Nope, there was no oath and I’m happy to state that no secret handshakes are necessary.
The truth is of course in this instance as others have noted whatever is on the chosen media.
When I first got into Hi Fi (Hi Fi is a hobby and isn’t necessarily related to my enjoyment of music) the goal was for the enthusiasts I knew to reproduce as faithfully as possible what was on the media. Digital recording studios hadn’t become the norm and audio enthusiasts had record players and tape machines. Some systems got closer than others. We read the various electronic journals of the day, viewed the increasingly popular Hi Fi magazines with deep skepticism and learnt how solder and built our own kit. I dare say many of my generation are now the designers of much of the non mainstream kit many of us now value and prefer.
At some point and I’m not exactly sure when but a bit before I gave up vinyl (I’ve been clearing out and dug out my old Decca London Gold cartridge which brought on a burst of nostalgia) I resigned myself to the conclusion that absolute fidelity to the media was virtually impossible. Even if one could make or afford equipment that got close to true transparency (I feckin hate that term) then the room the system played in would make a mess of the sound so what was the point. My interest in audio reproduction stayed with me and when I went digital I set about trying to learn a bit about that.
Digital equipment I would argue has developed at an astounding rate. I am constantly being pleasantly surprised by its abilities to tailor sound and dismayed by the abuse this often leads to
I’ve listened to a fair number of pre and post studio mixes over the past few years and had the opportunity to see and hear what can be done with digital mixing equipment. anyone who has spent a bit of time playing with one of the pro DA converters will have a good idea of just how powerful these machines have become. The ability to manipulate audio in such a manner used to require racks of kit, now you can get a fully fledge mixer on a USB stick thanks to the ubiquitous computer.
There are now some very good room correction programs and other programs still under development that will allow astounding levels of fine tuning audio that could be used to compensate for playback equipment anomalies, or if one wished, tailor an audio file to sound like tape or vinyl for examples.
Perhaps, if the audiophile community isn’t too entrenched the pursuit of true audio fidelity isn’t such a pipe dream after all.
Hello Brian.
Because I want to hear what’s on the media and quite often given current recording practice it isn’t that pleasant to listen to.
Hello Clive.
I wish I could write that it’s sunny and warm but it isn’t. Next week will be better apparently but its still bloody cold at night up here in the hills.
Honestly Marco, you crack me up. What are you like?
Single spur balanced Mains. Self built music server with 3 seperate linear PSU, Intel i5, 16 GB RAM no hard drive (various Linux OS). Benchmark Dac2 HGC, single ended XLR interconnects/Belkin cable. Exposure 21RC Pre, Super 18 Power (recap & modified). Modded World Audio HD83 HP amp. Hand built Monitors with external crossovers , Volt 250 bass & ABR, Scanspeak 13M8621 Mid & Scanspeak D2905/9300 Hi. HD595 & Beyer 880 (600 ohm) cans.
The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.
-Bertrand Russel
John.