Building a genuinely 'audiophile standard' T/T...
Quote:
Originally Posted by
Mike_New
Hi Marco,
Yes I am well, it's just that things have slowed down a bit recently concerning the good old Techie, so I have not had a great deal to talk about. Although people continue to contact me directly, they are always keen to know what my Bearing can do but seldom go any further, if only they new what they are missing out on!!!
Obviously you're preaching to the converted... Anyway, glad to hear that you are well, old chap :)
The problem is that some people don't fully embrace the value of upgrading a component that they cannot see (as buying a new and better T/T bearing doesn't result in obtaining something nice and shiny to look at and admire when a record is playing). Neither do they 'get' the significant influence a fundamentally superior bearing has on music reproduced by a turntable, as you have so eloquently outlined, which is why their money goes instead on what are at that stage 'superfluous fripperies' in comparison, but act nicely as 'shiny new visible things', as highlighted by your tale of the Asian chap.
I shake my head in disbelief when I read sometimes (admittedly only occasionally) from people who've bought your bearing saying that they considered that the improvement over the stock Technics one was only 'subtle', and that the same money would have been 'better spent' elsewhere (you guessed it, on an arm or cartridge, etc). Well a better arm or cartridge won't address the same issues as a better bearing does! :doh:
As for a "subtle improvement"? Not in my system it wasn't......!!
On a turntable, you have to 'max out' first on the components of intrinsic importance that a) ensure that the platter spins consistently at the right speed under load (from the stylus), b) ensure that the ingress of vibration, subsequently resulting in problematic resonance, muddying the signal in the process, has been minimised, and c) that the PSU is capable of delivering consistently clean power to the motor unit during playback, ensuring therefore that a) b) and c) perform their respective tasks seamlessly and to the highest possible sonic and electrical standard.
Then and ONLY *then*, once that has been successfully achieved, and the optimal 'infrastructure' put into place, in order for music to be accurately reproduced, should one turn ones attention to the items that extract the musical information from the record grooves!
Of course, whilst the above are undisputable facts, practicalities raise their ugly head, such as how much one has to spend on a T/T, or where perhaps some other area of the T/T requires more pressing attention, so if you've got a Techy sitting there, whose tonearm has been shagged by a ham-fisted DJ, fitted with an equally knackered Stanton 500AL, then the least of your worries will be the bearing, or if you're simply lightly modifying the turntable and have no intentions of taking things too far....
However, in circumstances where the highest possible performance is sought from the Technics, or the building of a T/T that, once judiciously modified, can compete with the very best, then one must always start at the beginning: and that's from the plinth (by upgrading the poor quality stock feet) and platter (by upgrading the sonically dire stock rubber mat), and forward from there onto the bearing and PSU.
The fact is, only then, once attending to those fundamentally all-important areas, will you be able to hear the full potential of your 'fancy new' tonearm and cartridge!
:exactly:
Marco
P.S Mike, I'm waiting on a bearing base plate from David, as it's the final piece in the jigsaw for me. Does he have the required drawings, in order to get them produced in the UK?