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Thread: What is the art of sound?

  1. #151
    Join Date: Jan 2008

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    Bose. Shudder!

  2. #152
    Join Date: Oct 2010

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    Quote Originally Posted by Steve Toy View Post
    Solidstate is our representative offering the basis for starting point #4. Without actually stating the obvious, guys in this particular camp are more than likely valve amp users, possibly with vinyl-only sources.

    It's an extremely valid approach and one I personally wish to investigate with the possible risk that I may wish to trash my entire system, fall in a heap and begin again from scratch if it meets some of the other critera, notably mine.
    This notion of trashing my whole rig(s) and starting over is appealing to me. Catharsis?
    Freedom is the right to discipline yourself.

  3. #153
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    I think of melody being linear, horizontal (and juxtapositional), and harmony vertical and more akin to addition/subtraction (contrapuntal). While rhythm follows the form of both melody and harmony, with vertical and horizontal characteristics, by nature of its unique space in time it can possess qualities unlike either other. Me or us? hmmm.
    Freedom is the right to discipline yourself.

  4. #154
    Join Date: Oct 2010

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    I have some theories about how sound differs under various physical, atmospheric conditions, and by and large, we tend only to consider indoor environment minutiae as we evaluate systems. I love to cobble the biggest rig possible, take it out into the country where no sonic alienation can be sought or wrought, and play holy hell with the wind as my listening companion.
    Freedom is the right to discipline yourself.

  5. #155
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    Nice if you have the opportunity and the space!

  6. #156
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    Alex_UK is offline Spotify + Facebook Moderator / Chilled-Out Wino and only here for the shilling
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    Quote Originally Posted by michaelhigh View Post
    I have some theories about how sound differs under various physical, atmospheric conditions, and by and large, we tend only to consider indoor environment minutiae as we evaluate systems. I love to cobble the biggest rig possible, take it out into the country where no sonic alienation can be sought or wrought, and play holy hell with the wind as my listening companion.
    I've been playing an extension of my system in the garden over the summer, and I know what you mean - no walls, ceilings or glass to introduce any reflections, no problems with furniture or TVs to get in the way of speaker positioning - the sound of the wind and the birds adds a certain something - or maybe it was the bbq'd food and nice wine? s
    Alex

    Main System: Digital: HP Laptop/M2Tech Hiface/Logitech Media Server/FLAC; Marantz SA7001 KI Signature SACD Player and other digital stuff into Gatorised Beresford Caiman DAC Vinyl: Garrard 401/SME 3009 SII Improved/Sumiko HS/Nagaoka MP-30
    Amplifier: Rega Brio R. Speakers: Spendor SP1. Cables: Various, mainly Mark Grant.
    Please see "about me" for the rest of my cr@p! Gallery


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  7. #157
    Join Date: Jan 2008

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    I've been playing an extension of my system in the garden over the summer, and I know what you mean - no walls, ceilings or glass to introduce any reflections, no problems with furniture or TVs to get in the way of speaker positioning - the sound of the wind and the birds adds a certain something...
    You could do it bollock naked - that would add "a certain something" else, too.....

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


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  8. #158
    Join Date: Mar 2008

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    Only in your head ye pervert!

  9. #159
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    Alex_UK is offline Spotify + Facebook Moderator / Chilled-Out Wino and only here for the shilling
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    Quote Originally Posted by Marco View Post
    You could do it bollock naked - that would add "a certain something" else, too.....

    Marco.
    Who said I didn't? Well, only wearing an arab strap, but that's near enough naked in my book!
    Alex

    Main System: Digital: HP Laptop/M2Tech Hiface/Logitech Media Server/FLAC; Marantz SA7001 KI Signature SACD Player and other digital stuff into Gatorised Beresford Caiman DAC Vinyl: Garrard 401/SME 3009 SII Improved/Sumiko HS/Nagaoka MP-30
    Amplifier: Rega Brio R. Speakers: Spendor SP1. Cables: Various, mainly Mark Grant.
    Please see "about me" for the rest of my cr@p! Gallery


    A.o.S. on Facebook - A.o.S. on Spotify - A.o.S. on Twitter

    There is only one way to avoid criticism: do nothing, say nothing and be nothing Aristotle

  10. #160
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

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    Only in your head ye pervert!
    Moi? I'm just a shy boy.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


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