Now Screening - What Are You Watching Right Now?

yes it is quite sad. The way it is shot in stark black and white is very effective, in that respect it reminds me of 'Touch Of Evil' which was made four years before.

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Originally Posted by Macca

yes it is quite sad. The way it is shot in stark black and white is very effective, in that respect it reminds me of 'Touch Of Evil' which was made four years before.

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yeah ive got that somewhere on dvd... good film too

Pirates of the Caribbean: The Curse of the Black Pearl, 2003...



https://encrypted-tbn1.gstatic.com/i...fLEZNlSjHQBj_i

Apollo 13...4k bluray... superb picture detail on this... maybe too sharp at times


https://m.media-amazon.com/images/I/...AC_SL1500_.jpg

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Originally Posted by struth

To Have And Have Not, 1944..


https://upload.wikimedia.org/wikiped...%29_poster.jpg


On a ten-day fishing trip, independent director Howard Hawks tried to persuade Ernest Hemingway to write him a script, but Hemingway was not interested in working in Hollywood. Hawks insisted he could make a film from Hemingway's "worst story". Although Hawks had a high regard for Hemingway's works in general, he considered To Have and Have Not his worst book, a "bunch of junk", and told Hemingway so. Hemingway and Hawks worked on the screenplay during the remainder of the fishing trip. They decided the film would not resemble the novel, but rather would tell the story of how Morgan met Marie. Marie's character was extensively altered for the film as well.

In May 1939, Hemingway sold the book rights to the Hughes Tool Company, with whom Hawks had connections. Hawks bought the book rights in October 1943, then sold them to Warner Bros. Because the rights to the novel bounced between sellers, Hawks made ten times more money selling the rights than Hemingway did. On learning this, Hemingway reportedly refused to speak to Hawks for "three months". The screenplay for To Have and Have Not bears little resemblance to Hemingway's novel. The only similarities include the title, the name and a few personality traits of the main character Harry Morgan, the name of Marie, the name of Eddie, and the name and character traits of Johnson. Johnson is the only character that remained the same in the novel, in every revised screenplay, and in the film. The film bears resemblance to only the novel's first four chapters.

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One of my favourite films - in some ways I prefer it to 'Casablanca'! :eek:

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Originally Posted by struth

Apollo 13...4k bluray... superb picture detail on this... maybe too sharp at times


https://m.media-amazon.com/images/I/...AC_SL1500_.jpg

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Good film. :)

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Originally Posted by Barry

Good film. :)

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yes a great ending too which was true.. 6 minutes of silence when you usually get about 3 lol. must have been hell for the families. it was due to the shallower angle of entry, mustly as they couldnt steer well initially. as gene kranz alledgedly said. this was our greatest hr...or words to that effect. fantastic ground crew.

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Originally Posted by Barry

One of my favourite films - in some ways I prefer it to 'Casablanca'! :eek:

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its its equal in many ways. bogey made a number of superb films in 40's

The One That Got Away, 1957...Opening credits prologue: This is the true story of Oberleutnant Franz von Werra, the only German prisoner of war taken in Britain who escaped from captivity and got back to Germany.



https://encrypted-tbn1.gstatic.com/i...S9emZcYgQDDcpT


Hardy Krüger was only cast after Kenneth More and Dirk Bogarde had turned the film down. Hardy Krüger served in the SS during World War II and was captured by the Americans. He managed to escape on his third attempt.

Krüger's parents were ardent Nazis and he stated in a 2016 interview that he was "raised to love Hitler." From 1941, he attended an elite Adolf Hitler School at the Ordensburg Sonthofen. At the age of 15, Hardy made his film début in Alfred Weidenmann's The Young Eagles. It was here that he met the eminent actor Hans Söhnker, who became a friend for life. Söhnker was a covert anti-Nazi, who gave refuge to those fleeing the regime. He made a point of educating Krüger, who assisted his friend with delivering messages to fugitives.

In March 1945, Krüger was assigned to the 38th SS Division Nibelungen and was drawn into heavy combat. The 16-year-old Krüger was ordered to shoot at an American squad. When he refused, he was sentenced to death for cowardice, but another SS officer countermanded the order. Krüger described this experience as his break with Nazism. He afterwards served as a messenger for the SS, but later escaped and hid out in Tyrol until the end of the war. He was a member of the Amadeu Antonio Foundation and frequently spoke publicly against extremism and for democracy, citing his own experiences.

Not seen that in decades but I remember it being really good.