Rush – Archives
Label: Mercury – 6641 799
Format: 3 x Vinyl, LP, Compilation
Country: UK
Released: May 1978
Genre: Rock
Style: Hard Rock, Prog Rock
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Location: West Yorkshire
Posts: 724
I'm Andy.
Rush – Archives
Label: Mercury – 6641 799
Format: 3 x Vinyl, LP, Compilation
Country: UK
Released: May 1978
Genre: Rock
Style: Hard Rock, Prog Rock
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Main system:
Analogue.
Michell Orbe with arm decoupling kit & Pete's Pylons. SME V arm, Denon DL103M (FGS), Firebottle OPT MKII phono amp
Technic SP-10 in Obsidian plinth, AT1010 PMAC v8b arm, Goldring Elite MC Cart and BB3 Phono Amp
Leak Lenco GL75 with Ortofon OM10 cartridge
Technics RS-BX404 Cassette Deck
Network Player.
Raspberry PI plus R2-R DAC (also used as a CD player) plus Pi NAS Server
Digital.
Philips DCC 730 player
Marantz CD50SE
Amp.
Audiolab 8000A
Speakers.
Reiver Jenna floor standers
HeadPhones.
Sennheiser HD545 Ref, HD600, HD477
Pink Floyd Atom Heart Mother. As if it needed saying.
Side one is making this my favourite Floyd album, for now. Of course it might all change next week
I just dropped in, to see what condition my condition was in
T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
Speakers: Zu Omen Def, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables
T'other system:
Echo Dot, Arcam A75 integrated, Celestion 5's, BK XLS-200 DF
A/V:
LG 55" OLED, Panasonic Blu Ray, Sony a/v amp, MA Radius speakers,
KICKSTARTER: ENABLING SCAMMERS SINCE 2009
With my annual rally & custom bike weekend less than 3 weeks away, I need to get my rock head on in preparation. So I'll start with this:
I just dropped in, to see what condition my condition was in
T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
Speakers: Zu Omen Def, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables
T'other system:
Echo Dot, Arcam A75 integrated, Celestion 5's, BK XLS-200 DF
A/V:
LG 55" OLED, Panasonic Blu Ray, Sony a/v amp, MA Radius speakers,
KICKSTARTER: ENABLING SCAMMERS SINCE 2009
Wasn't that keen on this originally but is growing on me:
'The album features a lot of synth-keyboard sounds and a twenty-piece orchestra on some of the tunes. The music website CD Shakedown thinks the album is not rock and not blues, but full-on contemporary pop music.Rolling Stone calls the album's material a "loosely themed soul-song cycle in the tradition of Marvin Gaye with effective modern contexts"'
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.
I have neither heard it, or heard of it, but from your quoted description it sounds ghastly.
Barry
Apparently he was aiming to produce the saddest record ever made...
A quick read up, and I see Eric co-produced with Simon Climie (of Climie Fisher fame, "Love Changes Everything", I think I have an album of theirs here, belonged to my ex). One critic described listening to the album as being "like watching a film you admire, but wish would hurry up and end", and was also widely criticised by others, though it was one of his most commercially successful albums
I just dropped in, to see what condition my condition was in
T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
Speakers: Zu Omen Def, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables
T'other system:
Echo Dot, Arcam A75 integrated, Celestion 5's, BK XLS-200 DF
A/V:
LG 55" OLED, Panasonic Blu Ray, Sony a/v amp, MA Radius speakers,
KICKSTARTER: ENABLING SCAMMERS SINCE 2009
It's one of my favourite PF albums. In some ways I prefer it to DSOTM ( ). And Side one is my favourite of the two. I saw PF perform AHM at the Bath Festival in '72 (?), complete with a military brass band.
On Side two I used to get annoyed with the last track: 'Alan's Psychedelic Breakfast'; especially the end with the dripping tap. This is cut into the locked groove, and on my copy there was no tell-tale 'click' where the spiral groove joins the locked groove. This usually meant that often after dozing off (after a late night session, complete with an accompanying 'splif') I would awaken to the sound of the wretched tap dripping!
Barry