Got to agree with that . Marks' service is second to none . A thoroughly deserved award , congratulations Mark.
Got to agree with that . Marks' service is second to none . A thoroughly deserved award , congratulations Mark.
I think it was raining outside at the time.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Ah, that must be it
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I don't understand the skepticism, if you replaced the plugs with plastic, it wouldn't work atall, agreed?
So changing the metal you choose to make connections with will also impact the sound, I can't see how it wouldn't, lead and gold behave differently.
Agreed, Martin, and it's not just materials either, it's the design too.
But then it all starts to get anal and obsessive, since the sockets one is plugging into are plated with different materials - often multi-plated, and made with different materials too, and then there's the solder used and the wire or circuit track inside the items themselves - see where I'm going with this?
All I wanted to try to say (unsuccessfully?), is that the STOCK HD1500 cable is a bargain at £45 or whatever it is now. Marco raved about it being the best thing since sliced bread up until a year or so ago - a giant-beater with standard plugs, which I wholeheartedly agree with. I just wanted to re-affirm how good the standard cable is, but if you lot really feel that the cable is made or broken by the plugs fitted at each end, then I humbly apologise and shall crawl back under my stone, since it's now becoming obvious that I'm not as "finely tuned" any longer to these tiny differences as maybe I once was. I just don't obsess with the tiniest details any more..
Apologies again folks. Some major re-thinking needed here I reckon and yes, I am now again in the position to buy a set of HD2000's, although a Bushmaster is probably what I'll end up getting with the £200 needed - far more fundamental I think to the performance of the system it would go in...
Tear down these walls; Cut the ties that held me
Crying out at the top of my voice; Tell me now if you can hear me
Hi Dave,
Yes, that's why to do things properly, you should have the sockets fitted to your equipment from the same manufacturer as the plugs you're using... I'm certain that part of the reason why I obtained such a significant upgrade from fitting the Eichmann bullet plugs to my MG interconnects is because Glenn had already fitted the matching Eichmann sockets to my Croft preamp, upgrading the existing ones, as part of the mods he carried out years ago!But then it all starts to get anal and obsessive, since the sockets one is plugging into are plated with different materials - often multi-plated, and made with different materials too, and then there's the solder used and the wire or circuit track inside the items themselves - see where I'm going with this?
Indeed, and I stand by every word. However, there are different levels of SPPV to be gained, and so it's fine to have a £60 cable, or whatever, which performs like a £300 one, or whatever, but if you can, why not then increase the SPPV and turn that £300 'giant-killer' into a £1000 one?All I wanted to try to say (unsuccessfully?), is that the STOCK HD1500 cable is a bargain at £45 or whatever it is now. Marco raved about it being the best thing since sliced bread up until a year or so ago - a giant-beater with standard plugs, which I wholeheartedly agree with.
In my opinion, Mark's interconnects, fitted with Eichmann Silver Bullet Plugs, perform as good as any £1000+ cable I've heard, and for a damn sight less...!
*That*, my friend, is the point.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Location: fuck off
Posts: 2,033
I'm fuckoff.
I remember Roy Gandy (Rega) justifying why they are reluctant to use gold plated phono sockets on their integrated products of old. Apparently, a base metal is plated with another metal that can take the gold on top - or summat like that. His thoughts were that the multi-coating isn't a good move. I do see the point in solid silver or gold pins, as long as they can take the stresses and strains of insertion and removal () and I also remember Denis Morecroft preferring plastic casings on his products as well as phono plugs he used instead of metal ones. Not sure of any real proof was ever submitted, let alone two versions with which to compare.
Anyway, I'm intrigued and shall investigate at some point. Do these fancy plugs really cost £150 for four though?
Tear down these walls; Cut the ties that held me
Crying out at the top of my voice; Tell me now if you can hear me