hifinutt
28-02-2010, 19:16
i noticed that very few of the exhibitions at the bristol show were using class d amps . I was wondering if this is just prejudice or because they may have lower damping factors .
my refs have a damping factor of over 1000 which is considered high in this article but something like a belles mb200 monoblock has a damping factor of over 2000 .
"UNDERSTANDING DAMPING FACTOR
Loudspeakers have a mind of their own. You send them a signal and they add their own twist to it. They
keep on vibrating after the signal has stopped, due to inertia. That's called "ringing" or "time smearing."
In other words, the speaker produces sound waves that are not part of the original signal.
Suppose the incoming signal is a "tight" kick drum with a short attack and decay in its signal envelope.
When the kick-drum signal stops, the speaker continues to vibrate. The cone bounces back and forth in its
suspension. So that nice, snappy kick drum turns into a boomy throb.
Fortunately, a power amplifier can exert control over the loudspeaker and prevent ringing. Damping is the
ability of a power amplifier to control loudspeaker motion. It's measured in Damping Factor, which is load
impedance divided by amplifier output impedance. Let's explain.
If the speaker impedance is 8 ohms, and the amplifier output impedance is 0.01 ohms, the damping factor
is 800. That's a simplication. Since the speaker impedance and amplifier output impedance vary with fre-
quency, so does the damping factor. Also, the impedance of the speaker cable affects damping. Thick
cables (with low AWG) allow more damping than thin cables with (high AWG).
The lower the amplifier's output impedance, the higher the damping factor, and the tighter the sound is. A
damping factor of 1000 or greater is considered high. High damping factor equals tight bass.
How It Works
How does an amplifier control speaker motion? When the loudspeaker cone vibrates, it acts like a micro-
phone, generating a signal from its voice coil. This signal generated by the speaker is called back EMF
(back Electro Motive Force). It travels through the speaker cable back into the amplifier output, then
returns to the speaker. Since back EMF is in opposite polarity with the speaker's motion, back EMF
impedes or damps the speaker's ringing.
The smaller the amp's output impedance, the greater is the effect of back EMF on the speaker's motion.
An amplifier with low output impedance does not impede the back EMF, so the back EMF drives the loud-
speaker with a relatively strong signal that works against the speaker's motion. When the speaker cone
moves out, the back EMF pulls the speaker in, and vice versa.
In short, the loudspeaker damps itself through the amplifier output circuitry. The lower the impedance of
that output circuitry, the more the back EMF can control the speaker's ringing.
To prove it to yourself, take a woofer that is not connected to anything. Put your ear next to the cone and
tap on it. You might hear a low-pitched "bongggg" if the speaker itself is poorly damped. Now short the
speaker terminals and tap again. You should hear a tighter thump.
Damping factor varies with frequency. As you might suspect, damping factor is most important at low fre-
quencies, say 10 Hz to 400 Hz. "
so any idea why class d not used more at the shows ?
my refs have a damping factor of over 1000 which is considered high in this article but something like a belles mb200 monoblock has a damping factor of over 2000 .
"UNDERSTANDING DAMPING FACTOR
Loudspeakers have a mind of their own. You send them a signal and they add their own twist to it. They
keep on vibrating after the signal has stopped, due to inertia. That's called "ringing" or "time smearing."
In other words, the speaker produces sound waves that are not part of the original signal.
Suppose the incoming signal is a "tight" kick drum with a short attack and decay in its signal envelope.
When the kick-drum signal stops, the speaker continues to vibrate. The cone bounces back and forth in its
suspension. So that nice, snappy kick drum turns into a boomy throb.
Fortunately, a power amplifier can exert control over the loudspeaker and prevent ringing. Damping is the
ability of a power amplifier to control loudspeaker motion. It's measured in Damping Factor, which is load
impedance divided by amplifier output impedance. Let's explain.
If the speaker impedance is 8 ohms, and the amplifier output impedance is 0.01 ohms, the damping factor
is 800. That's a simplication. Since the speaker impedance and amplifier output impedance vary with fre-
quency, so does the damping factor. Also, the impedance of the speaker cable affects damping. Thick
cables (with low AWG) allow more damping than thin cables with (high AWG).
The lower the amplifier's output impedance, the higher the damping factor, and the tighter the sound is. A
damping factor of 1000 or greater is considered high. High damping factor equals tight bass.
How It Works
How does an amplifier control speaker motion? When the loudspeaker cone vibrates, it acts like a micro-
phone, generating a signal from its voice coil. This signal generated by the speaker is called back EMF
(back Electro Motive Force). It travels through the speaker cable back into the amplifier output, then
returns to the speaker. Since back EMF is in opposite polarity with the speaker's motion, back EMF
impedes or damps the speaker's ringing.
The smaller the amp's output impedance, the greater is the effect of back EMF on the speaker's motion.
An amplifier with low output impedance does not impede the back EMF, so the back EMF drives the loud-
speaker with a relatively strong signal that works against the speaker's motion. When the speaker cone
moves out, the back EMF pulls the speaker in, and vice versa.
In short, the loudspeaker damps itself through the amplifier output circuitry. The lower the impedance of
that output circuitry, the more the back EMF can control the speaker's ringing.
To prove it to yourself, take a woofer that is not connected to anything. Put your ear next to the cone and
tap on it. You might hear a low-pitched "bongggg" if the speaker itself is poorly damped. Now short the
speaker terminals and tap again. You should hear a tighter thump.
Damping factor varies with frequency. As you might suspect, damping factor is most important at low fre-
quencies, say 10 Hz to 400 Hz. "
so any idea why class d not used more at the shows ?