Upgrade options for a Croft Micro 25R?

[pankon]

I have to admit that I have been and still am a loyal Croft customer.

Recently I had my Series7R monoblocks upgraded by Glenn (Croft) from the standard 55W to 110W. It has helped them to sound more composed and precise in the lower frequency range, taking better control of the speakers, although the latter are supposed to be easy loads (Harbeth SHL5 Plus 40th Anniversary). Mids and highs sound as they used to, so all is fine.

I have recently added a NOS (non-oversampling) DAC (LAB12 DAC1 SE+) to the system and it sounds sublime with the Micro 25R and the monos. However, I’ve come to realize that now the system’s performance with digital files is better than with the analog chain, consisting of a Roksan Xerxes - Audiomods Series 5 - The Cartridge Man Music Maker III. I remember the same turntable used to sound great in my other hi-fi system, with Croft SuperMicro IIR and Series 7, but in the primary system the turntable sounds comparatively congested, shut-in and rolled-of with the Micro 25R, although the preamp has a couple of great NOS Tesla E83CC in the phono stage. I’m scratching my head… :scratch:

I think it’s about time I considered an upgrade of the Micro 25R preamp to RS spec. I am wondering though, whether at the same time it would make sense to separate the phono stage and so end up with a Micro 25RS line only + RIAA RS.

Thoughts/suggestions, please?

I thank everyone in advance for their contribution.

[Bigman80]

I have to admit that I have been and still am a loyal Croft customer.

Recently I had my Series7R monoblocks upgraded by Glenn (Croft) from the standard 55W to 110W. It has helped them to sound more composed and precise in the lower frequency range, taking better control of the speakers, although the latter are supposed to be easy loads (Harbeth SHL5 Plus 40th Anniversary). Mids and highs sound as they used to, so all is fine.

I have recently added a NOS (non-oversampling) DAC (LAB12 DAC1 SE+) to the system and it sounds sublime with the Micro 25R and the monos. However, I’ve come to realize that now the system’s performance with digital files is better than with the analog chain, consisting of a Roksan Xerxes - Audiomods Series 5 - The Cartridge Man Music Maker III. I remember the same turntable used to sound great in my other hi-fi system, with Croft SuperMicro IIR and Series 7, but in the primary system the turntable sounds comparatively congested, shut-in and rolled-of with the Micro 25R, although the preamp has a couple of great NOS Tesla E83CC in the phono stage. I’m scratching my head… :scratch:

I think it’s about time I considered an upgrade of the Micro 25R preamp to RS spec. I am wondering though, whether at the same time it would make sense to separate the phono stage and so end up with a Micro 25RS line only + RIAA RS.

Thoughts/suggestions, please?

I thank everyone in advance for their contribution.If it were me, I'd go the whole 9 yards and have the phonostage in a separate box to the PSU. Some will say it makes no difference, personally, I think it does. The long term plan for my DIY phonostage is to do just that.

[Jimbo]

Yes I would agree go the whole way with an upgrade to the 25RS linestage only and have a RIAA RS Phono stage. The RIAA RS would be a whole lot better than the 25R or 25RS phono stage as Glenn can do more work on the RIAA phono stage and if you have the RS (separate power supply) it will sound stunning. It is a different phono stage to both the 25R and 25RS as it has three valves in the phono stage.

This is what I intend to do when I have the cash!:)

[pankon]

Oh, yes, cash. I tend to forget that... :doh:

[Firebottle]

You could always go for a Firebottle Vivant phono stage and you are sorted forever.

[STD305M]

I listened to the vivant and it sounds sublime, head and shoulders above anything I've listened to before.
A big thumbs up

Steve

[pankon]

To be honest, I am not considering any other phono stage than Croft, because I would like to capitalize on my investment in the Micro 25R, which already contains a photo stage. So I would like to investigate what the upgrade options of the Micro 25R are. Perhaps, as mentioned, even splitting the Micro 25R in different, dedicated phono and line stage boxes of the RS spec.

Although I do not have any experience with the Vivant, I guess that the Croft RIAA RS would be comparable.

Thanks for the suggestion anyway.