Alex
Main System: Digital: HP Laptop/M2Tech Hiface/Logitech Media Server/FLAC; Marantz SA7001 KI Signature SACD Player and other digital stuff into Gatorised Beresford Caiman DAC Vinyl: Garrard 401/SME 3009 SII Improved/Sumiko HS/Nagaoka MP-30
Amplifier: Rega Brio R. Speakers: Spendor SP1. Cables: Various, mainly Mark Grant. Please see "about me" for the rest of my cr@p! Gallery
A.o.S. on Facebook - A.o.S. on Spotify - A.o.S. on Twitter
There is only one way to avoid criticism: do nothing, say nothing and be nothing Aristotle
I think if you said "some" then you might have got away with it! But don't worry, you don't get banned for not believing cables etc. can make a difference, we just have circular arguments until you're brainwashed into believing it... (JOKE - for the avoidance of doubt! ) I don't think they have as big an impact as some would believe, certainly not with the sort of modest system I have - but anyway, we're talking about crystals - and I'm now wondering about an interconnect range with plugs pre-fitted with them... Hmmmm....
Alex
Main System: Digital: HP Laptop/M2Tech Hiface/Logitech Media Server/FLAC; Marantz SA7001 KI Signature SACD Player and other digital stuff into Gatorised Beresford Caiman DAC Vinyl: Garrard 401/SME 3009 SII Improved/Sumiko HS/Nagaoka MP-30
Amplifier: Rega Brio R. Speakers: Spendor SP1. Cables: Various, mainly Mark Grant. Please see "about me" for the rest of my cr@p! Gallery
A.o.S. on Facebook - A.o.S. on Spotify - A.o.S. on Twitter
There is only one way to avoid criticism: do nothing, say nothing and be nothing Aristotle
Neutrik beat you to it :
They're Swarovski crystals though which I think are man made. So maybe that makes a difference.
Source: Apple TV 4K - DAC: Beresford Bushmaster Mk II - Preamp: CI AudioPLC-1 Mk II - Power Amps: Musical Fidelity 550K mono blocks - Speakers: Wharfedale Opus 3 - Cables: Mark Grant etc - Misc: Belkin PF30 mains filters.
Here you go....
Difficult to get the resonant frequency into the audible range but I suppose that doesn't matter.
Like your setup BTW - had similar TT/arm/speakers in the 70's but gave them away.......
How do I get rid of this pesky smiley? Worse than the bloody paperclip!!
What's difficult to ascertain is whether all the information is already there, only we're not able to perceive it unless we sufficiently relax. Say you're listening to a familiar tune, and you know it by heart, and you figure you have plumbed all the depths it has to offer. Then you go out and buy a new amplifier, and by god, you now hear details in that song that you've never heard before! The question is: are you hearing new details because your new purchase made you more receptive, more relaxed to listen attentively, or is it really due to the fact that the new amp does indeed offer heightened resolution?
Don't you just hate it when you cannot detect where the post ends and a signature line begins?
Alex.
Alex,
I believe it is because you actually listen. I'm listening to old crappy worn out vinyls from EBay and can filter out all the Rice Crispies but still hear wonderful things - a worn out Decca SXL 6220 Gottterdammerung - Fischer Diskau is incredible. Even an ancient Pathé Marconi mono of Edith Piaff (FS 1065) knocks your socks off. All the gloss and plastic of CDs goes and you hear real life stuff, warts and all.
Obviously if you've just paid megabucks for some bit of kit it is going to sound good but I really believe once you get a system that's significantly better than the average clock radio it's what's between your ears that makes the difference, not anything to do with what goes on in the air.
Location: stoke-on-trent
Posts: 647
I'm andrew.
Has anyone tried Dilithium crystals?
Andy.
Nope, but caustic soda crystals work feckin miracles with getting the sound waves to bounce cleanly off the walls.
Single spur balanced Mains. Self built music server with 3 seperate linear PSU, Intel i5, 16 GB RAM no hard drive (various Linux OS). Benchmark Dac2 HGC, single ended XLR interconnects/Belkin cable. Exposure 21RC Pre, Super 18 Power (recap & modified). Modded World Audio HD83 HP amp. Hand built Monitors with external crossovers , Volt 250 bass & ABR, Scanspeak 13M8621 Mid & Scanspeak D2905/9300 Hi. HD595 & Beyer 880 (600 ohm) cans.
The whole problem with the world is that fools and fanatics are always so certain of themselves, and wiser people so full of doubts.
-Bertrand Russel
John.
Yes, but I find that this only works on a Wednesday.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!