One from the subs bench this week, and an album which shouldn't need any introduction. But is it actually an album, a life's work, or a dead horse that seems to get flogged every 8-10 years when Mike Oldfield checks his bank balance?!
I must admit that I love this album. It's about the only one of his that I do like, but it's great music, and it at the very least set the scene for virtually every one of Oldfield's subsequent releases. At my most cynical, I'd say that everything he's ever released since, is a reworking of the ideas on Tubular Bells.
It was pretty much ground-breaking when it was released. Technically, though rough around the edges, it's use of multitracking and dependency upon a single performer for virtually all the parts was a new thing. It was the album that launched Virgin Records, and it's doubtful that without it Richard Branson wouldn't be the household name he is today.
Oldfield was reportedly unhappy with some of the technical aspects, and did a fairly straight re-recording of it in 2003. It's a shame he chose to get John Cleese in to do the Master of Ceremonies piece. Far better would have been to use the original multi-track of Viv Stanshall. Not content with that, in 2009 he remixed the original and flogged that to a desperate and needy public. This is on top of the 'Orchestral' Tubular Bells in 1975, Tubular Bells II in 1992, Tubular Bells III in 1998, The Millennium Bell in 1999, The Best of Tubular Bells in 2001 and The Complete Tubular Bells in 2003. That horse must really be hurting by now.
Despite all this though, it's a great original album. I have the 'Boxed' set on vinyl (very thin vinyl, but sounds ok), and the SACD reissue, with the original Quad mix on, which does sound great in multi-channel.
As an aside, it's ironic that for an 'albums' artist it was the use of the main theme in The Exorcist, and it's subsequent edited release as a single that transformed Oldfield from a narrow appeal to bedsit hippies, to a part of the English cultural psyche...
I love the live performance on the BBC's '2nd House' as much for the stellar cast of accompanying musicians, including half of Soft Machine (Karl Jenkins and Mike Ratledge), and half of Gong (Steve Hillage and Pierre Moerlen).
Spotify links to 1973 original mix:
http://open.spotify.com/track/5gF8obnp73ewJK7HxvdTl2
http://open.spotify.com/track/1rTSaxHhe9LUuy4jVgREI7