Hahaha... Guys, you'll have to be patient before I reach any definitive conclusions with mats, as this is something that takes time to do right. I should have reached a pretty firm conclusion by the weekend :)
At the moment it's looking like the best mat to use with the stock platter is the Oyaide (with its stabiliser), but the copper mat and Achromat all have their plus points, and after all it's all about achieving the right synergy in different systems, so I can only give a snapshot of what might be expected.
The huge sonic improvement of the Mike New platter though is a no-brainer. I will obviously revisit the stock platter again, because I have to, but once you've heard what Mike's platter does, there no way you'd go back to the stock platter, no matter what mat was used with it.
The fact is no mat, no matter how good, can override the fundamental design flaws of the platter itself. In effect, all you are doing is papering over the cracks!
Hi Andy, well I've heard enough good ones in my time to be able to judge! ;)Quote:
Never heard an SP10 sound like this, that is quite a statement Marco
Quite simply, my SL-1210 is now performing sonically on a different level to any SP10 I've heard. There's no question in my mind about that. I heard the same with Martin's T/T (connected with the SR5 PSU) when I was at his place earlier in the year. This is genuinely jaw-dropping stuff.
Marco.
P.S David, I love 80s pop music - it was *so* my era! However, I listen to all sorts these days. The other thing is that 12" singles then were more often than not very well recorded, and sound absolutely stunning played on a quality direct-drive T/T, able to fully maximise their massive dynamic range!

