I am a piano fan and I don't like Andras Schiff! :lol:
Currently spinning ....
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I am a piano fan and I don't like Andras Schiff! :lol:
Currently spinning ....
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Sublime
I'm sure it's just me, as Schiff is a world famous pianist, but I find his playing very generic -- whether it's Bach or Beethoven or Schubert or Mozart, it all sounds the same to me! I hear Schiff not the composer. :mental:
Yes, I've heard some of the Mozart / Vegh series ..... :whistle: :lol:
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Kuerti's Schubert sonatas are world class, imo, but while his Beethoven is good it doesn't quite make it up there with the best.
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Ah - now we are cooking with charcoal!
The Op 101 (#28) in Lill's hands is superb.
Oddly, and despite the better known and more illustrious competition from legendary pianists past and present, if I had to pick just one Beethoven piano sonata cycle to take to my desert island I think it would be Lill on ASV.
He has a leonine power and majesty that bowls me over every time - it's how I imagine Beethoven himself would have played them.
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... amazing coincidence. I picked this up yesterday in a charity shop (6 mint LPs for £3 ;)) after listening to a CD from the set the previous day!
Chuffed to say the least. :)
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... a rather distracting cover, but it's culture so that's alright ;) - wonderful music!
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Playing as I type ....
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Mono from the mid-50s ? maybe?
Orchestra sounds a bit scrawny, but the cello is captured superbly, real vibrancy!
Hey, Old Slava (RIP) couldn't half play!
Splashed out on some charity shop Mozart earlier Wind Serenade is great stuff a bit diasapointed by the Naxos
Leaving the Don Giovanni for tomorrow
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Now listening to some damm good old Beethoven
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Lovely pellucid bell-like tone Lill gets from his piano on this recording, almost like a dulcimer at times. Beautiful.
... and it's available for 1p + postage from Amazon. ;)
A Telemann vocal afternoon ...
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A much underrated composer, imo.
Just popped into one of the charity shops in Wrexham and obtained the following, all on minty-mint vinyl [50p each]:
Brahms - Symphony No1, with the Berlin Philharmonic Orchestra, conducted by Rudolf Kempe, on EMI records, from 1959.
Handel/Vivaldi/Gluck - Pachelbel Canon, with The Academy of Ancient Music, conducted by Christopher Hogwood, on Decca Records ‘Editions De L’Oiseau-Lyre', from 1981.
Mozart - Symphony No 32/35 and 39, by the English Chamber Orchestra, conducted by Sir Charles Mackerras, on ASV Digital Records, from 1985.
Debussy - Nikita Magaloff ‘Piano Works’, on Concert Hall Records, from 1969.
Vaughan Williams - Dona Nobis Pacem 'Toward the Unknown Region’, with Sheila Armstrong (soprano), John Carol Case (baritone) and the London Philharmonic Choir/Philharmonic Orchestra, conducted by Sir Adrian Boult, on EMI ‘His Masters Voice’ Records, from 1973.
Bohuslav Martinů - Concerto for Violin and Orchestra/Concerto for Piano and Orchestra, with Bruno Belcik (violin), Josef Palenicek (piano) and the Czech Philharmonic Orchestra, conducted by Vaclav Neumann and Karel Ancerl, on Supraphon Records, from 1962.
Martinů - Concerto for Oboe and Orchestra. Strauss - Concerto for Oboe and Orchestra, with Frantisek Hantak (oboe) and the BRNO State Philharmonic Orchestra, conducted by Martin Turnovsky and Jaroskav Vogel, on Supraphon Records, from 1963.
Tchaikovsky - Sextet ‘Souvenir de Florence’, with Mikhail Kopelman (violin), Andrei Arbamenkov (violin), Dmirti Shebalin (viola), Yuri Bashmet (viola), Valentin Berlinsky (cello) and Nalalia Gutman (piano), on Melodya Records, from 1980.
And lastly, ‘An Anthology of Elizabethan Keyboard Musick’, played by Michael Thomas on the claviorganum, positive organ, chamber organ, double manual harpsichord, single manual harpsichord and clavichord, on Saga Records, from 1966.
Off to clean them now, and then have a listen! Any gems in here, Jerry, or are they just a load of old tat? :D
Marco.
P.S oh, and a CD of Bruch’s Violin Concerto No1/Scottish Fantasy for Violin and Orchestra, with Kyung Wha-Chung (violin), and the Royal Philharmonic Orchestra, conducted by Rudolf Kempe, on Decca, from 1999 [original recording from 1972]: an ‘ADD’ analogue-to-digital remaster, for £1.00.
:lol:
Good haul - not a piece of old tat in sight, Marco!
Gosh, I must be learning! :eek: :D
Marco.
The London Viola Sound
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The 48 violas of: Academy of St Martin in the Fields, The London Philharmonic and Orchestra of the English National Opera.
An interesting mix of tracks:
Gershwin - 'It Ain’t Necessarily So' from Porgy and Bess
Weill – Kiddush
Shostakovich – Galop from Cherymushki
Dvořák – Slavonic Dance in E minor
Granger – Arrival Platform Humlet
Ravel – Pavane pour une infante défunte
Prokofiev - Waltz from War and Peace
Bacharach - 'This Guy’s In Love With You'
Strayhorn – 'Take the “A” Train'
This sort of thing is probably frowned upon by this august forum, but is pleasant nonetheless. Anyway it was a charity shop acquisition so very inexpensive.
Mozart symphoies the way they should be done just over eighty minutes of pleaseure
Disc nine from an eleven CD set
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-- I do often like Britten's non-vocal music. These quartets are excellent - Shostyesque!
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-- I tried this (again) - great until the vocals start - the way Britten gets the soloists to sing in a weird declamatory style is a big turn-off for me - makes my skin crawl.
I gave up after less than 10 minutes - it's now up for sale on eBay! Sometimes you just have to say 'enough' !! :D
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.... ahhh, that's more like it. My Britten's Requiem-tortured soul is healed by Beethoven. :)
Nowt wrong with mono… Some of the best ever classical music performances were recorded on that format, on vinyl - and many sound stunning!
Marco.
Much prefer Britten's SQs over Shosty's
Normally I don't like spoken words, eg Beethoven's ninth. Also, if I remember correctly, Stravinsky acknowledged the dialogue in Oedipus was a mistake. In my opinion the music should do the talking. But the War Requiem is a different beast. The poems stand up in their own right and Britten's tones and rhythm enhance the tension. So the way I see it is that it is music, then poetry, then music etc. Still I can see why you needed relief :->
Nowt wrong at all but I thought the gold stereophonic sticker on the cover and stereophonic written in big letters across the label might have been the givaway :confused: unless of course HMV cocked up, put the wrong label on the record and then stuck it into the wrong sleeve
Jerry probably just posted a Google image (in order to identify what he was listening to), which showed a stereo version. If he says his is mono, however, it’ll be mono :)
Marco.
Talking of mono recordings on vinyl, I’ve just been enjoying this rather fine and uplifting piece of music, from 1959:
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Next up this (again in mono):
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Marco.
Just about tome to p[lay side one before sitting down to eat.
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Nice, Andy! So what’s one's repast this evening? :)
I’m just about to devour some confit of duck.
Marco.
Lurvely :)
Marco.
CD. Just arrived today.
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... the Ave Verum Corpus is amazing, very much in the sound world of the Requiem. I've not heard it before.
(AVC - K618, Requiem K626 ;))
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-- my favourite pianist strides magnificently through the 2nd concerto.
What power, what finesse! :eek:
Ah - Deyanova - she recorded a most interesting set of Schubert piano sonatas for Nimbus - clearly (to my ear) emulating the legendary recordings of Sviatoslav Richter - they almost worked! Certainly worth a listen.
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-- Magnificent recording and pianism.
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-- interesting Beethoven-precursor
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-- I do like Barenboim's way with Mozart - sprightly but not too fast, and weighty where required.
Picked these out for this evening
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I may not get through them all though
Claudio Monteverdi: L'Orfeo
The English Baroque Soloists conducted by Sir John Eliot Gardiner
2CD set on Archiv from 1987
Just sublime....