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Thread: I'm Thinking of a couple of new interconnects

  1. #51
    Join Date: May 2012

    Location: Toulouse, France

    Posts: 6,564
    I'm Kevin.

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    Quote Originally Posted by jandl100 View Post
    Yep, they darn well did.

    I'm gonna have to introduce a new quality scale - iirc Martin Colloms did the same - started assigning marks out of 10 - kit quality over time improved and he is now well into the hundreds for his top marks!



    True.

    The Pluto2 have what might be called "youthful enthusiasm" - full of get up & go, and joie de vivre. Which I enjoy a lot and will suit many folks and many systems well.

    But ultimately, the Mercury2 is a better cable that lets more of the music through.

    Both better the standard-plugged Gotham UPs easily, imho.
    It will be most interesting to hear what up-plugging the Goths will do.
    I'm glad you like them.
    I think that they are my new favourite cable, and I will gradually migrate to the Mercury Mk2 over time.
    They don't seem to do anything wrong, and let more detail than the MG2000's through.

    It will be interesting to hear how an upgraded plug on Marco's choice of cheap pro grade cable compares.
    The Mercury is based on a very good cable.
    Kevin

    Too busy enjoying the music....

    European loan coordinator for Graham Slee HiFi system components..

  2. #52
    Join Date: May 2011

    Location: Torquay

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    I'm Craig.

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    Quote Originally Posted by Marco View Post
    S'ok, dude. There's nothing underhand going on. I've been in touch with the seller, and his reply was thus: "I am sold out on the van Damme white cables at the moment. the £499 listing is a placeholder but I do not think there will be more."

    Effectively, he's put a ridiculously high price on them, to stop anyone ordering the cables until (or if) he receives any more stock.

    During our exchange, it became apparent that the Whites are a bit 'special' (in comparison with other cables in the Van Damme range). I believe that they were NOS, supplied to Abbey Road Studios, which he had a limited stock of, all of which has now been sold.

    I can certainly hear something about these cables which is a bit special, however, we shall see what the VD Ultra Blacks do in comparison!

    Marco.
    I did say how pleased that I am with them right from the go, and what came out in your dealings with the seller has made me smile a little wider!
    Bluesound Node 2i
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  3. #53
    Join Date: Aug 2012

    Location: Sunny Portsmouth

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    As to the original question by CageyH:

    I can recommend the Slic Innovations Eclipse C Interconnect Cable

    An amazing cable
    Bev


    Mark Levinson N°390s CD Through:Atlas Elektra XLR's To: Mark Levinson N°383 To: Magneplanar .7's

  4. #54
    Join Date: Jan 2009

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    But as you haven't actually compared most of he cables discussed in this thread...,
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  5. #55
    Join Date: Oct 2011

    Location: Glasgow/Italy

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    I'm Drew.

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    Quote Originally Posted by YNWaN View Post
    But as you haven't actually compared most of he cables discussed in this thread...,
    Yep +1
    Any useful recommendation in this thread should actually relate to it.

  6. #56
    Join Date: May 2012

    Location: Toulouse, France

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    I'm Kevin.

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    Quote Originally Posted by Ninanina View Post
    As to the original question by CageyH:

    I can recommend the Slic Innovations Eclipse C Interconnect Cable

    An amazing cable
    It can't be that good. It took you about 2 weeks to make your mind up about it.



    No matter how good it may be, I cannot justify to myself the cost of the cable.
    If I can't do that, how do I explain to Mrs H that I have just spent £500 on a cable?
    Kevin

    Too busy enjoying the music....

    European loan coordinator for Graham Slee HiFi system components..

  7. #57
    Join Date: Jan 2009

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    I'm afraid such a context free statement does come across as a 'point and click' advertorial moment!
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  8. #58
    Join Date: Aug 2012

    Location: Sunny Portsmouth

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    Quote Originally Posted by CageyH View Post
    It can't be that good. It took you about 2 weeks to make your mind up about it.



    No matter how good it may be, I cannot justify to myself the cost of the cable.
    If I can't do that, how do I explain to Mrs H that I have just spent £500 on a cable?
    Actually you are very wrong as it took me over 5 weeks to finally decide on the SLIC

    If I am spending 'serious money' I don't ever decide very quickly, it's just the way I am.... however if you want what "I" would consider THE VERY BEST then I have to highly recommend the SLIC cable

    I guess I am the minority here being female and not having to explain any of my purchases to anybody else... as far as I am concerned nobody can decide, apart from myself, where I spend my hard earned £'s !!
    Bev


    Mark Levinson N°390s CD Through:Atlas Elektra XLR's To: Mark Levinson N°383 To: Magneplanar .7's

  9. #59
    Join Date: Aug 2012

    Location: Sunny Portsmouth

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    I should point out that I did try the Gotham cable and in my system it was a load of rubbish.... it sounded like a £20 cable, which is what it is...
    Bev


    Mark Levinson N°390s CD Through:Atlas Elektra XLR's To: Mark Levinson N°383 To: Magneplanar .7's

  10. #60
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

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    Bev, this thread is not about Slic cables, so please keep your comments about that in the appropriate places elsewhere on the forum. Cheers!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


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