Fantastic, I applaud this test. However, who did all the setting up and did any of the participants listen to your test gear on previous occasions. The only reason I ask is because this can add bias into an experiment. Firstly if any other your listeners have heard your system previously they will know its strengths and weaknesses and this could be viewed as them being able to judge its sonic characteristics. Secondly did the person who assembled the test kit have any idea of the cable brand? Again this is another possible area where bias could be introduced. Sorry to sound like this but I actually get paid to design experiments and assess the validity of the methodology. No methodology is perfect but yours is the best I have seen so far to test cables. There are loads of other areas which could have also added bias into your experiment but thats for another day. Well done mate
SS
CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10
VALVE
PRE Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker