mmm...Catherine Schell...:drool:
Printable View
mmm...Catherine Schell...:drool:
Another Sellers Job.. Two Way Stretch, 1960. This time he is doing a job but is in prison; great alibi tho...
good supporting cast of Wilfrid Hyde-White, Lionel Jeffries, David Lodge, Liz Fraser and Bernard Cribbins.
https://upload.wikimedia.org/wikiped...etchPoster.jpg
The prison scenes were filmed at the South Cavalry Barracks at Aldershot, and it was the most popular film of the year in UK...
It's not that great.
Tinker, Tailor, Soldier, Spy
https://images-na.ssl-images-amazon....ZTLQL._AC_.jpg
https://www.theguardian.com/tv-and-r...-alec-guinness
I've attempted that a few times but it's heavy going.
The Life and Death of Colonel Blimp, 1943. ITV Studios remastered Bluray. Directed by Michael Powell and Emeric Pressburger. It stars Roger Livesey, Deborah Kerr and Anton Walbrook.
https://images-na.ssl-images-amazon....AC_SL1500_.jpg
According to the directors, the idea for the film did not come from the newspaper comic strip by David Low but from a scene cut from their previous film, One of Our Aircraft Is Missing, in which an elderly member of the crew tells a younger one, "You don't know what it's like to be old." Powell has stated that the idea was actually suggested by David Lean (then an editor) who, when removing the scene from the film, mentioned that the premise of the conversation was worthy of a film in its own right.
Presented in its original aspect ratio of 1.37:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Michael Powell and Emeric Pressburger's The Life and Death of Colonel Blimp arrives on Blu-ray courtesy of British distributors ITV Studios Home Entertainment.
The restoration of The Life and Death of Colonel Blimp was supervised by Michael Pogorzelski and Heather Linville of the Academy Film Archive, with assistance by 20th Century Fox film archivist Schawn Belston. The restoration was done in association with the British Film Institute and ITV Studios Global Entertainment Ltd., the film's rights holders. Funding was provided by Cinema Per Roma Foundation, The Louis B. Mayer Foundation, and the Material World Foundation.
Recently restored in 4K, the film looks spectacular. Definition and clarity are often quite extraordinary (see screencapture #4), while depth is the best I have seen on a Technicolor film released on Blu-ray.
One of the greats....
Ice Cold in Alex, 1958. Directed by J. Lee Thompson and starring John Mills, Sylvia Syms, Anthony Quayle and Harry Andrews. From my Plex library
https://upload.wikimedia.org/wikiped...lex_poster.jpg
The film was based on the 1957 novel Ice Cold in Alex and its serialisation (as Escape in the Desert) in the magazine Saturday Evening Post. The New York Times described the book as "an excellent escape story played out in the best Hitchcock manner."
The screenplay contains multiple key changes from the novel, including making Anson rather than Pugh the protagonist. ABPC bought the rights and assigned TJ Morison to collaborate on a treatment with Landon under the supervision of Walter Mycroft.
The producers had intended to shoot the location work for Ice Cold in Alex in Egypt, but the producers had to switch to Libya because of the Suez conflict.
Filming began 10 September 1957.
Sylvia Syms (Sister Murdoch) said in a 2011 interview about the film that conditions during the desert shoot were so difficult it felt like they were actually in the situation the film portrays. She said: "You may find this hard to believe, but there was very little acting. It was horrible. We became those people ... we were those people". She said that today people would probably call it method acting, but added: 'We didn't know what Method Acting was, we just called it 'getting on with it'." Syms said that during the scene where the ambulance rolls backwards down the hill narrowly avoiding her, the actors assumed there would be a hawser to stop the vehicle if anything went wrong, but there was not. The actress said she was "pretty sure" Mills, Quayle and Andrews angrily upbraided director J Lee Thompson for this risky approach. She added: "He liked to push actors a bit". The quicksand sequence was filmed in an ice cold artificial bog in an English studio (some scenes were shot at Elstree) and was "very tough" on Quayle and Mills. Syms said the producers got a good deal out of her for "£30 a week", adding: "But I made a lot more when they turned it into an advert for Carlsberg". She said there are "no false heroics in it" and that she had been told by desert war veterans it is a good picture of soldiers in that theatre of war, adding: "I am proud of it"
The Assassination Bureau Ltd, 1969, directed by Basil Dearden, and starring Oliver Reed, Diana Rigg, Telly Savalas, and Curd Jürgens.
https://encrypted-tbn0.gstatic.com/i...yFhEPTcISq97Pz
The film was based on the Jack London novel, The Assassination Bureau. London purchased a storyline from Sinclair Lewis in 1910 and used it as the basis of two short stories and a novel. He was two-thirds of the way through finishing the novel (having written 40,000 words) when he died in 1916. The novel was later completed by Robert L. Fish and finally published in 1963. The New York Times called it "delightfully ridiculous".
Dead Of Night, 1945. Directed by Alberto Cavalcanti, Charles Crichton, Basil Dearden and Robert Hamer. Stars include Mervyn Johns, Googie Withers, Sally Ann Howes and Michael Redgrave.
https://images-na.ssl-images-amazon....AC_SL1500_.jpg
Film is based around several dreams and was the first horror film i Britain since start of war(they were banned)