my that's pretty.
i bet that radiator comes in handy
---------------------------------------------------
recovering audioholic
Technics: SL 1210 mk2 / KAB PS1200 psu /Trans-fi Terminator / AT-OC9MLII / WD ph3s /Bluesound node 2i/Musical Fidelity Ms3i/ WADkit 6550 / Tannoy revolution xt8f
Gareth.
LOL! Observe the bigger brother of my Copper amp - four KT88s per channel, 60W P/P pure Class A... {Drool}
One day it shall be mine
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Cynical old me noticed the Spendor SP1's first. Boring to some, but I still love 'em..... Those amps do look good. How do they sound compared with things I'd know like EAR or Croft?
I wish I'd bought the EAR509's back in the day. The Tube Technology Genesis mono's ate their EL34's in ten months, around 600 hours (100W from 4xEL34's should have told me) and it rather put me off valve power amps for life.
Tear down these walls; Cut the ties that held me
Crying out at the top of my voice; Tell me now if you can hear me
Dave,
Anthony's SP1s are great - like mini versions of my SP100s
Which amps are you talking about the big Copper chappie or the Soul babies?
Marco.
P.S Did you see my stuff in the other thread?
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
hi Dave,
i know what you mean about the tube technology amps, i have had them in for repair, very over-complicated bias circuitry, and quite hard on valves, aparently the guy who designed them wants nothing to do with them these days, but i think that may be partly to do with personal circumstances, if anyone knows more, let us know.
regards,anthony,TD...
PS, glad you noticed and share my pasion for the SP1's.
Marco sir, please point me in the direction of the thread you referred to in your post..
Mr TD (tech design or Tangerine Dream?), my amps were originally known as TT "Speed 100's" and by comparison with the EAR509's were incredibly "fast" and dynamic. I had them at home driving Epos ES14's for a few months and they were then recalled for update. They came back with "Genesis" badges and new input valves and sounded rather less "tense." It was only when the EL34's expired that Zia recommended Groove Tubes. I bought some, rebiassed one amp (turned it down) and it sounded lovely. The other, sadly, had the wrong resistors on top of the board (which were very difficult for the likes of me to get to) and wouldn't bias low enough. I got them fixed and sold them, replacing them with a Croft un-regulated OTL, the saga of which I've catalogued on the OTL thread. A shame it mis-behaved because it was so simple internally and beautifully put together.
I heard that Zia lost his wife and just lost interest in audio. I hope that's right and that I'm not mis-informing anyone. At least many valve designs can be sericed easily and it must be possible to reduce the bias (or cathode current?) on the amps to extend valve life (or use a different valve more able to give the required power perhaps).
Tear down these walls; Cut the ties that held me
Crying out at the top of my voice; Tell me now if you can hear me
Dave,
http://theartofsound.net/forum/showthread.php?t=1754Marco sir, please point me in the direction of the thread you referred to in your post..
Marco.
P.S "TD" = 'Tube Distinctions' - Anthony's valve amp company featuring his own designs.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!