yeah it seems to be rarish. mine is an amazon stream
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I'd certainly like to see it again. It has a quirky charm to it.
if isee one i will let u know.
Castaway, 2000. Director Robert Zemeckis..
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To make himself look like an average out of shape middle aged man Tom Hanks didn't exercise and allowed himself to grow pudgy. Production was then halted for a year so he could lose fifty pounds and grow out his hair for his time spent on the deserted island. During this hiatus, Robert Zemeckis used the same crew to film What Lies Beneath (2000).
Tom Hanks said he first got the idea for the film after reading an article about FedEx. "I realized that Boeing 747s filled with packages fly across the Pacific three times a day. What happens if one of those goes down?," he said. He took that idea and combined it with his interest in how to survive without the five required elements for living - food, water, shelter, fire, and companionship.
Some crew members were left on the island for a few days to survive and learn some skills. They used some of their survival techniques in the movie for the character of Chuck. They were: having trouble lighting a fire, opening a coconut, talking to a volleyball, collecting packages washed up on the beach, and catching fish.
3 Godfathers, 1948. Diretor John Ford...
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John Wayne's pose on the rear of the railroad car and his sweeping wave of his hat at the end of the film were copied by John Belushi for the ending of Continental Divide (1981).
This is a remake of the silent film The Three Godfathers (1916), which starred Ford's long-time friend Harry Carey. When Carey died in 1947, Ford decided to remake the story in Technicolor and dedicate the film to his memory. Carey's son, Harry Carey Jr., plays one of the three, "The Abilene Kid". The film Three Godfathers (1936) is based on the same source, so this film is, in some sense, a remake of that film as well.
It's a Wonderful Life, 1946.
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For the scene that required Donna Reed to throw a rock through the window of the Granville house, director Frank Capra hired a marksman to shoot it out on cue. To everyone's amazement, Reed broke the window by herself. She had played baseball in high school and had a strong throwing arm.
As Uncle Billy drunkenly leaves the Bailey home, it sounds as if he stumbles into some trash cans on the sidewalk. In fact, a crew member dropped a large tray of props right after Thomas Mitchell went off-screen. James Stewart began laughing, and Mitchell quickly improvised, "I'm alright, I'm okay!" Director Frank Capra decided to use this take in the final cut and gave the stagehand a $10 bonus for "improving the sound."
James Stewart was nervous about the phone kiss scene because it was his first onscreen kiss since his return to Hollywood after the war. Under director Frank Capra's watchful eye, Stewart filmed the scene in only one unrehearsed take, and it worked so well that part of the embrace was cut because it was too passionate to pass the censors.
Films made prior to this one used cornflakes painted white for the falling snow effect. Because the cornflakes were so loud, dialogue had to be dubbed in later. Director Frank Capra wanted to record the sound live, so a new snow effect was developed using foamite (a fire-fighting chemical), soap, and water. This mixture was then pumped at high pressure through a wind machine to create the silent, falling snow. 6,000 gallons of the new snow were used in the film. The RKO Effects Department received a Class III Scientific or Technical Award from the Academy of Motion Picture Arts and Sciences (Academy Award aka Oscar Award) for the development of the new film snow.
Murder at the Gallop, 1963.
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The four movies in this franchise were regarded as "B" movies highlighted by superb casts. For this entry, two of the cast members would go on to be knighted: Dame Flora Robson and Dame Margaret Rutherford ... and not to forget its original creator, Dame Agatha Christie.
Like Murder Most Foul (1964), this movie was adapted from an Hercule Poirot novel, not a Miss Jane Marple novel.
Gladiator, 2000. Director Ridley Scott..
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Oliver Reed died three weeks before principal photography ended. Because Proximo was considered a key character, a clause in the movie's insurance contract would have allowed the filmmakers to re-shoot all of Reed's scenes with another actor at the insurer's expense, about $25 million. However, most of the actors and crew were exhausted from the punishing schedule, and Ridley Scott did not want to cut Reed from the movie. The script was rewritten, and a body double and CGI were used to give Reed's character a plausible resolution.
Joaquin Phoenix ad-libbed his scream of "Am I not merciful?" Connie Nielsen wasn't expecting it, and her frightened reaction was genuine.
Five tigers were used in the scene where Maximus fights Tigris the Gaul in the arena. A veterinarian armed with tranquilizer darts was present the entire time of this scene's shooting. For safety's sake, Russell Crowe was kept at least 15 feet away from the tigers.
The opening battle scene was filmed in Bourne Woods, Surrey, England. The Royal Forestry Commission had originally slated the area for deforestation, so Ridley Scott eagerly offered them his facilities to burn the woods to the ground. The Commission happily accepted.
Casablanca, 1942. .. Interesting that there has never been a fancy boxset of this with 4k etc. Maybe its so good it doesnt need it
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Many of the actors who played the Nazis were in fact German Jews who had escaped from Nazi Germany.
During the scene in which the "La Marseillaise" is sung over the German song "Die Wacht am Rhein" ("The Watch on the Rhine"), many of the extras had real tears in their eyes as a large number were actual refugees from Nazi persecution in Germany and elsewhere in Europe and were overcome by the emotions the scene brought out. The scene was copied from Jean Renoir's La Grande Illusion (1937), in which French soldiers in a German POW camp sing the song as a similar gesture of defiance. In that film the song was led by a prisoner who was in drag for a show the prisoners were putting on. The song was written in 1792 by Claude Joseph Rouget de Lisle in Strasbourg after the declaration of war by France against Austria, and was originally titled "Chant de guerre pour l'Armée du Rhin" ("War Song for the Rhine Army").
Because the film was made during WWII the production was not allowed to film at an airport after dark for security reasons. Instead, it used a sound stage with a small cardboard cutout airplane and forced perspective. To give the illusion that the plane was full-sized, they used little people to portray the crew preparing the plane for take-off. Years later the same technique was used in Alien (1979), in the scene where the crew discovers the dead "space jockey", with director Ridley Scott's son and some of his friends in scaled-down spacesuits.
Jason Bourne, 2016.
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Matt Damon admitted that physically training for the role of Bourne was much harder in his forties, and he had to keep to a very strict diet to maintain his physique during filming.