Not a great picture but a rare Tannoy AP30/3 IP.1
http://i12.photobucket.com/albums/a2...annoyAP303.jpg
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Not a great picture but a rare Tannoy AP30/3 IP.1
http://i12.photobucket.com/albums/a2...annoyAP303.jpg
http://www.savantaudio.com/mim3.jpg
100W/channel, DC coupled throughout.
Rare Coles 'CE3001'
The '3001' actually gave a wider bandwidth than the '4001'
http://i12.photobucket.com/albums/a2...olesCE3001.jpg
This was my second amplifier:
http://www.audiomisc.co.uk/JES/A51/C51pic.jpeg
http://www.audiomisc.co.uk/JES/A51/A51photo.jpeg
25W/channel, pure class A. Excellent with Quad '57s
The Model 5A was first introduced to this country in the early '70s by Linn to replace the Grace 707.
http://www.walrus.co.uk/vinyl/breuer.jpg
Photo: Walrus Systems
Hand built by retired Swiss watchmaker, Herr Breuer. Breuer could not make enough to supply Linn, so they designed the Ittok based on some of Breuer's design principles and went to Japan for production.
The Breuer arms are legendary for the quality of their bearings and were one of the few arms approved by Koetsu for use with their cartridges. My model 5A is still doing stirling service fitted to a Thorens 124/II.
This was my second preamplifier: the Hafler DH-101
http://i246.photobucket.com/albums/g...Picture210.jpg
Tin biscuit box construction, limited facilities but good sounding. Benefitted from 'fettling'.
I know, and I'm not surprised: the push-button switches look and feel a bit 'tacky' but are adequate, and the RCA phono sockets are of a poor quality. Hence my comments about fettling. The standard version does not have a MC input; I installed my own design. A better sounding preamp than the Sugden C51; I still have both of them.
I think the C51 let the side down. I abandoned the power amplifier because it ran hot (it was Class A after all) and found that it could run out of 'head-room'. It did start the Great Amplifier Debate.
I still use a Quad 303 as part of my audio-visual set up, that is, it amplifies the audio output from the Freeview box.