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  1. #1
    Join Date: Jan 2009

    Location: Truro Cornwall

    Posts: 28
    I'm Andy.

    Default Interconnects touching the wall ??

    Hi,
    apologies if this has been covered before but I'm a recent member..

    In a recent thread Steve Toy touched on the subject of interconnect cables being in contact with the wall as to cause degredation in sound quality.

    I've not heard of this one before so whats the deal folks...

    Cheers
    Andy.

  2. #2
    Join Date: Jun 2008

    Location: N. Ireland

    Posts: 2,475
    I'm Steve.

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    Mains cables in the wall?
    They swim... the mark of Satan is upon them. They must hang.


    FLAC / WDTV Live / Cambridge Audio / Tannoy VX12

  3. #3
    Join Date: Jan 2008

    Location: Central England

    Posts: 2,932

    Default

    On a revealing setup you'll hear coloration in the mid as well as a touch of upper bass boom with an interconnect touching the wall.

    As for mains cables being in the wall, this is also an issue that can be addressed by using a mains block and mains cables designed to reduce the effects of microphony. You can even experiment with decoupling the mains block from the floor in some way. By microphony I mean vibration borne by the cable and transfered directly into your sensitive electronics.

    As I say, it's about vibration. I'd like to try an experiment of connecting a house brick to an auxilliary input on the back of a preamp. I bet decoupling the brick from the floor will make an improvement (subsequently removing the brick altogether will be better still I'd expect!)

    It's one of those suck-it-and-see experiments with cables, blocks and supports. There's no point in arguing about its merits. Experience is the key as well as trusting your ears - which is basically what AOS is all about.

    We'll be paying a lot of attention to microphony at our demo at Scalford Hall on 1st March by how we set up our system.

    The very best UK dealers for being knowledgeable about the effects of microphony are Audio Works in Cheadle near Manchester. Two of their guys (Mr Ed and Rick O) post here from time to time.

  4. #4
    Join Date: Jan 2009

    Location: Truro Cornwall

    Posts: 28
    I'm Andy.

    Default

    Thanks for that Steve,that's very interesting.
    As my system is shelf mounted a lot of cabling is touching the wall.
    Looks like I have some experimenting to do.
    I have to say some of the problems in sound quality you mention are
    sometimes the case !!

    Cheers
    Andy.

  5. #5
    Join Date: Jan 2008

    Location: Norfolk, UK

    Posts: 6,209
    I'm BigBobJoylove.

    Default

    Quote Originally Posted by Steve Toy View Post
    ...Experience is the key as well as trusting your ears - which is basically what AOS is all about...
    That's the key here. Regardless of the scientific basis, if there's a notable audible improvement by decoupling interconnects and/or mains blocks from the adjacent surfaces, it has to be worth investigating. News to me though I have to say.

    Ben Duncan mains conditioner
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  6. #6
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Basically, apart from carrying our precious music signals from one box to another, cables can also act as aerials for RFI and as a conduit for microphonic interference...

    Therefore, steps must be taken to combat this, one of which is not allowing cables to come into contact with surfaces (such as walls) where vibration could be transferred along cables and into equipment, thereby creating said issues of microphony within internal circuitry sensitive to such

    That's why all my cables 'hang' in free space, well away from any walls or the floor. This is very easily facilitated when your equipment is on multiple Mana supports and between four and six feet off the ground

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


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  7. #7
    Join Date: Jan 2009

    Location: Truro Cornwall

    Posts: 28
    I'm Andy.

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    The issue with cables and RFI I understand and am aware of, as cables can act as aerials and transmit what ever RFI stray signals are around into the system.
    When you think of it one of the best aerials you can have, especially for AM and short wave radio is a long piece of wire.

    The issue with wall contact I have more difficulty with, especially in my case as the wall is concrete and accousticly dead to all intence and purposes.
    I guess stud walls ( plaster board ) could well be more susceptable as it will be less accoustically dense..

    That said, it will be interesting to have a fiddle and see what transpires.
    I find it pays to keep an open mind with these things.

    Andy.
    Last edited by pentode10; 04-02-2009 at 22:20.

  8. #8
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Andy,

    I understand your scepticism, but think about all that vibrational energy generated by your speakers, particularly when music is being played loudly... Do you think that none of it travels up the walls, from the floor, no matter what material walls are made from, not to mention general structural vibration present in your home caused by outside influences such as traffic, particularly if you live near a busy main road?

    This is also why knowledgeable enthusiasts use properly designed (often elaborately constructed) equipment supports to house their gear and thus help cocoon it from said vibration.

    One of the reasons Naim introduced the new Powerline mains leads, for example, (and their Hi-line interconnects), with decoupled IEC sockets and 13A plugs (and them recommending that locking collars on DIN plugs were kept undone), was to combat this very problem. The last thing you want is to couple your cables to a source of vibration and thus allow vibrational energy to be transmitted into sensitive circuitry inside equipment, which is effectively what you're doing when signal or power cables touch walls and/or the floor; where possible you want to decouple them completely from any such source of vibration.

    Like Steve says, in a high resolution system the detrimental sonic effects of not doing so are all too obvious... Anyway, try rearranging things and let us know how you get on

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  9. #9
    Join Date: Nov 2008

    Location: Valley of the Hazels

    Posts: 9,139
    I'm AMusicFanNotAnAudiophile.

    Default

    Quote Originally Posted by Steve Toy View Post
    On a revealing setup you'll hear coloration in the mid as well as a touch of upper bass boom with an interconnect touching the wall.
    If this is the case then it should be possible to set up a proper experiment to test this statement.

    I personally fall off the fence a sceptic as to there being audible effects of interconnects contacting walls.

    If there are means to prove that there are real effects by proper measurement then it might possibly be shown by playing pink noise through a loudspeaker and analysing the in room response of loudspeaker, both with and without the interconnect being in physical contact with the wall.

    Chris

  10. #10
    Join Date: Aug 2008

    Location: London

    Posts: 2,411
    I'm Nat-andthat'swhyIdrink.

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    Quote Originally Posted by Steve Toy View Post
    I'd like to try an experiment of connecting a house brick to an auxilliary input on the back of a preamp. I bet decoupling the brick from the floor will make an improvement (subsequently removing the brick altogether will be better still I'd expect!)
    He wants to connect a brick to an aux input of hs pre-amp?? Wants to then try decoupling it from the floor (with spikes?) ...

    ... and then suspects it might sound a lot better if it's then removed altogether??



    This is subjectivism gone completely mad !

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