Guys,
I won't say it again. Mind your language and cut the personal insults. You're all intelligent enough to get your point across without resorting to invective, so wise up or the thread gets locked and some people may be on a week's ban!
Marco.
Guys,
I won't say it again. Mind your language and cut the personal insults. You're all intelligent enough to get your point across without resorting to invective, so wise up or the thread gets locked and some people may be on a week's ban!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
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Posts: 424
Whilst we are on a technical note, I was interested to read the following report from a contributor :-
"Then Tony tried these Black Ravioli thingies under my preamp that lifted its feet off the glass shelf by about an inch and everything just snapped into focus. Suddenly the top end really opened up giving rather impressive front-to-back soundstage depth and harmonic decay that was previously missing. "
Wow I thought ! I must try some of this. I diligently searched wifey's cupboards but nowhere could I find any Black Ravioli. Almost ready to give up and accept that the finest tweak of all had eluded me, my gaze fell on a wondrous sight. There in the back of the fridge was a few inches of "Black Pudding".
I proceeded to cut off some 1" slices, whilst wondering how to fit them under my pre-amp. No luck. I couldn't even find my pre-amp all I could see was one optical lead going from my mac mini straight into the speakers (adm9's), so I decide to adapt the method and install the Black Pudding slices under the Mac mini.
The effect was stunning. I played "night on a bare mountain" and the effect of the swirling music, and the aroma of the black pudding, was overwhelming. within about ten minutes I was completely unable to resist, and had obtained two slices of "white crusty" and some "whole grain mustard". Quickly placing the black pudding directly into contact with the bread I ate the resulting sandwich while listening to "the entertainer" by Scott Joplin.
Never before or since has an "audiophile tweak" so fulfilled my needs.
hahahahahahahahahahahahahahahahahahahahahahahahaaa aaaaaaaaaaaa........Steve.......STEVE no need to hide under the stairs mate!