Rush – Archives
Label: Mercury – 6641 799
Format: 3 x Vinyl, LP, Compilation
Country: UK
Released: May 1978
Genre: Rock
Style: Hard Rock, Prog Rock
https://hosting.photobucket.com/imag...080&fit=bounds[/URL]
Rush – Archives
Label: Mercury – 6641 799
Format: 3 x Vinyl, LP, Compilation
Country: UK
Released: May 1978
Genre: Rock
Style: Hard Rock, Prog Rock
https://hosting.photobucket.com/imag...080&fit=bounds[/URL]
Pink Floyd Atom Heart Mother. As if it needed saying.
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Side one is making this my favourite Floyd album, for now. Of course it might all change next week :)
With my annual rally & custom bike weekend less than 3 weeks away, I need to get my rock head on in preparation. So I'll start with this:
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Wasn't that keen on this originally but is growing on me:
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'The album features a lot of synth-keyboard sounds and a twenty-piece orchestra on some of the tunes. The music website CD Shakedown thinks the album is not rock and not blues, but full-on contemporary pop music.Rolling Stone calls the album's material a "loosely themed soul-song cycle in the tradition of Marvin Gaye with effective modern contexts"'
I have neither heard it, or heard of it, but from your quoted description it sounds ghastly.
Apparently he was aiming to produce the saddest record ever made...
A quick read up, and I see Eric co-produced with Simon Climie (of Climie Fisher fame, "Love Changes Everything", I think I have an album of theirs here, belonged to my ex). One critic described listening to the album as being "like watching a film you admire, but wish would hurry up and end", and was also widely criticised by others, though it was one of his most commercially successful albums :)
It's one of my favourite PF albums. In some ways I prefer it to DSOTM (:eek: :sofa:). And Side one is my favourite of the two. I saw PF perform AHM at the Bath Festival in '72 (?), complete with a military brass band.
On Side two I used to get annoyed with the last track: 'Alan's Psychedelic Breakfast'; especially the end with the dripping tap. This is cut into the locked groove, and on my copy there was no tell-tale 'click' where the spiral groove joins the locked groove. This usually meant that often after dozing off (after a late night session, complete with an accompanying 'splif') I would awaken to the sound of the wretched tap dripping!