+ Reply to Thread
Results 1 to 10 of 10

Thread: Shelter 5000 Cartridge

  1. #1
    MartinT Guest

    Default Shelter 5000 Cartridge

    I wasted no time in getting the Shelter 5000 into my Dynavector headshell and setting it up. This cartridge is heavy! It comes in at 11g and, together with the headshell, weighs in at 28g. I had to bring out the heaviest counterweight for the Dynavector's stub-arm for the first time.

    First impressions (this is not really fair as it hasn't run in yet): I dropped the stylus onto one of my favourite test records, Steely Dan's Gaucho, and wondered if I had got the volume wrong. Turned it up and *yikes* turned it back down again! Surface noise is the lowest I've yet experienced. I'll have to set a new baseline in my head.

    Back is the structural solidity of the Dynavector DV-20X2L, but not its darkness. The lush midrange of the Shelter 501-II is replaced with the most detailed, separated and dynamic space I've yet heard. Not at all lush. Energy keeps coming to mind - the 5000 has huge energy. Together with the Choir Audio SUT, it has simply knockout attack and clout.

    At the high end is the extension of the AT-33PTG but with much finer detailing and texture. No splashy shoutiness now. The separation of instruments is incredible and I can hear into the music more than ever before. I can almost walk around the strands of music, focussing on each part as I wish.

    That's all for now, I need to play many more records and there are only so many hours left in my life




  2. #2
    Join Date: Mar 2010

    Location: London

    Posts: 2,094
    I'm colin.

    Default

    That i one huge cartridge. Did you have to buy it from Japan?
    Technic 1210, PS3, AVI neutron 2.1, Icon Audio p1 phono stage.

  3. #3
    MartinT Guest

    Default

    No, I bought it from Hong Kong from a well-known eBay trader called Juki (his account is 2juki). It was an excellent and painless transaction.

  4. #4
    Join Date: Jan 2009

    Location: Nottingham UK

    Posts: 550
    I'm ThinkingOfHorns.

    Default

    Looks stunning! I'm a big fan of the 501 & 901 but haven't heard the 5000, it seems to review very well though!

    Thanks for the first impressions, Martin, I will look forward to you adding to this over the next month as it wears in a little!
    alfie
    Main System: Denon DP-6000 VPI Base/Fidelity Research FR64s/Ortofon SPU Royal GM MKII/Shelter 901/Auditorium 23 SUT/Pure Sound P10/SB Touch or Audio Note CDT & M2Tech Young Dac/BL Audio LP-1/New Audio Frontiers KT66 Legend/Living Voice OBX.
    2nd System: PC/Foobar/E-MU 0404 pci (Modded)/AVI ADM9/Rel Strata II subs.

  5. #5
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Looking very good Martin (fab pics)! So it was worth the wait then?

    I'm looking forward to hearing the beast next time I'm down!

    Marco.

    P.S Remember that all reviews should go in S.O.G
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  6. #6
    MartinT Guest

    Default

    Quote Originally Posted by Marco View Post
    Looking very good Martin (fab pics)! So it was worth the wait then?
    Yes, it was definitely worth waiting for. As for the photos, I'm learning from Hamish: tripod and natural light.

    P.S Remember that all reviews should go in S.O.G
    Oops, yes my mistake

  7. #7
    MartinT Guest

    Default

    More thoughts after listening last night. What this cartridge seems to do that some of my more midrange ones didn't is to bring out events hidden deep in the mix and make them obvious for the first time. It's not that they weren't there before, but now it makes you really listen to them. This is in addition to the more immediately obvious dynamics, incredible sense of swell towards climaxes and leading edge clout.

    Just two examples: in 'Whole Lotta Love' on Led Zeppelin II, the steel tubular bells have a metallic shimmer all of their own, a far cry from the 'clang' that they usually sound like. In Yello's Flag, especially in 'Tied Up', there is an impossible amount of detail presented but what smacks you in the head is the brass, rising way above the average level of the track.

    To get things into perspective, this cartridge is not as big a step sound-wise as the Choir Audio SUT-H7 proved to be in my system. Yet this is a true piece of high end transducer that digs more from the grooves than I thought possible. It's a scary thought that there are three models: 7000, 9000 and Harmony, above this one!

  8. #8
    MartinT Guest

    Default Tweaking the Arm Plate Height

    The Shelter is a big cartridge and the Dynavector arm was at its height limit trying to accommodate it. I wasn't happy with the arrangement so tonight I completely dismantled the arm and plate from the deck and re-mounted the plate on spacers. Putting everything back together, I now have a good 2-3mm extra height adjustment and can properly fine tune VTA away from its end stop.

    Doing so (increasing the height) has brought me just a little additional refinement and sweetness, so it was well worth the effort. I also notice a further reduction in surface noise, always welcome.

  9. #9
    MartinT Guest

    Default

    I've just finished final tweaking and have ended up running VTA with just a tiny tail-high setup. I also found that tracking weight had altered to 1.75g (I must have accidentally turned the knob at some point) so it's back to 1.85g. Everything sounds good so I'll leave it like that.

  10. #10
    MartinT Guest

    Default

    But see http://theartofsound.net/forum/showthread.php?t=13537 for more of the story and a lesson learned. Everything is sounding very good indeed now and I shall switch back to the Shelter once I'm happy that things are settling down.

+ Reply to Thread

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •