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Thread: Slate or Granite for the 301?

  1. #11
    Join Date: Nov 2010

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    I'm Andrew.

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    Quote Originally Posted by chelsea View Post
    Is it a hollow plinth?
    I have looked at these options. I have also looked at the option of using Sandstone. I have a 75mm thick slab of the stuff sitting in the garage, it weights over 100kg I did intend having one made out of that
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  2. #12
    Join Date: Jan 2013

    Location: Birmingham

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    I'm James.

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    Granite has a denser mass than slate so presume this would make it more inert.
    However this fact may not translate into it being a better material for resonance isolation. The only absolute way to be sure would be to try two plinths made up from each material.....ahh expensive experiment:

  3. #13
    Join Date: May 2008

    Location: Lancaster(-ish), UK

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    I'm ChrisB.

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    Quote Originally Posted by Thermionic Idler View Post
    Well, the received wisdom is that slate is superior because its structure is similar to that of the commonly used constrained layer wood plinths.
    The received wisdom about slate is mainly utter, utter loblocks!!
    This is what I understand to be the case:
    It is not a layered structure, despite what people think. It is laid down as sediment in a random fashion and not in layers. The reason it is easily cleaved along a relatively flat plane is not because of naturally occurring layers, but because when you split it, the shock waves travel along the line of the force that you apply. In this medium, you get a good clean, flat split because the particles that were deposited were laid down under a relatively even force and they are of a relatively similar diameter due to the force of the water carrying them.

    That's not to say that it's not a good material to make a turntable plinth from. It's not to say that the way slate is laid down is not good for making turntable plinths from either, but sometimes people base their pseudo scientific theories on misinformation.

  4. #14
    Join Date: Dec 2010

    Location: Northampton

    Posts: 1,373
    I'm Mark.

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    Quote Originally Posted by The Grand Wazoo View Post
    The received wisdom about slate is mainly utter, utter loblocks!!
    This is what I understand to be the case:
    It is not a layered structure, despite what people think. It is laid down as sediment in a random fashion and not in layers. The reason it is easily cleaved along a relatively flat plane is not because of naturally occurring layers, but because when you split it, the shock waves travel along the line of the force that you apply. In this medium, you get a good clean, flat split because the particles that were deposited were laid down under a relatively even force and they are of a relatively similar diameter due to the force of the water carrying them.

    That's not to say that it's not a good material to make a turntable plinth from. It's not to say that the way slate is laid down is not good for making turntable plinths from either, but sometimes people base their pseudo scientific theories on misinformation.

    I was chatting to a turntable manufacturer recently. He was telling me that slate is okay, but you need something like silicon at it outer edges for it to dump the vibration into.
    I'm contemplating having my slate plinth modified.
    Mark

  5. #15
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default Slate or Granite for the 301?

    Neither. Quality wood is best:




    http://www.layers-of-beauty.co.uk/Page2.html



    I still like slate, and consider it a good material from which to make a turntable plinth, but I'm coming more to the conclusion now that high-quality wood, executed in the right way (preferably with some other material sandwiched in between), is the way to go.

    That's probably the way I'll go when I buy one of Audio Grail's grey hammerite finished fully-restored 301s (as a second T/T)! I want some nice ebony

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


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  6. #16
    Join Date: Dec 2010

    Location: Northampton

    Posts: 1,373
    I'm Mark.

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    That does look pretty. From what I've read I'm not sure wood and an idler would be the way to go. Maybe some fancy bit of technology under the wood would be good.


    Quote Originally Posted by Marco View Post
    Neither. Quality wood is best:




    http://www.layers-of-beauty.co.uk/Page2.html



    I still like slate, and consider it a good material from which to make a turntable plinth, but I'm coming more to the conclusion now that high-quality wood, executed in the right way, is the way to go.

    That's probably the way I'll go when I buy one of Audio Grail's grey hammerite finished fully-restored 301s! I want some nice ebony

    Marco.
    Mark

  7. #17
    Join Date: May 2008

    Location: Lancaster(-ish), UK

    Posts: 16,937
    I'm ChrisB.

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    My thoughts are that wood combined with slate could be very good indeed and that's the way I'm heading with my G99 plinth. The wood part is mainly done but slate will be 'bread' for the sandwich.
    So as I tried to point out above, I still think it's a good material but sometimes it winds me up when we are so ready to attribute our (perhaps misinformed) theories as explanations for differences in sound quality.

  8. #18
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by The Grand Wazoo View Post
    My thoughts are that wood combined with slate could be very good indeed and that's the way I'm heading with my G99 plinth. The wood part is mainly done but slate will be 'bread' for the sandwich.
    Those are also my thoughts, Chris! Have some Currywurst and a Warsteiner on me

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  9. #19
    synsei Guest

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    Quote Originally Posted by Marco View Post
    Neither. Quality wood is best:




    http://www.layers-of-beauty.co.uk/Page2.html



    I still like slate, and consider it a good material from which to make a turntable plinth, but I'm coming more to the conclusion now that high-quality wood, executed in the right way (preferably with some other material sandwiched in between), is the way to go.

    That's probably the way I'll go when I buy one of Audio Grail's grey hammerite finished fully-restored 301s (as a second T/T)! I want some nice ebony

    Marco.
    Ebony rings like a bell though

  10. #20
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,829
    I'm Clive.

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    I tried birch ply CLD plinths in various configuations. All had something special but all had dowsides too. I'm sure wood with extensive development and auditioning would work well with a 301. When I tried slate it was immediately "right". Maybe this was luck but I suspect slate is simply easier to get right first time.
    TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
    TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
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