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Thread: "Genius unrecognised" > the foundation of digital sound

  1. #1
    Join Date: May 2008

    Location: Southern England

    Posts: 2,990
    I'm Howard.

    Default "Genius unrecognised" > the foundation of digital sound

    Here's a link to a fine piece of audio documentary on BBC Radio 4 re Alec Reeves. I found it fascinating and I thoroughly recommend it. Here is an extract from the site:

    "Tony Hill, Director of Manchester's Museum of Science and Industry honours the scientists who revolutionised microscopic technology, electrical power, air navigation, gyroscopic travel and digital sound. In their day they were dismissed as blue-sky time-wasters but now we recognise their genius.

    Alec Reeves (1902-1971)

    Alec Reeves was part of the team of engineers responsible for the first commercial transatlantic telephone link (1927). In 1938 he patented a system called 'pulse code modulation' to reduce background noise. It replaced analogue transmission with a digital sequence of pulses based on a sampling rate of 8,000 bits per second.

    It was PCM that was to make possible the digital recording and transmission we have today, but Reeves's invention didn't become cost-effective until after the transistor was developed in the 1950s.

    During the war, Reeves developed an airborne radio navigation system that made possible highly-accurate bombing. After the war he was part of the team that invented optical fibre transmission."

    http://www.bbc.co.uk/programmes/b00zs7v5
    Well, hello.

  2. #2
    Join Date: May 2009

    Location: Berkshire

    Posts: 122
    I'm Matthew.

    Default

    Thanks for posting this Howard.

    IMHO very interesting, but a bit short.

    Have you tried Radio Downloader? http:// www.nerdoftheherd.com/tools/radiodld

    I always recommend this when mention is made of interesting radio. Especially useful if you don't have a tuner.
    "The hi-fi fraternity is bizarre, full of dangerous amateurs" Tim de Paravicini Audio Magazine 1995
    "Objective measurements in audio are primary, but they are useless unless they have been subjectively validated as predictors of musical accuracy Edgar Villchur Stereophile 2005
    " What we cannot measure, we do not know" Lord Rayleigh

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