That was an old post clumsily presented and Marco and I have since discussed what I really meant - and I did post an expansion shortly after I believe.
Cutting records is a true art and in the days before the advent of digital and CD in particular, the best cutting engineers seemed to have a "feel" for what they needed to do to get a great sound from records, bearing in mind the losses in cutting and pressing I aluded to in the aforementioned post. As I think I've stated before and since that time, taking a pre-eq'd etc. tape and doing a straight digital transfer as was done in the mid 80's is a total recipe for disaster. By the early 90's, the editing and mastering tools available to a digital engineer were much better and the best analogue-to-digital remasters can be breathtaking. Even LP's cut from these digital source files can sound better too, although I'd question what the point was in doing this..
Anyway, in recent times I've got the Decca singing nicely and have steeped myself in cheap vintage Garrard folklore :lol: I'm enjoying records immensely and don't give a toss whether CD sounds better or not - far too many other things to really worry about right now :)

