Location: Middlesex, UK
Posts: 4,482
I'm Alex.
It's a shame that most people want the Rogers/Spendor/Chartwell etc version of the LS 3/5a's as they are all pretty old now and may well need some work but my Sterling version is the very last production for LS 3/5a's but nobody wants them.... I seem to remember Ken Kessler rating the Sterlings very highly though...
Bev
Mark Levinson N°390s CD Through:Atlas Elektra XLR's To: Mark Levinson N°383 To: Magneplanar .7's
Location: Middlesex, UK
Posts: 4,482
I'm Alex.
Location: Middlesex, UK
Posts: 4,482
I'm Alex.
I'm sure that the Sterlings are very good, I bought my Chartwells for £90 decades ago from a friend when that was the going rate. He bought them new, they have not been abused. Crossovers in LS3/5a are unlikely to have drifted unless abused, no electrolytic capacitors in them. My clones and the Chartwells sound very similar.
Spendorman
It is impossible for anything digital to sound analogue, because it isn't analogue!
Location: Middlesex, UK
Posts: 4,482
I'm Alex.
No equalisation was used, output from an old Soundblaster 5.1 PC card directly to the £10 or so TPA3116 amp. There may have been a very very slight lift of the high end treble caused by the output filter caps of the 3116 being more suitable for 8 Ohm nominal speakers. The LS3/5a are supposed to be 15 Ohm nominal.
Spendorman
Complete vintage Yamaha pro system - love the amp