Lol. It's not difficult; I'm being very specific and not generalising in the slightest. Who’s been going on about forums recently? Answer: Roy Gregory and Malcolm Steward, therefore those are whom I'm referring to!
Like I said, I'd perhaps also chuck Mr Keywood into the mix after his comments below to a readers' letter about a DL-103 in this month's magazine (the chap had merely written in to say how happy he was with his new turntable and was eloquently extolling the virtues of it and the 103), to which Noel replied:
You'd be right to sell that tat ["tat" no less, eh?] Nigel and keep an eye on modern product. I well know and have used at length V15s and 3009s and they are "pleasent" shall we say. The Denon DL103 has sonic attractions perhaps, but is a grossy over rated product that is coloured and inaccurate;
it's an internet special that's been talked up in the (deluded) collective conciousness [note spelling error again!]. You'd be better advised to get a good modern moving coil from Ortofon [Mr K has got Ortofon on the brain - does he have shares in the company?], Audio Technica or Dynavector [yes, perhaps just because he happens to favour the more analytical presentation of those cartridges - but does 'Nigel'?] I believe, unless you prefer romance to all else.
Now don't get me wrong, Noel's entitled to his opinion the same as anyone else, but does he have to be so insulting and unconstructive with it? "Deluded" and "tat" indeed! Poor Nigel, eh? He only wrote in to tell of his happiness with his new turntable and cartridge and was subjected to dog's abuse! I wonder if he'll be renewing his subscription?
And what's Noel's sudden obsession with "modern" this "modern", that? Does he think that all modern kit is automatically better than old stuff? I doubt it, as the same man is a valve amp and Garrard aficionado par excellence! So it's ok then to extol the virtues of "modern product" versus old in reference to cartridges, but somehow the same doesn't apply to turntables and amps from their respective eras? His views are totally inconsistent and don't seem to align with the ethos of HFW, which has always championed both new and old gear, the latter providing that it's performance is still competitive today. The 103, when properly partnered and set-up definitely comes into that category, otherwise I (and 1000s of others) wouldn't be using it!
The problem with the 103 is that magazines always make the mistake of reviewing it with a modern turntable and tonearm and judge it accordingly on that basis - it simply will not work as it should that way. It needs to be assessed in the context in which it was originally designed. Fortunately, to make the review relevant today that doesn't necessarily mean wheeling out an old SP10 or Garrard with a suitably high-mass arm to match. All one needs is a Technics SL-1200 or 1210 (preferably modified by KAB or Sound Hi-fi), fitted with a Jelco SA-750D S-shaped detachable headshell arm, and a nice high-mass headshell, like the LH-18 from Audio Technica: all 'modern' currently available equipment, and through a nice phono stage (preferably valve) which uses the necessary matching transformers, and away you go... I guarantee that if Noel (or David) heard the 103 in that context (both) their conclusions would be somewhat different!
But will they do that in order to give the 103 a fair hearing before judging, instead of arriving at ill-informed conclusions such it being "an internet special that's been talked up in the (deluded) collective conciousness" based on relative ignorance from using the wrong partnering equipment?
The funniest thing of all though, is that with Mr Keywood the words "Denon DL-103" appear to be permanently impregnated in his mind, and like a red flag to a bull goes charging off in a 'fit of rage' even when the DL-103 wasn't even being referred to.
How so?
Well, Nigel, at the end of his letter wrote:
Next stage? Enjoy the Sony as well as the LP12 and JBE Slate Series 3. And next year? Renovate/sell/exchange some or all of the rest of the collection - SL150,
DENON DP2000, Mayware V, Hadcock, 228, SME 3009 Fixed, Shure V15 III, Rothwell transformer, Staglines N and K.
He never even mentioned the bloody DL-103 and yet Noel duly 'went off on one' as detailed above!!
So, I'd like to know what exactly his problem is with this particular cartridge, aside from issues regarding its sonic presentation. His innate dislike of the 103 appears to be run rather more deeply than simply not liking how it sounds...
Perhaps next time David joins us he could bring Noel with him to explain himself?