http://4.bp.blogspot.com/_Dq3-RIy-Iq...sini+cover.jpg
A weird construct of choral/vocal movements by 15 different composers ... but absolutely magnificent! :eek:
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http://4.bp.blogspot.com/_Dq3-RIy-Iq...sini+cover.jpg
A weird construct of choral/vocal movements by 15 different composers ... but absolutely magnificent! :eek:
Maybe not quite "classical", but:
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This was dredged up from a dusty corner not having seen the light for decades . . . turned out to be a lovely pressing, and vintage stereo (a bit ping-pongy in places).
I much prefer Bernstein the composer to Bernstein the conductor. I saw a broadcast (from the Proms maybe?) of him conducting Elgar's Enigma variations. Lots of Bernstein, not a lot of Elgar. By the time we came to "Nimrod" I was ready to chuck something through the telly. :donk:
:lol: - his DG recording of the Enigma / Nimrod is like that, too. Apparently there was a rebellion by the British orchestra at the recording, but Lennie insisted it should be played his way. He don't 'alf draw it out! :violin:
-- I have to say, that I much prefer Lennie the conductor to Lennie the composer!
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Inspired by Bob's post, I finally got around to playing this CD (it arrived a few weeks ago!).
Ummm. I have to confess I gave up half way thru the 2nd mvt. It's a very highly rated recording, though. :scratch: It just seemed too wayward and manipulative to me. Ah well, on to the eBay-pending shelf with it! :eyebrows:
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The violin concerto with Zino Francescatti, once again. This really is very fine. -- Bernstein as conductor. ;) And he is very good here - but a fair bit younger. Maybe Lennie got more self-obsessed as he got older? I'll have to get hold of his much earlier New York Phil Mahler 5 recording and see if my theory holds water. :) Edit: now ordered.
Maybe LB started to believe his own hype as he got older and thought he was more important than the composer . . . shades of Karajan (another conductor who leaves me cold more often than not).
I have a quick litmus test for telling what type of conductor's on a recording. If it's HIS picture on the cover rather than the composers, or some other design, then beware: ego at large, and treat with suspicion . . .
This is rather good ...
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And so is this, in a very different way! ...
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What if it's a HER? ;)Quote:
Originally Posted by morris_minor
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Cor. :eek: :eyebrows:
I've no problem with the ladies! They need a bit of, er, exposure - like Marin Alsop will get at The Proms . . . :eyebrows:Quote:
Originally Posted by jandl100
That and the fact their egos tend not to be nearly so out of control as the gents.
Marin Alsop was excellent last year at the Festival Hall.
Starting the 3-day catchup --
OK, not quite as good as the Stabat Mater, but well worth having!
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