Neil McCauley
07-08-2017, 08:00
96/24 — that’s my bottom line these days, absolutely.”
Steven Wilson is standing firm. The once and future guru of high-resolution recording and surround-sound mixing (he’s been behind the board to forge 5.1 wonders for everyone from Yes to Tears for Fears) feels everyone should be recording (and listening) at the 96-kilohertz/24-bit standard, and won’t stand for compromise. “Even if the difference is 0.1 percent better, why wouldn’t you do it?” he asks. “There is information in those tracks that’s missing when you listen to a CD.”
Setting new standards and pushing the aural envelope all feed into the approach Wilson took when .....
http://www.hifianswers.com/2017/08/pushing-the-aural-envelope-with-high-res-audio-evangelist-steven-wilson/
Steven Wilson is standing firm. The once and future guru of high-resolution recording and surround-sound mixing (he’s been behind the board to forge 5.1 wonders for everyone from Yes to Tears for Fears) feels everyone should be recording (and listening) at the 96-kilohertz/24-bit standard, and won’t stand for compromise. “Even if the difference is 0.1 percent better, why wouldn’t you do it?” he asks. “There is information in those tracks that’s missing when you listen to a CD.”
Setting new standards and pushing the aural envelope all feed into the approach Wilson took when .....
http://www.hifianswers.com/2017/08/pushing-the-aural-envelope-with-high-res-audio-evangelist-steven-wilson/