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Thread: 103s in the buff

  1. #1
    Join Date: Feb 2008

    Location: Canaries

    Posts: 193

    Default 103s in the buff

    Could a kind soul please explain why there are so many who strip their 103s, leaving them with their dangly bits in the air. If it is because the plastic body reverbs and things, could it not be enclosed in a nasty mastic goo to achieve a similar result and extra weight at the same time ?
    If I am talking out of my ar**, please feel free to teach me the error of my ways.

  2. #2
    Join Date: May 2008

    Location: Bristol, UK

    Posts: 9,962
    I'm Nick.

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    Hi Chris! There was a discussion about this a while back. I've not read it for a while, but it should worth looking at for some of the other forum user's thoughts about 'nuding' the 103. A few here have some experience of this rather tricky procedure

    http://theartofsound.net/forum/showthread.php?t=907
    Nick
    My system...


    Follow AOS on Twitter: @AoS_Forum

  3. #3
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    'Nuding' a 103 can work wonders, but it's down to personal preference and system balance. I'm sceptical about it, hence why I've never gone down that route even though I've played around with more 103s than I've had hot dinners...

    I prefer to use models where any detrimental sonic effect of the cartridge body has been eliminated (103SA for example). I also think that 'nuding' the 103 makes it look butt-ugly!

    The clue is in the saying: 'Different doesn't necessarily mean better'. I'll leave you with that thought

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  4. #4
    Join Date: Feb 2008

    Location: Canaries

    Posts: 193

    Default

    Marco,
    You mention the 103SA - whatīs it got that the Pro hasnīt ? Has Denon improved the body, suspension, coils, tip or a bit of everything ? When the time comes would you retip a Pro or go for the SA ? Now Iīve got my Haufe trannies, I canīt see myself betraying the marque. This is mineīs third Christmas.
    Chris

  5. #5
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Chris,

    The Pro is very good, but to my ears the SA has the edge, and by a fairly significant margin. It's simply the most 'sorted' 103 I've heard, sonically, in terms of the (slightly) ragged top end (even with the Pro when optimally set-up) being completed ameliorated, allowing the full talents of the cartridge for the first time to shine through, and allowing one to fully appreciate its addictive way of music making

    To answer your question, the Pro has advantages in terms of an increased high frequency response, but the SA (electrically the same as a 103R) has a completely different, improved, body (glass fibre composite epoxy), along with more closely matched electrical output parameters (SA's are selected from the production run to meet specific guidelines) and to my ears the combined effect of this is more significant.

    If you can afford one (around Ģ440 on Ebay) I would thoroughly recommend it. I won't be going back to my Pro or 103R in hurry! In fact, they'll be kept just for emergencies.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  6. #6
    Join Date: Feb 2008

    Location: Canaries

    Posts: 193

    Default

    Will the SA match the 40 ohms of the Haufes or is it designed into 14 ohms as (I believe) the 103R is ?

  7. #7
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Chris, if the SA didn't work properly with the Haufe-specified A23 SUT I wouldn't be using it!

    Rest assured, it's a phenomenal sounding combination (with the right deck, tonearm, and phono stage).

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  8. #8

    Default

    Quote Originally Posted by Chris View Post
    Could a kind soul please explain why there are so many who strip their 103s, leaving them with their dangly bits in the air. If it is because the plastic body reverbs and things, could it not be enclosed in a nasty mastic goo to achieve a similar result and extra weight at the same time ?
    If I am talking out of my ar**, please feel free to teach me the error of my ways.
    E = MC squared.

    Mmmm this is old hat, I did an SPU back in the early 80's, then Van den Hul introduced a production off the shelf version, can't remember the model no.

    The difference in sound was stunning, mounted on a Lux tonearm fitted to an EMT Thorens TD150BC.

    How I got to do this was I bought I broken cantelevered SPU at a London sunday market and repaired it. In the process I obviously had to remove the cartridge body and after mending it I had to try it out to test it prior to re-assembly.

    Awesome sound that improved even further when I added a warm up 6.3V torch light bulb situated beneath the SPU when at rest. ;D

    Try it, oh and Decca's, don't get me started, hehe!!

  9. #9
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    That's interesting and thanks for that. I've heard of similar results being obtained with 103s. However, quite simply, if the cartridge body is made of the right material and designed optimally in the first place (properly damped, etc) then there's no issue to address, and hence no need to remove the body.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


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