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Thread: Amp Hospital: Cyrus One

  1. #31
    synsei Guest

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    I've a confession to make, I have a soft spot for the TMA3. I love the simplicity of its design and yet it still manages to look very classy. The circuit boards are exquisite and look as if they are a doddle to work on and the amps sound very nice indeed although I found bass lacked a little weight for my liking. Mind you, the example I heard was driving a pair of Kan's so that might have had something to do with it

  2. #32
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Jeez, mate, 4.20am... Has she kicked you out of bed?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  3. #33
    synsei Guest

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    No Had a bad back night, it happens from time to time

  4. #34
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Regular horizontal jogging will sort that out!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  5. #35
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

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    Quote Originally Posted by synsei View Post
    I've a confession to make, I have a soft spot for the TMA3. I love the simplicity of its design and yet it still manages to look very classy. The circuit boards are exquisite and look as if they are a doddle to work on and the amps sound very nice indeed although I found bass lacked a little weight for my liking. Mind you, the example I heard was driving a pair of Kan's so that might have had something to do with it
    I used to own a Blue/Silver 'TMA3', very neat laid out inside..

  6. #36
    Join Date: Dec 2011

    Location: South downs

    Posts: 3,477
    I'm James.

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  7. #37
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,535
    I'm David.

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    Was recommended in 'Choice too and when I heard it, it sounded lovely and far more delicate than the Nait and equivalent pre-powers. Sadly, the Naim-Guru of our sales director argued the Salisbury case too far and we never took them on. Built like that, it should have been more successful - another brand all but stamped on by the Linn/Naim alliance-dealers back then. Of course, Mission and the then related Cyrus offered annual skiing holidays to senior managers of dealerships if they sold enough so we had them instead and this man often phoned me with pep talks on how good Mission and Cyrus were
    Tear down these walls; Cut the ties that held me
    Crying out at the top of my voice; Tell me now if you can hear me

  8. #38
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

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    I particulally remember the Phonostage section sounded very good.

  9. #39
    Join Date: Dec 2011

    Location: South downs

    Posts: 3,477
    I'm James.

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    Quote Originally Posted by DSJR View Post
    Was recommended in 'Choice too and when I heard it, it sounded lovely and far more delicate than the Nait and equivalent pre-powers. Sadly, the Naim-Guru of our sales director argued the Salisbury case too far and we never took them on. Built like that, it should have been more successful - another brand all but stamped on by the Linn/Naim alliance-dealers back then. Of course, Mission and the then related Cyrus offered annual skiing holidays to senior managers of dealerships if they sold enough so we had them instead and this man often phoned me with pep talks on how good Mission and Cyrus were
    The more I learn about the hifi industry the more I

    Goes a long way to explain how some crap products gain reputations as 'giant killers' while well made, honest designs flounder. how sad.

  10. #40
    Join Date: Oct 2012

    Location: Lutterworth, Leicestershire, UK

    Posts: 13
    I'm Adrian.

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    istari.

    I am a new forum member so my apologies for making a request via my first post. I am also a bit of a newbie with the DIY electronics side though I have recently rebuilt quite a bit of my Chiarra headphone amp.

    I have a couple of Cyrus 1s. I bought the first in 1989 and it still works with the addition of an alps pot (big difference) and new phono plugs. The second one I bought as spare but found it worked after I fixed the mains switch and did the same with the volume pot and plugs.

    I was wondering if you could provide a list of the capacitors you changed and with what new values. I would like to replicate what you have done.

    I do not use the phono stage on mine but this because I bought an external stage a couple of years ago.

    Many thanks for your time

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