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Thread: The BigMooG decca cartridge rules thread

  1. #11
    Join Date: Apr 2009

    Location: Near Saffron Walden, Essex

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    I'm Dave.

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    Nottingham Analogue arms were/are designed to be used with Decca cartridges. They are amongst the very few arms to be able to control and extract the best from Decca cartridges of any ilk and far from shaking themselves to bits, they make the Decca's sing.

    Back in the early 80's we used to sell as many vintage Decca's as we could get our hands on - Dark Blue, Blue, Maroon, Grey and the (new) Super Gold, the vast majority went on Notts arms and we never had any trouble. No trouble that is except for the carts themselves, which weren't the most reliable I have encountered.

  2. #12
    Join Date: Jun 2009

    Location: Guildford

    Posts: 228

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    Quote Originally Posted by hifi_dave View Post
    Nottingham Analogue arms were/are designed to be used with Decca cartridges. They are amongst the very few arms to be able to control and extract the best from Decca cartridges of any ilk and far from shaking themselves to bits, they make the Decca's sing.

    Back in the early 80's we used to sell as many vintage Decca's as we could get our hands on - Dark Blue, Blue, Maroon, Grey and the (new) Super Gold, the vast majority went on Notts arms and we never had any trouble. No trouble that is except for the carts themselves, which weren't the most reliable I have encountered.

    Im aware of this and indeed used a notts arm for a while......not brilliant imho


    FYI, the zeta and mission mechanic were designed with deccas in mind
    BigMooG (Jonathan Stanley)
    He says: Decca is Better

    Vinyl System: Superficial Engineering hell/p12 turntable (British Leyland suspension upgrade), Jack-a-nori semi mono Cartridge (tooth pick cantilever), STI Klynik XXX tonearm (rewired with Klimacs Kable ), intelligence quotient 161 (mensa) preamplifier with 224 NOS Ssangyong ECC88s and NOS North Korean kim-jong-ill GZ34s, barelyaudible research V.P.L. dual quad mono amplifiers with modified circuit boards (MDF), Gilson W.A.L.L.O.P Ultimate Final V2 loudspeakers, uranium cable loom (mercury vapour upgrade), hysterical research and Dr Mike Amera room treatments-flock wallpaper, yergota bee-joking cryofrozen fuses throughout
    .

    Digital system: cd player

  3. #13
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

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    I'm David.

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    BM, you needed someone to set the thing up properly (that's what Linn dealers always say when a client doesn't like their wares )

    The Mission mechanic didn't get a good writup in 'Choice at the time, although I do understand the politics involved in *certain* reviewing back then. Jimmy loved his Zeta and his sample behaved faultlessly once the bearings were sorted early on. He played all sorts of carts in it to very good effect. I wonder what he plays his LP's on nowadays??????

    I don't like to give this arm any publicity 'cos it's already shooting up in value, but the Alphason HR100S sounded absolutely bloody marvelous with a Decca Silver on board (with GB clamp IIRC). One of the few arms that truly did it justice IMO. The client had an undamped cueing device and wanted it stripped down and re-greased. The sound was so good I chickened out as I didn't want to disturb perfection IMO. I didn't charge for the callout (well, I couldn't) and put a few drops of Rega silicone cueing-device fluid/treacle on the top of the piston, hoping it would leech down in time...
    Tear down these walls; Cut the ties that held me
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  4. #14
    Join Date: Jan 2009

    Location: Essex

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    I'm openingabottleofwine.

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    Quote Originally Posted by bigmoog View Post
    just because deccas were used in decca unipivots doesnt make it any good, I have a london international and it makes the decca sound rubbish


    my deccas like to see 47k
    Decca always maintained that head (cartridge) and arm should be designed together for optimum results.

    The Decca London International arm (with the spirit bubble in the headshell) was a much inferior value-engineered version of the Decca ffss International arm (with the metal cartridge mounting platform). It was the latter version I had in mind.

    47kOhm may the de facto load impedance for the great majority of fixed coil cartidges. The Deccas are, however, unlike any other cartridge and 47k is not necessarily the optimum value. It depends on the arm used; your Mission(?)-Decca combination may well like 47k.

    Regards
    Barry

  5. #15
    Join Date: May 2008

    Location: Cricklewood

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    I'm ILOB.

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    The Decca London is a gret sounding Cart and works really well with the Terminator Its the most alive sound I have ever heard
    Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?

    Humour: One of the few things worth taking seriously

  6. #16
    Join Date: Jun 2009

    Location: Guildford

    Posts: 228

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    Quote Originally Posted by barry.d.hunt View Post
    Decca always maintained that head (cartridge) and arm should be designed together for optimum results.

    The Decca London International arm (with the spirit bubble in the headshell) was a much inferior value-engineered version of the Decca ffss International arm (with the metal cartridge mounting platform). It was the latter version I had in mind.

    47kOhm may the de facto load impedance for the great majority of fixed coil cartidges. The Deccas are, however, unlike any other cartridge and 47k is not necessarily the optimum value. It depends on the arm used; your Mission(?)-Decca combination may well like 47k.

    Regards

    I have been using deccas in various forms in numerous arms for more than 20 ears and nearly all have liked 47k...my current PH5 has variable loading and its nice to fiddle.....


    I have used a decca uni and the London international arm and sorry both are hopeless at extracting a decca quality sound in my experience......I dislike unipivots, sorry...
    BigMooG (Jonathan Stanley)
    He says: Decca is Better

    Vinyl System: Superficial Engineering hell/p12 turntable (British Leyland suspension upgrade), Jack-a-nori semi mono Cartridge (tooth pick cantilever), STI Klynik XXX tonearm (rewired with Klimacs Kable ), intelligence quotient 161 (mensa) preamplifier with 224 NOS Ssangyong ECC88s and NOS North Korean kim-jong-ill GZ34s, barelyaudible research V.P.L. dual quad mono amplifiers with modified circuit boards (MDF), Gilson W.A.L.L.O.P Ultimate Final V2 loudspeakers, uranium cable loom (mercury vapour upgrade), hysterical research and Dr Mike Amera room treatments-flock wallpaper, yergota bee-joking cryofrozen fuses throughout
    .

    Digital system: cd player

  7. #17
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

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    I'm David.

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    Some Decca's take off over 12KHz or so and I read somewhere that 33K may be a better loading for these. The sorted Microscanners etc may well be ok with 47K. Unless I'm mistaken, many mm's could do with a higher loading - either that, or a tweaked RIAA as many tend to sag in the treble regions.

    BM, have you or anyone else ever used the pre-London models from the sixties? A re-tipped one of these should be very interesting.
    Tear down these walls; Cut the ties that held me
    Crying out at the top of my voice; Tell me now if you can hear me

  8. #18
    Join Date: Jun 2009

    Location: Guildford

    Posts: 228

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    Quote Originally Posted by DSJR View Post
    Some Decca's take off over 12KHz or so and I read somewhere that 33K may be a better loading for these. The sorted Microscanners etc may well be ok with 47K. Unless I'm mistaken, many mm's could do with a higher loading - either that, or a tweaked RIAA as many tend to sag in the treble regions.

    BM, have you or anyone else ever used the pre-London models from the sixties? A re-tipped one of these should be very interesting.

    Dave, I have used a decca mark IV, which I think dated to 65 ish, it was knackered, so I dismantled it to have a look at the advanced assembly within
    BigMooG (Jonathan Stanley)
    He says: Decca is Better

    Vinyl System: Superficial Engineering hell/p12 turntable (British Leyland suspension upgrade), Jack-a-nori semi mono Cartridge (tooth pick cantilever), STI Klynik XXX tonearm (rewired with Klimacs Kable ), intelligence quotient 161 (mensa) preamplifier with 224 NOS Ssangyong ECC88s and NOS North Korean kim-jong-ill GZ34s, barelyaudible research V.P.L. dual quad mono amplifiers with modified circuit boards (MDF), Gilson W.A.L.L.O.P Ultimate Final V2 loudspeakers, uranium cable loom (mercury vapour upgrade), hysterical research and Dr Mike Amera room treatments-flock wallpaper, yergota bee-joking cryofrozen fuses throughout
    .

    Digital system: cd player

  9. #19
    Join Date: Apr 2009

    Location: Near Saffron Walden, Essex

    Posts: 7,090
    I'm Dave.

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    Quote Originally Posted by DSJR View Post
    Some Decca's take off over 12KHz or so and I read somewhere that 33K may be a better loading for these. The sorted Microscanners etc may well be ok with 47K. Unless I'm mistaken, many mm's could do with a higher loading - either that, or a tweaked RIAA as many tend to sag in the treble regions.

    BM, have you or anyone else ever used the pre-London models from the sixties? A re-tipped one of these should be very interesting.
    Used any ???

    I still have a couple of FFSS types which were repaired and tweaked plus, of course, I have a selection of Dark Blues, Maroons, Golds etc etc and they all sing sweetly in Nottingham Analogue arms as you know.

  10. #20
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,535
    I'm David.

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    When I decide to grace you with my presence (), I expect to hear an oldie Decca instead of that ghastly boomy SPU you set up
    Tear down these walls; Cut the ties that held me
    Crying out at the top of my voice; Tell me now if you can hear me

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