View Full Version : Any Linn LP12 users still on the forum?
Just wondering if there are many or any regular LP12 users still on the forum.
From memory it seems all the names I remember as being Linn fans have either moved on, sold them or maybe they're just not discussing them anymore?
I'm sure there were many here who have used a Linn LP12, and possibly a few who still do. But I suspect that those that did use one became disillusioned with the near constant upgrading of turntable parts, and with the hyperbolic, 'gushing' reports by magazine reviewers prevalent throughout the '80s. Also the necessity of frequent maintenance of the suspension of the LP12 must have become tiresome to owners at the time.
I spent some months with an LP12 and was able to compare it with my own turntable. I heard nothing with the Linn that would make me want to change my turntable.
Also the necessity of frequent maintenance of the suspension of the LP12 must have become tiresome to owners at the time.
Yup, that's what has always put me off Barry - but as a piece of hi-fi furniture, or a historical ‘musical art’ statement piece I personally find an LP12 a beautiful thing to look at. If I ever think of what an iconic turntable looks like, it’s an LP12, Technics SL-1200 or a Rega Planar. That’s very personal to me though.
I remember going to all those Linn demos in the 80’s and despite always wanting one because of the aesthetics, I’ve never put my hand in my pocket, but the itch has never gone away!
Pigmy Pony
25-04-2026, 15:25
I had one in the 80s, and it was proper 'old school', Valhalla'd and with Grace G707 arm and MP11 Boron cartridge. I totally ignored all the upgrading guff, and just kept it as is. I was always happy with the sound, didn't care it was less than perfect, and to my 80s eyes it was a thing of beauty.
And I couldn't fault Linn's customer service - after a few years the Valhalla packed up, and Linn provided a new replacement free of charge. Even though it was about 15 years old by then, and I wasn't even the original purchaser.
I bought it used from some bloke in Harrow (a 500 mile round trip) for £300. Kept it for 25 years, then got 500 quid for it in part ex toward my current deck.
I had one in the 80s, and it was proper 'old school', Valhalla'd and with Grace G707 arm and MP11 Boron cartridge. I totally ignored all the upgrading guff, and just kept it as is. I was always happy with the sound, didn't care it was less than perfect, and to my 80s eyes it was a thing of beauty.
And I couldn't fault Linn's customer service - after a few years the Valhalla packed up, and Linn provided a new replacement free of charge. Even though it was about 15 years old by then, and I wasn't even the original purchaser.
I bought it used from some bloke in Harrow (a 500 mile round trip) for £300. Kept it for 25 years, then got 500 quid for it in part ex toward my current deck.
Upgrading and fiddling about isn't something I would do either really, so that's kind of the same position for me and I have always thought of them as a thing of beauty.
I'm at a bit of a crossroads at the moment. I have a 1988 1210MK2 that runs fine, but it's really ratty and needs some TLC. I can do a restoration myself apart from the paint job or powder coat, which I'd get done professionally. My other option is to scratch my LP12 itch and I'd be happy making it a FrankenLinn, as there are so many after-market options out there. That's kind of why I posted this, to see if there were users here with some guidance. Again, I can do this myself as I'm not afraid of getting under the hood. I'm not a purist so it doesn't have to be 100% Linn, but I want it to look like one. So it might only need an official Linn lid … such heresy!
The last option and the simplest would be to buy a new Rega P6 or P8, which having a Rega Elex already is the most sensible option and likely to sound the best, especially the P8. But that isn't always the number one priority for me and having an LP12 on the sideboard would be very satisfying. That probably sounds nuts to most on here, but my needs are very different. If it plays music and I like it and can live with it, I'm normally happy.
I like the original LP12 they spoiled it with the upgrades I thought. Made it into a not that good 'neutral' deck when before it was a lot more fun to listen to.
Did think about getting one maybe 15 years ago, the Valhalla ones were about £400 for a tidy one then but I think demand might have gone back up.
Pigmy Pony
25-04-2026, 19:29
Upgrading and fiddling about isn't something I would do either really, so that's kind of the same position for me and I have always thought of them as a thing of beauty.
I'm at a bit of a crossroads at the moment. I have a 1988 1210MK2 that runs fine, but it's really ratty and needs some TLC. I can do a restoration myself apart from the paint job or powder coat, which I'd get done professionally. My other option is to scratch my LP12 itch and I'd be happy making it a FrankenLinn, as there are so many after-market options out there. That's kind of why I posted this, to see if there were users here with some guidance. Again, I can do this myself as I'm not afraid of getting under the hood. I'm not a purist so it doesn't have to be 100% Linn, but I want it to look like one. So it might only need an official Linn lid … such heresy!
The last option and the simplest would be to buy a new Rega P6 or P8, which having a Rega Elex already is the most sensible option and likely to sound the best, especially the P8. But that isn't always the number one priority for me and having an LP12 on the sideboard would be very satisfying. That probably sounds nuts to most on here, but my needs are very different. If it plays music and I like it and can live with it, I'm normally happy.
Doesn't sound nuts to me.
In the same way that if you own a car that you love the looks of, when you get out of it and go to your front door, and before you go inside you turn to have one more look :) a similar thing may happen with some hifi gem when you enter the room.
Now I've got this stuff in my head now, I've started to wonder what happened to all the LP12 parts that Inspire Hifi (makers of my turntable) do with all the stuff they take in part exchange, and bits they remove when 'upgrading' customers' turntables. I bet a decent "FrankenLinn" could be assembled this way.
I bet a decent "FrankenLinn" could be assembled this way.
I've been poking around tinternet for the last couple of days and it does look possible and maybe even cheaper than buying a complete second hand deck. I don't need an arm either, so a bit more saved there.
From reading some forums a lot seem to start collecting bits as and when they can afford/find them and build up a deck over a year or more and then get exactly the deck they want, without needing a mortgage for a new one . . . a bit like triggers broom! One guy said he bought an original Linn in the 80s and the only thing left from that deck were the hinges :lol:
Pigmy Pony
26-04-2026, 05:27
That sounds like a great project, and as you say a potential big saving over what a complete deck might cost. All those folk out there, bringing their LP12s out of the 70s and 80s with these "upgrades", well, all those discarded parts are out there somewhere...
What is the bare minimum for the starting point? I assume it is the plinth (a feature of the LP12 which is universally admired), as well as the sub-chassis, but what else?
I would try to get hold of a 'first edition' LP12, clean it up, replace the belt and relubricate the bearing. I wouldn't bother with any of the subsequent DC motors with their associated electronics: too much to worry about.
Whatever you do decide to do, good luck with the project.
Pigmy Pony
26-04-2026, 08:47
The plinth would be far and away the most expensive part. But for an LP12 to look mint, that and the lid would be the most important parts. Fluted Afromosia for me, the original and best! :)
So you'd have to be either spending big, or be prepared to roll up your sleeves and get the sandpaper out ;)
Pigmy Pony
26-04-2026, 08:52
One piece at a time - worked out for Johnny :)
https://upload.wikimedia.org/wikipedia/commons/thumb/0/0e/One_piece_at_a_time.jpg/1280px-One_piece_at_a_time.jpg
The plinth would be far and away the most expensive part. But for an LP12 to look mint, that and the lid would be the most important parts. Fluted Afromosia for me, the original and best! :)
So you'd have to be either spending big, or be prepared to roll up your sleeves and get the sandpaper out ;)
To be honest, as far as aesthetics is concerned, IMO the fluted Afromosia plinth is the only attractive feature of the Linn LP12. Regarding the rest, the Linn is no better looking than either the original AR XB1, or the Thorens TD150/II turntables.
But for an LP12 to look mint, that and the lid would be the most important parts. Fluted Afromosia for me, the original and best!
Yup, as Barry says a logical start point would be the plinth and I would want that to be in very good shape - I have found ones that meet this for between £300 to £400. A new Linn plinth starts at £795, more than a Rega Planer 3!
Original fluted is the way for me too Steve and yup, all those upgrades means a good choice of older parts are available. Linn parts aren’t cheap but the upside to that is they do seem to hold their value if I decide it’s not for me. I’m still mulling it over at the moment and whilst I decide I’m going to get my 1210 tidied up and running again, it’s stripped down at the moment. If I do a good job on that I might decide it’s enough, but I’ll still have that itch!
To be honest, as far as aesthetics is concerned, IMO the fluted Afromosia plinth is the only attractive feature of the Linn LP12. Regarding the rest, the Linn is no better looking than either the original AR XB1, or the Thorens TD150/II turntables.
+1
rmcin626
26-04-2026, 10:13
I had a LP12 for a couple years in the early 80’s but was sold as I was moving overseas, I did think about buying another when I returned to Scotland a few years later but decided against it.
I had a LP12 for a couple years in the early 80’s but was sold as I was moving overseas, I did think about buying another when I returned to Scotland a few years later but decided against it.
An OL Calypso with an Onyx is no slouch Robin. I really like what OL do.
rmcin626
26-04-2026, 13:31
An OL Calypso with an Onyx is no slouch Robin. I really like what OL do.
Very true Tim, no plans to change anytime soon
Patrick Dixon
26-04-2026, 15:06
To be honest, as far as aesthetics is concerned, IMO the fluted Afromosia plinth is the only attractive feature of the Linn LP12.
I had two LP12s once, one with a fluted afro plinth and the other with a fluted walnut plinth. They were quite difficult to tell apart but I slightly preferred the walnut one. I kept the afro one though, because that was the one I bought new (the other came with an Ekos 2 that I wanted). I got as far as LP12/Ekos2/Lingo2/Prefix2/Troika (which I enjoyed) before selling the lot. Currently have Thorens TD124II, a Sony TTS9000, a grease bearing Garrard 301 and an EMT 927, so plenty to choose from and no regrets.
I wouldn't dissuade anyone from owning an LP12 but I'm not sure they are great value for money.
I wouldn't dissuade anyone from owning an LP12 but I'm not sure they are great value for money.
Yup, I can't disagree with that one bit, they are terrible value for money, especially new one's IMO. Secondhand they do seem to hold their value though, so if you found a good one and decided not to keep it, seems you might not lose much.
But that's just an observation from what I've learned - I guess if the bottom fell out of the turntable market again, you could get stung.
Pigmy Pony
26-04-2026, 15:36
Yup, I can't disagree with that one bit, they are terrible value for money, especially new one's IMO. Secondhand they do seem to hold their value though, so if you found a good one and decided not to keep it, seems you might not lose much.
But that's just an observation from what I've learned - I guess if the bottom fell out of the turntable market again, you could get stung.
Agree completely, though being honest I have never ever bought anything with an eye on future values. It's always been for me in the here and now. Probably why I'm so poor in my dotage :doh:
Agree completely, though being honest I have never ever bought anything with an eye on future values. It's always been for me in the here and now. Probably why I'm so poor in my dotage :doh:
Same here, though as it turns out quite a few bits of my gear now fetch huge amounts on the second hand market. With reference to turntables, my EMT 930st and Thorens TD124/II are now selling for five and four figure sums these days.
I have to admit I really like the Thorens 124 DD, a very interesting revival but a bit out of my price range.
https://files.ekmcdn.com/audioemotion/images/thorens-td-124-dd-(2)-31835-p.png?v=DAD2A5A2-6515-4FC8-81CD-380CFE672F41
Pigmy Pony
26-04-2026, 16:12
I suppose it has a brutish charm, but not really a looker imo. I know, it's how it sounds that really matters, but I need it to be easy on the eyes as well as the ears.
Pigmy Pony
26-04-2026, 16:16
Same here, though as it turns out quite a few bits of my gear now fetch huge amounts on the second hand market. With reference to turntables, my EMT 930st and Thorens TD124/II are now selling for five and four figure sums these days.
Funnily enough, I was reading some forum posts on PFM earlier, where some bloke was comparing a Linn Lp12 with an EMT930st, and said there was really no comparison. Not even close. I tried to copy the post onto here for you, but I ran out of technical skills :(
No comparison - pro or con?
Pigmy Pony
26-04-2026, 19:09
Definitely pro EMT. He was quite clear about that. But it was more a passing comment, he didn't go on about it. If he had I would have taken more effort to pass on the link.
Edit: page 4 of this. 15 October 2013.
https://pinkfishmedia.net/forum/threads/whats-the-truth-about-the-lp12.145735/page-17
I just read some of that thread Steve, an interesting read. The subject of an LP12 always manages to ruffle feathers and over the years I've read far more negative than positive comments.
Post #43 sums it up for me, as that period was when I developed my love for music - back then all I could afford was a Pioneer PL-12D.
"I think for anyone who discovered a love of music during the 70s / 80s the LP12 will always be an object of desire. I have never owned one and would like to even now even though I have owned TTs that I'm sure would eat it for breakfast. It's just a very nice thing".
That's bang on, it's an object of desire and a bit of a lifestyle product.
Pigmy Pony
26-04-2026, 20:42
Yes there's been an LP12 backlash for decades now, where the hifi "cognoscenti" viewed Sondek owners as naive and/or cloth eared. And they have been as contentious as cables I think.
Next time I see my neighbour over the garden fence I'll ask him about his experiences of dealing with Linn and selling Sondeks in the 70s. I'm sure he'll have a few tales to tell :)
I think it shows a lot about the personality of a person who attacks someone else's preference. They can't understand why people love them but they are failing to recognise not everyone who enjoys music is searching for the holy grail, they like what they like for whatever personal reason. Everyone's holy grail is different anyway.
If I ever do buy one I think I might keep it to myself :sofa:
Pigmy Pony
26-04-2026, 20:57
Exactly so. And if you do, you can tell me, I get it :)
They say beauty is in the eye of the beholder, so here are my decks:
EMT930st
https://1.bp.blogspot.com/-001xb-esi7M/Xfyhiq1NVnI/AAAAAAADf98/YN7WujKuYRUhmmyJUVJktfS6Biq5Vw0owCLcBGAsYHQ/s320/79728456_2766577850065519_8880769165737066496_o-1.jpg
I bought this about eight years ago from a seller in Hungary. From the serial number it was made in May 1974, one of 50 made that month. Appearance wise, being a professional TT made for the broadcast industry, its looks are sombre and business like, quite the opposite to what would look good in a domestic setting. It was designed to be reliable as it was intended to be in constant use and only require infrequent servicing.
Thorens TD124/II
https://i.postimg.cc/4yJZ7MVD/20260426-205501-1.jpg (https://postimages.org/)
https://i.postimg.cc/vBvwszk9/20260426-205237-1.jpg (https://postimages.org/)
The plinth was designed by me and made by my father. The sides are mahogany and the top is 10mm plywood. It does not have a base, intentionally so as to avoid any resonant cavities. The feet are simple no-nonsense 5/8" diameter rubber types. It sits atop a brick-built fireplace, and no matter how loud I play my system no vibration can be felt through the plinth.
I like the TD124/II so much I have three of them, all in non-standard plinths.
As you can see I like 1950/60's styling, but there are several later decks I do like: the Thorens TD125 being one of them.
They say beauty is in the eye of the beholder, so here are my decks:
And that's what so many people struggle to understand.
Has your EMT been restored at all?
No, apart from a change of platter mat. The motor is a three phase type, and the two phase shift capacitors can drift in value with time causing an increase in flutter. The item I bought had been serviced and since then has had little use, so the capacitors have kept their value.
To be honest, I bought the EMT as it was a long held ambition of mine to own one, just as eventually owning a Nagra IV-S portable reel-to-reel recorder was another!
Pete The Cat
27-04-2026, 07:40
I have a Nirvana/Valhalla LP12. Fluted afro. I use it to play my second hand records.
Decks have different voices. This one's strength is that it's very, very listenable, like the Cadbury's Caramel bunny. If part of that is as a result of 'colouration' of the upper bass then colour away!
I'm surprised Patrick can hear the, albeit small, difference between a Linn LP12 in a walnut plinth compared to one in an afromosia plinth. IMO it doesn't say much for the design: it's not a speaker, where the wood used in the cabinet is important. I must be missing something here.
Pigmy Pony
27-04-2026, 13:08
I'm surprised Patrick can hear the, albeit small, difference between a Linn LP12 in a walnut plinth compared to one in an afromosia plinth. IMO it doesn't say much for the design: it's not a speaker, where the wood used in the cabinet is important. I must be missing something here.
You could well be, Barry :) If you're referring to post #18, I think Patrick was referring to the appearance, ie the fluted afromosia plinth was similar to the fluted walnut one, and preferred the look of the walnut.
You could well be, Barry :) If you're referring to post #18, I think Patrick was referring to the appearance, ie the fluted afromosia plinth was similar to the fluted walnut one, and preferred the look of the walnut.
Yes you're right. Having reread Patrick's post it does read as him preferring the appearance of the walnut plinthed LP12. Thanks, I thought I was going a bit loopy there. ( :doh: )
They say beauty is in the eye of the beholder, so here are my decks:
EMT930st
https://1.bp.blogspot.com/-001xb-esi7M/Xfyhiq1NVnI/AAAAAAADf98/YN7WujKuYRUhmmyJUVJktfS6Biq5Vw0owCLcBGAsYHQ/s320/79728456_2766577850065519_8880769165737066496_o-1.jpg
Certainly a statement piece and built more like a tank than any other deck I can think of. Am I right in thinking the top plinth is made of Bakelite?
Wakefield Turntables
27-04-2026, 17:58
I had a LP12 but decided a Heybrook TT2 did a better job. I have nothing against LP12's!
EMT930st
https://1.bp.blogspot.com/-001xb-esi7M/Xfyhiq1NVnI/AAAAAAADf98/YN7WujKuYRUhmmyJUVJktfS6Biq5Vw0owCLcBGAsYHQ/s320/79728456_2766577850065519_8880769165737066496_o-1.jpg
Certainly a statement piece and built more like a tank than any other deck I can think of. Am I right in thinking the top plinth is made of Bakelite?
Yes it is. I'm not sure what prompted Wilhelm Frantz to choose Bakelite, perhaps it was because it is non-metallic and so would have desirable non resonant properties. The downside is it is fragile, anything heavy dropped onto the top surface will crack it. Mine arrived in a huge packing case: so large I could not get it into my car, so I had to unpack it at Stanstead airport and put the smaller, but still well-wrapped turntable into the boot.
That's what I call dedication Barry - how old is it, of have you done a thread about it? I just did a quick search, but nothing came up.
rigger67
01-05-2026, 20:56
I've got one : Valhalla, Ittok, AT-OC9.
I bought it about 25-30 years ago, when I had a powder blue Rega Planar 3.
I sold that and ended up paying £180 for the Linn (about £350 altogether, with the sale of the Rega).
It had a Basik arm originally. The fella selling it had just had a baby and "had to make an appointment" to use it, in his words.
Bargain.
Had it serviced about ten years back, when the Ittok was fitted. Upgraded to an MC about the same time.
I was a DJ for many years and have used many, many decks in my life.
I have to say the sound is excellent.
Not always the best - some CDs sound better, even on my player - but that's as much down to the recordings, I find.
Some records are astonishing on it.
I played a copy of The Dude by Quincy Jones the other day, a record I've owned for longer than the deck but hadn't played for decades. I'd heard Razzmatazz on the radio and wanted to give it another listen.
I heard parts - instruments, I mean - that I'd never heard on that track till I played it through my current set-up. The amp and speakers help, obviously, but I'm really happy with everything I own now.
I think I may possibly go for a higher quality CDP at some point, but the rest is more or less end-game for me.
I'd rather just buy more music ..
I'm really happy with everything I own now.
I think I may possibly go for a higher quality CDP at some point, but the rest is more or less end-game for me.
I'd rather just buy more music .
You can't ask more from a system than that. Well done!
I'd rather just buy more music ..
That is my constant problem Paul - every time I get to pondering about new gear, I end up thinking how much music I could buy instead. Pretty much always the music wins!
My main deck is an LP12. I've fitted a Stack Audio sub-chassis, custom armboard and Phonomac fettled Audio Techica 1010. It's been a solid performer since it was passed to me from my father a decade or so ago.
It's been a solid performer since it was passed to me from my father a decade or so ago.
Now that's a great reason to own and enjoy an LP12 :)
I just checked out Stack Audio, looks like they've stopped making the sub-chassis, which is a shame.
I just checked out Stack Audio, looks like they've stopped making the sub-chassis, which is a shame.
Yes, I believe so and agree it is a shame. I liked their turntable upgrades and found Theo Stack always very helpful. I think it might have been this post that got me onto Stack Audio LP12 upgrades. (https://theaudiophileman.com/serene-linn-upgrade-kit-from-stack-audio/)
That's an interested read Rob, thanks for linking it.
I've researched a lot about the LP12 recently, quite fascinating but also a big money pit if you want to really go to town. You can build a complete LP12 it seems with virtually nothing coming from Linn themselves, although I haven't seen an aftermarket outer platter yet, but everything else . . . the sky's the limit!
EDIT:
Cancel that, I just found an after market outer platter . . . a bunch of them in fact!
Why wouldn't there still be LP12 users on the forum? Lovely sounding things, even my very basic Valhalla, RB300 set-up makes nice music.
rednose66
20-05-2026, 22:49
LP12, Ittok, Minos, AT-33. Bought it for 1k just over 2 years back in the UK on eBay from a bloke doing house clearances. Was originally a Valhalla Asak combo. Got the arm bearings serviced, swapped the arm plugs for RCA's and fitted the AT. My "lucky" mate brought it over in the back of his car and whilst I was expecting to pay duty they waved him through. Had it here two days and one channel died. Ended up having to take the arm back to the UK with me - I commute luckily - and the lovely Paul Bird rewired it. Yannis Tom provided a T cable replacement and I fitted a Valhalla Electronics Minos. Got the arm back to Spain Easter 2025 and took a 5 hour drive to Barcelona where the ex Linn importer fitted the arm for me and set the deck back up. Another 5 hour drive and I had to leave it on the couch when I got home as it was our big bonfire night here and I was invited to a BBQ. It is now sat on my hifi rack where it will remain. It is an early 90's Agnes Munro deck and I have no intention of any upgrades apart from maybe a new bearing when needed. My hearing is shot after 13 years working on a hot rolling mill back when ear defenders were not compulsory and not general issue. Back in those days - early 90's - the LP12 / Ittok was a thing of great beauty that I could only dream of owning. To me it is still a thing of great beauty and I am happy to believe that this is my last turntable.
Interesting story Jon. I take it you still have a collection of vinyl LPs to play on it. :)
BTW, what were the original arm plugs, DIN?
rednose66
13-06-2026, 14:26
Interesting story Jon. I take it you still have a collection of vinyl LPs to play on it. :)
BTW, what were the original arm plugs, DIN?
No they were actually BNC plugs. I never thought to ask what other equipment had come from that particular house clearance. I only have about 100 records in Spain currently and the plan is to start carrying records over on each flight I do from the UK. I've done about 1500 cd's in hand luggage over the last 18 months so not looking forward to a similar number of records. :lol:
bob orbell
25-06-2026, 15:49
Another one here, had mine for 43 years, now with karousel, SME 4 and Ortofon Cadenza Blue, into World Design Phono III, lovely. Bob
Hi folks,
long time since I have contributed to this forum (missing Marco), I thought that I would have a look to see if there were any updates on the man, saw this thread and couldn’t resist:
I have had my LP12 for about 35 years. Pre Cirkus model, bought the Ittok about 5 years later (second hand), removed baseboard, replaced Valhalla with a Heed Orbit when the Valhalla burnt out, it has had a couple of services, I fitted a “blue belt” and gave it an oil change about two years ago, just bought a new 10x5 mkII and a felt mat (new one fits :dance:).
I still love it and consider that it has been great value for money. Blue belt was well worth while, but most of my recent system changes have been around amplification - Art Audio - Quintet power amp and Vinyl 1 phono stage.
The old “pre Cirkus” has been more than good enough to allow me to appreciate how good the amplifiers are - happy bunny here.
PS - I also think that it looks “right”
https://i.postimg.cc/Xq941QKN/IMG-0927.jpg (https://postimg.cc/646kyV1F)
I like the 'all black' look of your LP12.
I have no idea what the "blue belt" is, but I assume it is an upgrade on the original belt. As always if you are pleased with what you have, then sit back and enjoy the music. :)
I like the 'all black' look of your LP12.
I have no idea what the "blue belt" is, but I assume it is an upgrade on the original belt. As always if you are pleased with what you have, then sit back and enjoy the music. :)
“Blue belt”, supplied by Mike Pickwell (Pickwell Audio). Quite a lot on pinkfish about it - made my LP12 sound more “steady/solid/confident?” Not sure if “confident” is a hifi term, but i know what I mean :)
Very helpful chap, and considerably cheaper than a Linn belt.
Absolutely right about sticking with what you have if you are happy - I haven’t any intention of major purchases in the future, just consumables (valves/cartridge when needed) and more records when I hear something which grabs my attention. Currently going back in time to increase my old blues records.
Actually, I told a porky there. I am about to sell off a few bikes and bits and pieces to fund a record cleaner purchase - Humminguru looks interesting.
EDIT - if there were a “like” feature I would have posted it, so consider this a “like” :kiss:
Good to see you, Guy! Hope you and your side of Suffolk is doing well!
Good to see you, Guy! Hope you and your side of Suffolk is doing well!
Hi Alex - all good here; I now have a Labrador, I needed to have some form of exercise and she is getting me out walking and enjoying the Suffolk countryside every day.
All good with you?
Hi Alex - all good here; I now have a Labrador, I needed to have some form of exercise and she is getting me out walking and enjoying the Suffolk countryside every day.
All good with you?
Excellent - yes, Syd is now 5 and no signs of growing up - that’s Cockapoos I guess! Had a vet trip on Tuesday night (£300!) to empty his guts as he managed to eat half a pot of crispy onions that fell out of the cupboard! Daughter just passed her driving test, so more anxiety but otherwise all very good here, thank you!
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