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Thread: Mike Homar's Digital Cable

  1. #21
    Join Date: Oct 2008

    Location: Glasgowshire

    Posts: 9,663
    I'm Gary.

    Default

    Mike, I've been trying digi cables again recently (ask Marco about the Belden...) and if its possible I'd be really interested to compare yours to the bag of "usual suspects" I have here (Belden, Gotham, NVA..etc)


    Thanks!

    Gaz.
    AC POWER
    Hardwired 10kVA balanced mains powering entire system
    AMPS
    Meridian 557 power Amp (Modded) / PS Audio BHK Preamp (Modded)
    SPEAKERS
    Wharfedale Evo 4.4
    DAC
    PS Audio Directstream (Modded)
    TURNTABLE
    Pro-Ject X8 balanced output via XLR / Ortofon Quintet Blue cartridge
    PHONOSTAGE
    Pro-Ject DS3 B balanced Input (TT and Phonostage powered by Pro-Ject Power box RS2 linear psu)
    DIGITAL
    OPPO 203 (Modded: Linear PSU, i2s output to Dac) - Roon Endpoint, HDMI input used for all things Streaming/ PS5 /AppleTV ... also good for movies apparently?
    MUSIC PLAYBACK
    Tweaked AP-Linux based Roon Server into Oppo 203 as Roon endpoint
    Ipad Roon Remote.
    Apple Music/ YouTube via AppleTV, fed to Dac via Oppo HDMI input/i2s output to Dac.
    SPEAKER CABLES
    Biwired: Duelund DCA10GA (Bass) Duelund DCA16GA (mid & treble) Duelund 12DCA used as jumpers (On
    "Blackcat Cable" Chris Sommivigo's advice - yup, even with biwire it sounds better - and it does)
    INTERCONNECTS
    All Balanced: Ghost+ recording studio XLR cables

  2. #22
    Join Date: Oct 2008

    Location: Glasgowshire

    Posts: 9,663
    I'm Gary.

    Default

    Quote Originally Posted by Marco View Post
    Currently playing with Mike's analogue interconnects...

    I had a quick listen last night and initial impressions are good. Instrumental detail and voices are given nice 'texture', rhythms flow seamlessly, and the top end is sweet and completely grain-free, if a little recessed and lacking in leading edge definition, compared to my reference Mark Grant cables.

    There is also definite 'correct' directionality, that I have identified, but which I will allow others when trying the cable to determine...

    I'll let the cables burn-in over the course of the week, trying them with different types of music, and report back later

    Marco.
    Marks IC's still that good Marco?
    Good stuff - I retried the LV16s I have here, not as big a surprise as the Belden digicable, still a wee bit meh sounding.

    But Marks new ones sound good!
    AC POWER
    Hardwired 10kVA balanced mains powering entire system
    AMPS
    Meridian 557 power Amp (Modded) / PS Audio BHK Preamp (Modded)
    SPEAKERS
    Wharfedale Evo 4.4
    DAC
    PS Audio Directstream (Modded)
    TURNTABLE
    Pro-Ject X8 balanced output via XLR / Ortofon Quintet Blue cartridge
    PHONOSTAGE
    Pro-Ject DS3 B balanced Input (TT and Phonostage powered by Pro-Ject Power box RS2 linear psu)
    DIGITAL
    OPPO 203 (Modded: Linear PSU, i2s output to Dac) - Roon Endpoint, HDMI input used for all things Streaming/ PS5 /AppleTV ... also good for movies apparently?
    MUSIC PLAYBACK
    Tweaked AP-Linux based Roon Server into Oppo 203 as Roon endpoint
    Ipad Roon Remote.
    Apple Music/ YouTube via AppleTV, fed to Dac via Oppo HDMI input/i2s output to Dac.
    SPEAKER CABLES
    Biwired: Duelund DCA10GA (Bass) Duelund DCA16GA (mid & treble) Duelund 12DCA used as jumpers (On
    "Blackcat Cable" Chris Sommivigo's advice - yup, even with biwire it sounds better - and it does)
    INTERCONNECTS
    All Balanced: Ghost+ recording studio XLR cables

  3. #23
    Join Date: Feb 2008

    Location: North East UK

    Posts: 6,358
    I'm InSpace.

    Default

    Quote Originally Posted by DSJR View Post
    Please humour me with this question - Have you ever measured standard phono plugs for capacitance? On audio cables with ss equipment and their lowish impedance characteristics compared to valve gear, I found this made as much if not more difference than the wires themselves. Not able to do the maths, i'm not sure of this was just imagination or something genuinely important?
    I haven't, to be honest... but I can!

    I've pretty much 'settled' on a digi cable design now, but analogue cables are a whole different kettle of fish! Bloody things never seem to behave predictably!

    I'm not 100% happy with the cables Marco is trying out, hence the need for his second opinion. They can sound a bit too 'creamy', like an over egged pudding! Good in the right situation, but...
    Shian7
    --------------------------------------------------------

    Kudakutemo
    kudakutemo

    ari mizu-no tsuki

    Though it be be broken -
    broken again - still it's there:
    the moon on the water.

    - Choshu.

  4. #24
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Marks IC's still that good Marco?
    Good stuff - I retried the LV16s I have here, not as big a surprise as the Belden digicable, still a wee bit meh sounding.

    But Marks new ones sound good!
    Gaz,

    Yep - they are without doubt the cables (digital or analogue) with the least 'sound' I've ever heard. This is all I want from cables, as I never use them as tone controls.

    Are you still using the Belden digi cable, then? From your description above it's unclear which is "meh sounding" - the Belden analogue or digital cable

    I agree with Dave... Plugs (and how they're crimped or soldered) make a huge difference!

    Mikey, "creamy" is a good description for how your cables sound, which is not an effect I would seek to have in my system. We'll see how it goes over the coming week, though

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  5. #25
    Join Date: Jan 2008

    Location: gone

    Posts: 11,519
    I'm gone.

    Default

    Quote Originally Posted by Mike Homar View Post
    BTW, I'll be making a few more of these sometime soon if anyone would like to try one.

    Cheers...
    Coo. I wouldn't at all mind a try, Mike!

    __

    In response to Marco's PMed query of a week or so back (while I was sorting out a bit of hassle with a tt deal) .... I'm now using the Belden-reversed digi cable, but with a different CD transport unit. My AudioSynthesis/Sony CDT was too bright and forward with the Belden and the StanDAC Caiman ... so I now use my Yamaha DV-LX50 DVD player (as a transport with co-ax digi output into the Caiman for CD playback) - a richer and fuller sound that blends well with what I still think is a rather bright Belden sound.
    Synergy! - that's the key.
    Last edited by jandl100; 10-08-2009 at 07:03.
    .

  6. #26
    Join Date: Oct 2008

    Location: Aughton, Ormskirk

    Posts: 2,848
    I'm Jerry.

    Default

    Quote Originally Posted by jandl100 View Post
    Coo. I wouldn't at all mind a try, Mike!
    __
    Oh No, I can see it now! Jerry will like the cable, it will become the new fad, Mike will go into mass production and will become rich. Then he wont be bothered with this place when he is swanning round the south of France in his yacht.
    Ahhhhhhhhhh!
    Jerry
    Hifi: IPL transmission line floorstanding speakers, Squeezebox Touch, Denafrips Ares 11 DAC, DCB1 Pre-amplifier, Croft Series 7 power amp.
    Custom Hifi cables HA10SE headphone amplifier and Hifiman HE-400 headphones.
    AV system: LG 55B7, Denon AVR -x2300w receiver, Quad 12L (front) 11c Centre and 11L rear . Velodyne DD15 subwoofer.

  7. #27
    Join Date: Feb 2008

    Location: North East UK

    Posts: 6,358
    I'm InSpace.

    Default

    Quote Originally Posted by Covenant View Post
    Mike will go into mass production and will become rich.
    Fat chance!.... have you seen the price of WBT plugs?

    I need to sell about 8 cables at the prices I charge just to buy a can of Tesco larger and a bag of crisps!

    Actually... I've ordered some different phono's to try, gonna see if I can make em even cheaper!
    Shian7
    --------------------------------------------------------

    Kudakutemo
    kudakutemo

    ari mizu-no tsuki

    Though it be be broken -
    broken again - still it's there:
    the moon on the water.

    - Choshu.

  8. #28
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Jerry,

    In response to Marco's PMed query of a week or so back (while I was sorting out a bit of hassle with a tt deal) .... I'm now using the Belden-reversed digi cable, but with a different CD transport unit. My AudioSynthesis/Sony CDT was too bright and forward with the Belden and the StanDAC Caiman ... so I now use my Yamaha DV-LX50 DVD player (as a transport with co-ax digi output into the Caiman for CD playback) - a richer and fuller sound that blends well with what I still think is a rather bright Belden sound.
    Synergy! - that's the key
    Absolutely

    The Belden/Mark Grant cables (analogue or digital) don't sound in any way bright in my system, or systems belonging to my friends. Therefore, it's not a case of it being "a rather bright Belden sound" (I don't think this is an inherent trait of the cables themselves), but rather the context in which they are used (i.e. the equipment they're partnered with) - like you say, it's all about synergy

    Have you tried the Belden cables both ways round in their current application? If not, please do, and let me know what difference (if any) there is. I think it's important that people buying them know which way round to use them from the offset, or at least that they should experiment with this.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  9. #29
    Join Date: Feb 2008

    Location: North East UK

    Posts: 6,358
    I'm InSpace.

    Default

    Erm... what's that got to do with THIS thread, Marco?

    Feel free to 'plug' (no pun intended) Mark Grant cables in a thread thats ABOUT Mark Grant cables as much as you like though...
    Shian7
    --------------------------------------------------------

    Kudakutemo
    kudakutemo

    ari mizu-no tsuki

    Though it be be broken -
    broken again - still it's there:
    the moon on the water.

    - Choshu.

  10. #30
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Oi, shut it - I was merely responding to Jerry's observation

    Anyway, thread drift is just part of AOS - you've been guilty of it yourself plenty of times elsewhere!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


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