Sounds like a plan, so let me know!
Marco.
Sounds like a plan, so let me know!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
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Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Great write up Jason!
I've always been interested in the idea of LDR controls, if only for their elegance and simplicity. Yet I had niggling doubts concerning the linearity of the LED/LDR devices themselves. Following you review/appraisal it would seem that LDR attenuators do have advantages over a simple resistor stepped attenuator.
What would be nice would be a 'bake off' between the LDR device and a stepped transformer attenuator.
Last edited by Barry; 26-05-2014 at 22:25. Reason: spelling
Barry
Rob, it's interesting that you have had your LDR for a while and that you still really rate it. The test of time is obviously not something I have experience of yet.
It's also interesting that unlike other pres, you can be confident that adding something like a remote motorised volume control can't (in theroy) effect the signal path in any way, so it's a guiltless option
Jason™
Built by Hand, Tuned by Life
Jason™
Built by Hand, Tuned by Life
Barry, what I would have liked to happen was for this mass bake off that Macca was trying to organise to go ahead, and for folks to bring their passive pres so that there would be representation from all different types of passives, including transformer based ones.
I know I only have one data point so far, but I suspect that LDRs in general will be better in general as a technology compared to resistor stepped attenuators. I don't think there is anything wrong with the NVA we used, I think it's more the technology that has its limits.
So yes, I'd be interested in taking the next step and comparing with stepped transformer attenuators.
Who has a good one and can we arrange a bake off?
Jason™
Built by Hand, Tuned by Life
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Location: gone
Posts: 11,519
I'm gone.
I had a DIY Paradise Eva2 LDR passive pre for quite a while, and yes it was excellent in its way - transparent and well detailed. But it didn't have the drive of a decent active pre, imho, it sounded a just a little bit limp in the systems I used it in. Not a very 'exciting' listen. I kept it as a spare for quite a while, but never really felt the need to reinstate it so sold it on.
One of these ....
.
Absolutely Jerry, and I'm not at all suggesting passives are for everyone.
This isn't really an active vs passive thread.
But for those like me that are firmly determined to build systems around passives, I'd like to find out if any of the passive technologies are generally and fundamentally better than all the others. Or are passives technology-agnostic and it's just down to the individual products?
Jason™
Built by Hand, Tuned by Life
Coolio on the forthcoming sesh I'm curious about this statement, though:
Why? For me, that kind of thinking is way too restrictive.
I'd never be "firmly determined to build a system" around ANY specific component, as by doing so I might be missing out on using something else that's better...!
Therefore, my system building methodology has always been to keep an open mind, dismiss nothing out of hand, listen to as much different kit as possible, and be prepared to update my opinion, as to what is considered as 'best', at any time!!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!