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Thread: New acrylic platter for the SL-1200/1210

  1. #1
    Join Date: Nov 2008

    Location: Banbury, Oxfordshire/Panteg is where my late father was born

    Posts: 4,382
    I'm Chris.

    Arrow New acrylic platter for the SL-1200/1210

    {discussion moved from elsewhere}


    Quote Originally Posted by Marco View Post
    Hi Chris,

    Glad you enjoyed the system. Del and I certainly enjoyed having Alex and you round. It was a pleasure

    If I didn't have other things going on during the remaining weekends of the month, we could've got the needle-drops done sooner, as the bits needed should all be here by next week.

    However, let's hope it's like the saying goes: 'all good things come to those who wait'....

    I think the attenuators should work ok, but if not, then it'll simply be a case of using one of my MM cartridges instead, without the need for an SUT to complicate matters.



    Chris, if you need any cartridge leads, let me know. I've got loads of the buggers! Hope you sort things out soon

    Btw, I've been following the new platter thread on the Timestep forum with interest...

    I presume that everyone knows that the acrylic platter has been designed by Arthur K, from Funk?

    Design-wise, it has bugger all to do with Dave C.

    Marco.
    Is it Acrylic ? I thought it might be Lexan , if it is Acrylic , £500 is ridiculous IMHO , there is a difference and if he's gone for the former then i feel its a chance missed , cos IMHO Lexan is far superior !

    Doesn't surprise me about Arthur
    Chris

    We've gone on holiday by mistake !

  2. #2
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Chris,

    Don't quote me on the acrylic bit, as I'm not sure about that. It simply looks like acrylic, therefore I referred to it as such. I didn't ask Arthur about what the platter was made of when I spoke with him the other day.

    Why not ask Dave what it's made of? I'm sure he'll give you a straight answer, as usual!

    Doesn't surprise me about Arthur...
    Indeed. The fact is, Dave doesn't have the ability to design and produce a platter. He's a sales and marketing man with some test equipment

    Arthur's sending me one of the new platters to assess in a few weeks. I'll be testing it against the Mike New one, and in due course, reporting my findings here. So look out for that one.......... We don't miss a trick on AoS!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  3. #3
    Join Date: Jan 2008

    Location: South West England

    Posts: 958
    I'm Guy.

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    Quote Originally Posted by chris@panteg View Post
    Is it Acrylic ? I thought it might be Lexan , if it is Acrylic , £500 is ridiculous IMHO , there is a difference and if he's gone for the former then i feel its a chance missed , cos IMHO Lexan is far superior !

    Doesn't surprise me about Arthur
    The problem with making such platters is the need to start from an 8' x 4' sheet. A sheet of 25mm acrylic is expensive enough but can be sawn into 32 platter squares before machining. The cost per platter can be kept reasonable. However, check out the cost of a similarly sized sheet of 25mm Lexan

    The platter pictured on the Timestep forum appears to be acrylic. It must have to incorporate the magnet ring etc from the original platter somehow.
    I suppose this is taking the deck in the direction of the Goldmund Studio or Brinkmann Bardo (which isn't necessarily a bad thing)

  4. #4
    Join Date: Nov 2008

    Location: Banbury, Oxfordshire/Panteg is where my late father was born

    Posts: 4,382
    I'm Chris.

    Default

    Quote Originally Posted by Marco View Post
    Hi Chris,

    Don't quote me on the acrylic bit, as I'm not sure about that. It simply looks like acrylic, therefore I referred to it as such. I didn't ask Arthur about what the platter was made of when I spoke with him the other day.

    Why not ask Dave what it's made of? I'm sure he'll give you a straight answer, as usual!



    Indeed. The fact is, Dave doesn't have the ability to design and produce a platter. He's a sales and marketing man

    Arthur's sending me one of the new platters to assess in a few weeks, so I'll be testing it against the Mike New one, and in due course, reporting my findings here, so look out for that one.......... We don't miss a trick on AoS!

    Marco.
    Its not what you know eh , blimey if it is Lexan , then i think it could be amazing , it works brilliantly on the Voyd and i don't see why not on the 1210/1200 , if its Acrylic , well it could still be good but.....

    I must confess to being very interested in this .
    Chris

    We've gone on holiday by mistake !

  5. #5
    Join Date: Nov 2008

    Location: Banbury, Oxfordshire/Panteg is where my late father was born

    Posts: 4,382
    I'm Chris.

    Default

    Quote Originally Posted by pure sound View Post
    The problem with making such platters is the need to start from an 8' x 4' sheet. A sheet of 25mm acrylic is expensive enough but can be sawn into 32 platter squares before machining. The cost per platter can be kept reasonable. However, check out the cost of a similarly sized sheet of 25mm Lexan

    The platter pictured on the Timestep forum appears to be acrylic. It must have to incorporate the magnet ring etc from the original platter somehow.
    I suppose this is taking the deck in the direction of the Goldmund Studio or Brinkmann Bardo (which isn't necessarily a bad thing)
    Hi Guy

    I guess its down to quantities as well , Project sell bucket loads of decks with acrylic platter's .
    Chris

    We've gone on holiday by mistake !

  6. #6
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Guy,

    Nice to see you popping in again

    I'll find out if it's acrylic or not and report back... Like you though, I suspect that it is. It'll certainly be interesting comparing it to the Mike New one.

    And I PROMISE everyone that I'll give an unbiased verdict. As much as everyone knows I'm not Dave's biggest fan, I simply wouldn't allow that to cloud my opinion, as I'd like to think I have some credibility to protect.

    If the new 'Timestep' platter is better, in my opinion, on my T/T in the context of my system (therefore what I report as usual will not in any way be definitive), then I'll say so.

    However, there will be no quick decision on this, as getting a proper handle on how platters (and mats) affect the musical reproduction of a turntable takes time and frequent switching back and forth to one's current reference, for comparison purposes. I also, of course, still have the original Technics platter, so that will be included in the equation.

    If the 'Timestep' platter is acrylic, it won't surprise me, as that will have allowed Dave to obtain the profit margin he wanted to make originally, selling Mike's platter, which of course wasn't possible when he stole his design and tried to have a high quality aluminium platter produced in the UK (the whole reason for their fall-out).

    I'll confirm later what the 'Timestep' platter is actually made from when I have the info.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  7. #7
    Join Date: Jan 2009

    Location: Deleted

    Posts: 6,585
    I'm Deleted.

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    If Guy thinks it is acrylic it probably is - Lexan seems to have a grey (colour, not sound) hint to it when I have encountered it. I have to say that my own experiments with acrylic have not been at all promisiing and I have found it to have a very distictive sonic signature (coloration). However, I can see the point in trying to keep the rotational mass low.

    Quote Originally Posted by pure sound View Post
    I suppose this is taking the deck in the direction of the Goldmund Studio or Brinkmann Bardo (which isn't necessarily a bad thing)
    I thought the platter on the Bardo was aluminium (with the option of the glass mat)?
    Account Deleted

  8. #8
    Join Date: Nov 2008

    Location: North Down /Northern Ireland/ UK

    Posts: 19,484
    I'm Neil.

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    Looks very interesting....



    I liked the sound of the Pink Triangles and Voyd TT that had light weight platters......still miss the Voyd Valdi I had.


    Regards D S D L

  9. #9
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,325
    I'm Andrew.

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    Those feet look crap to me!

  10. #10
    Join Date: Nov 2008

    Location: North Down /Northern Ireland/ UK

    Posts: 19,484
    I'm Neil.

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    Quote Originally Posted by REXTON View Post
    Those feet look crap to me!
    True but in fairness might be very good with the Technics. I use Isonoes myself but have not tried those particular feet, so can't say more than I think the Isonoes look much better.


    Regards D S D L

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