Frankyc2003
20-12-2014, 11:51
Good morning everyone,
I have a confession to make. I am totally addicted to tinkering with my system. i am what we would call a 'Box swapper'!
I have tried and tried to restrain myself, to no avail. there is always another urge that I need to scratch! And the sound of Tannoy is one of these.
When a few months ago I went to pick up Tom's Lenco (Montesquieu), he treated me to a lovely little listening session with his newly arrived Radfod STA100 and the mighty Canterbury cabs with HPDs. What a wonderful experience that was!
So much so, it never left my mind actually... That's the degree of addiction I am suffering from...:rolleyes:
fast forward a few months later...
These beauties have landed...
http://i835.photobucket.com/albums/zz275/frankyc2003/1d26987b-a397-4bd7-87f6-f0cb9a604e9a_zps35f2f053.jpg (http://s835.photobucket.com/user/frankyc2003/media/1d26987b-a397-4bd7-87f6-f0cb9a604e9a_zps35f2f053.jpg.html)
http://i835.photobucket.com/albums/zz275/frankyc2003/7a40551a-d1c3-4428-9c0b-4ba188cbd222_zpse08a904b.jpg (http://s835.photobucket.com/user/frankyc2003/media/7a40551a-d1c3-4428-9c0b-4ba188cbd222_zpse08a904b.jpg.html)
Well, Ok, I have slightly overdone it on the glow... But that's just a true representation of how it feels to be listening to these this very morning.:eyebrows:
As said previously, I have been accustomed to the sound of horn loaded fostex for a wee while now, and it was glorious! But when these 2 gold entered the room, something definitely changed.
For the best!
So to match the golden mood of the morning, let's play some glorious folk from way back! 1977 here I come...
http://eil.com/images/main/Steeleye-Span-Time-Span-544111.jpg
as I listen to 'My Johnny Was A Shoemaker', I suddenly realised what that 'Midrange heaven' means. The only thing I could say is that the system is now so capable of reproducing the delicate harmonies of the human voice, that I gos startled when this very 'Lo-Fi' duo kicks in. The presence is truly unbelievable. Depth, air and solid 3d positioning of ach performer in space contribute all to create a fantastic 'illusion'.
On the other track, electric guitars simply miked, drum kits and violins all shine with their true colours (or at least it feels), something that never did happen before.
As you probably noticed, there is a couple of plugs on the front plate to 'taylor' treble to your room. These speakers were actually used in studio environment. They date back from 1990 according to the seller. They were used in a West london broadcast studio. And by the look of it, they were never abused (used?!). the veneer is almost perfect. The surrounds are totally intact and the better pleated variant. The drivers according to the tannoy forum are 3149. So, OK, we are not dealing with alnico magnets here, no real 'Gold' or 'Silver' from the glorious 60's. But these are still incredible DC tannoy speakers for me! I have coupled them with my super tweeters to just add that little extrta 'Spark'. The crossovers are all genuine Tannoy items, untouched since the factory. Obviously, you already got it here, I am already fishing for tweaks! I am so bad!:doh: (anyone for circuit diagrams?)
Onto something a little more serious.
http://www.rauhvinyl.com/bilder/gross/2059.jpg
When you are dealing with Valve and tubes and hi-efficiency speakers, there is always potential bias towards the softer edge of sounds. Honey, sweet, soft, gooey, treacle, etc (you can go as far as you want if you hate the sound, the adjectives won't be harsh enough!)...
So I thought I needed to introduce some 'darkness' in this session. Shoenberg piece 'Verklärte Nacht' op. 4.
The Berliner Philarmoniker from 1974 with Karajan at it's helm does exactly that.
Layers of cold, deep dark strings start wrapping the floor of the room. I suddenly feel the need to put on a jumper. ;)
At the height of the crescendo, the bass is so deep and powerful that I am shaken to the core. But certanly not in a 'flappy' way. It is authoritative and taut! The 300B never cease to amaze me! the dive deeper and harder than my mighty 845!
The guys at Audion in the 90's certainly knew what they were doing when designing the Silver Night. I am now obviously very curious to listen to a newer model. I told you, I am a 'Box Swapper' didn't it?
To finish the morning in style and stay in the 70's, here comes
http://upload.wikimedia.org/wikipedia/en/9/9b/Bob_Dylan_and_The_Band_-_Before_the_Flood.jpg
It's a lovely 180g re-edition of the classic live from Dylan and The Band. Dylan and Robertson having it on stage in LA basically. Again the solid positioning of everyone makes for such a believable sonic image.
Electronic keyboard, fiddle, and bass, all beautifully rendered without colouring (something you kind of get used to while listening to horns, which by the way i's clearly a matter of taste).
So if I was to summarize my newly formed impressions on these tannoy LGM, I would say that powered by 300B they really major on neutrality and imaging. Having played a little with speaker cables, I would say that with some simpler cables (here I mean the white stuff from B&Q) they could maybe sound a little shouty, but in comparison with the LAT SA1000, a true balance is re-established. So, the usual caveat apply, always make sure you look after every single link in the system before making strong assumptions and DO trust your ears!
Here we have it! I am chuffed to bits with my new speakers. And the legend is true, 300B and Tannoy DC's are a match made in heaven!
:D:D:D
I have a confession to make. I am totally addicted to tinkering with my system. i am what we would call a 'Box swapper'!
I have tried and tried to restrain myself, to no avail. there is always another urge that I need to scratch! And the sound of Tannoy is one of these.
When a few months ago I went to pick up Tom's Lenco (Montesquieu), he treated me to a lovely little listening session with his newly arrived Radfod STA100 and the mighty Canterbury cabs with HPDs. What a wonderful experience that was!
So much so, it never left my mind actually... That's the degree of addiction I am suffering from...:rolleyes:
fast forward a few months later...
These beauties have landed...
http://i835.photobucket.com/albums/zz275/frankyc2003/1d26987b-a397-4bd7-87f6-f0cb9a604e9a_zps35f2f053.jpg (http://s835.photobucket.com/user/frankyc2003/media/1d26987b-a397-4bd7-87f6-f0cb9a604e9a_zps35f2f053.jpg.html)
http://i835.photobucket.com/albums/zz275/frankyc2003/7a40551a-d1c3-4428-9c0b-4ba188cbd222_zpse08a904b.jpg (http://s835.photobucket.com/user/frankyc2003/media/7a40551a-d1c3-4428-9c0b-4ba188cbd222_zpse08a904b.jpg.html)
Well, Ok, I have slightly overdone it on the glow... But that's just a true representation of how it feels to be listening to these this very morning.:eyebrows:
As said previously, I have been accustomed to the sound of horn loaded fostex for a wee while now, and it was glorious! But when these 2 gold entered the room, something definitely changed.
For the best!
So to match the golden mood of the morning, let's play some glorious folk from way back! 1977 here I come...
http://eil.com/images/main/Steeleye-Span-Time-Span-544111.jpg
as I listen to 'My Johnny Was A Shoemaker', I suddenly realised what that 'Midrange heaven' means. The only thing I could say is that the system is now so capable of reproducing the delicate harmonies of the human voice, that I gos startled when this very 'Lo-Fi' duo kicks in. The presence is truly unbelievable. Depth, air and solid 3d positioning of ach performer in space contribute all to create a fantastic 'illusion'.
On the other track, electric guitars simply miked, drum kits and violins all shine with their true colours (or at least it feels), something that never did happen before.
As you probably noticed, there is a couple of plugs on the front plate to 'taylor' treble to your room. These speakers were actually used in studio environment. They date back from 1990 according to the seller. They were used in a West london broadcast studio. And by the look of it, they were never abused (used?!). the veneer is almost perfect. The surrounds are totally intact and the better pleated variant. The drivers according to the tannoy forum are 3149. So, OK, we are not dealing with alnico magnets here, no real 'Gold' or 'Silver' from the glorious 60's. But these are still incredible DC tannoy speakers for me! I have coupled them with my super tweeters to just add that little extrta 'Spark'. The crossovers are all genuine Tannoy items, untouched since the factory. Obviously, you already got it here, I am already fishing for tweaks! I am so bad!:doh: (anyone for circuit diagrams?)
Onto something a little more serious.
http://www.rauhvinyl.com/bilder/gross/2059.jpg
When you are dealing with Valve and tubes and hi-efficiency speakers, there is always potential bias towards the softer edge of sounds. Honey, sweet, soft, gooey, treacle, etc (you can go as far as you want if you hate the sound, the adjectives won't be harsh enough!)...
So I thought I needed to introduce some 'darkness' in this session. Shoenberg piece 'Verklärte Nacht' op. 4.
The Berliner Philarmoniker from 1974 with Karajan at it's helm does exactly that.
Layers of cold, deep dark strings start wrapping the floor of the room. I suddenly feel the need to put on a jumper. ;)
At the height of the crescendo, the bass is so deep and powerful that I am shaken to the core. But certanly not in a 'flappy' way. It is authoritative and taut! The 300B never cease to amaze me! the dive deeper and harder than my mighty 845!
The guys at Audion in the 90's certainly knew what they were doing when designing the Silver Night. I am now obviously very curious to listen to a newer model. I told you, I am a 'Box Swapper' didn't it?
To finish the morning in style and stay in the 70's, here comes
http://upload.wikimedia.org/wikipedia/en/9/9b/Bob_Dylan_and_The_Band_-_Before_the_Flood.jpg
It's a lovely 180g re-edition of the classic live from Dylan and The Band. Dylan and Robertson having it on stage in LA basically. Again the solid positioning of everyone makes for such a believable sonic image.
Electronic keyboard, fiddle, and bass, all beautifully rendered without colouring (something you kind of get used to while listening to horns, which by the way i's clearly a matter of taste).
So if I was to summarize my newly formed impressions on these tannoy LGM, I would say that powered by 300B they really major on neutrality and imaging. Having played a little with speaker cables, I would say that with some simpler cables (here I mean the white stuff from B&Q) they could maybe sound a little shouty, but in comparison with the LAT SA1000, a true balance is re-established. So, the usual caveat apply, always make sure you look after every single link in the system before making strong assumptions and DO trust your ears!
Here we have it! I am chuffed to bits with my new speakers. And the legend is true, 300B and Tannoy DC's are a match made in heaven!
:D:D:D