunning”.

    The idea of sequentially feeding both the left and right signals to electrostatic elements using delay lines is not new. Peter Walker discussed it in his Wireless World article of 1955, and of course a similar idea was employed in the Quad 63 and in all later ESL designs. But this is the first I have heard of anyone trying out the idea using Quad 57s.

    Did anyone visit the “Quad experiment”, and if you did what were your impressions? I really would like to know, as it is a scheme I would be interested in trying out for myself.
    Stacked Quads are an old favourite and are awesome but not heard them in the specific controlled way they were done at Scalford.
    Main system : VPI Scout 1.1 / JMW 9T / 2M Black / Croft 25R+ / Croft 7 / Heco Celan GT 702

    Second System : Goldring Lenco GL75 / AT95EX / Pioneer SX590 / Spendor SP2

  5. #5
    Join Date: Aug 2013

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    I'm Sam.

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    How was the delay done? Delayed towards the centre or outwards?

    From just thinking about it now, I wonder if the good sound was the equivalent of adding a synthetic but spacially natural reverb.

  6. #6
    Audio Al is offline Pishanto Specialist & Super-Daftee
    Join Date: May 2012

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    I'm Allen.

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    I could well move to somewhere larger where there was enough room.
    .
    .
    Wow Thats some upgrade
    [

  7. #7
    Join Date: Oct 2012

    Location: The Black Country

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    I'm Alan.

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    If you contacted the exhibitors of the Quad Experiment on the Wam I'm sure they would share the details to assist you in reproducing the set-up.

    I love Hendrix for so many reasons. He was so much more than just a blues guitarist - he played damn well any kind of guitar he wanted. In fact I'm not sure if he even played the guitar - he played music. - Stevie Ray Vaughan

  8. #8
    Join Date: Nov 2008

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    I'm Neil.

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    Pretty sure the late Peter Lindley of Lindley Audio did something like this back in the late 80s.



    Regards Neil

  9. #9
    Join Date: Sep 2010

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    I'm Rob.

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    Looked a bit like this....
    Rob.

  10. #10
    Join Date: Jul 2009

    Location: Snowdonia

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    I'm Nial.

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    Caught the quadquad system playing Ian Dury. Afraid it wasn't for me, though kudos to the constructors for trying something very different.

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