Album Club
02-11-2014, 00:18
Apologies are due for the slight delay in announcing this month’s Album Club choice. This was due to a necessary last-minute change in rota order. We have to thank Barry for stepping into the breech and suggesting Frank Zappa’s ‘Hot Rats’.
Frank Zappa – ‘Hot Rats’
http://ecx.images-amazon.com/images/I/51VLCjyY73L._SY355_.jpg
Of all of Zappa’s output, which to put it mildly is substantial; this album might be regarded as one of his most accessible and a good introduction to Frank Zappa. Now that might sound slightly patronising: ‘entry level’, something for beginners, but it’s not. I have chosen it, as some of Zappa’s work is hard to ‘get into’ on first acquaintance.
http://en.wikipedia.org/wiki/Hot_Rats
This album was the first solo studio-recording made by Zappa in 1969, after having disbanded The Mothers of Invention and whilst Zappa was recovering from an accident, when he was pulled offstage by an enthusiastic fan during a performance at the Albert Hall in London, causing Zappa to break his leg.
The album is almost entirely instrumental, with only one vocal track: ‘Willy the Pimp’. It is well known that Zappa was always interested in classical composition, having been inspired from an early age by the works of Edgar Varèse. In this album one can hear some ideas Zappa had which would eventually lead to some of his more ostensible classical compositions. Overall ‘Hot Rats’ might be conveniently pigeonholed under the genre ‘jazz rock’, but as with all things Zappa, such generalisation is misleading and inaccurate. In fact some of the tracks are reminiscent of the film music of Richard Rodney Bennett; indeed in the sleeve notes Zappa describes the album as a “movie for your ears”. However it is filed, the album has universally been described as a masterpiece; a description with which I would wholeheartedly concur.
There are six tracks on the album:
1 Peaches En Regalia
2 Willie the Pimp
3 Son of Mr Green Genes
4 Little Umbrellas
5 Gumbo Variations
3 It Must Be a Camel
It starts with a joyous up-beat fanfare: ‘Peaches en Regalia’, followed by the delightfully saucy ‘Willie the Pimp’, featuring Captain Beefheart on vocals and Sugar Cane Harris on violin. ‘Little Umbrellas’ has a nice sleazy Kurt Weill feel to it. ‘Son of Mr Green Genes’ is a good example of Zappa’s compositional and guitar playing skills. ‘Gumbo Variations’ is a veritable tour de force of jazz-rock/rock-jazz with some fine sax playing by Ian Underwood (the only member of the Mothers of Invention, retained by Zappa after he disbanded the group) with Sugar cane Harris on electric violin. After the manic energy of ‘Gumbo Variations’, ‘It Must Be a Camel’ is the perfect antidote, and nicely finishes off this “movie for your ears”, with Ian Underwood on keyboards, flute and clarinet and Jean Luc Ponty on violin. The ending of ‘It Must Be a Camel’ always reminds me of Gershwin for some reason.
There are two versions or mixes of this album. The first version to appear on CD, in 1987, was a re-mix achieved when Zappa handed over his catalogue to Rykodisc. Later the original mix used on the LP was transferred to CD in 2012, and for many, including myself, is regarded as the better version. Zappa Records ZR 3841
I think it’s brilliant – hope you enjoy it too.
PegsHwCW6WY
Spotify: http://open.spotify.com/album/0WYYrC9My9rYWigac003hw/3toxxSU3TcvzgmeR8LLUiX
Grooveshark: http://grooveshark.com/#!/album/Hot+Rats+Remastered/5423234
For some reason, the remastered version on Grooveshark omits the vocal track ‘Willie the Pimp’.
Frank Zappa – ‘Hot Rats’
http://ecx.images-amazon.com/images/I/51VLCjyY73L._SY355_.jpg
Of all of Zappa’s output, which to put it mildly is substantial; this album might be regarded as one of his most accessible and a good introduction to Frank Zappa. Now that might sound slightly patronising: ‘entry level’, something for beginners, but it’s not. I have chosen it, as some of Zappa’s work is hard to ‘get into’ on first acquaintance.
http://en.wikipedia.org/wiki/Hot_Rats
This album was the first solo studio-recording made by Zappa in 1969, after having disbanded The Mothers of Invention and whilst Zappa was recovering from an accident, when he was pulled offstage by an enthusiastic fan during a performance at the Albert Hall in London, causing Zappa to break his leg.
The album is almost entirely instrumental, with only one vocal track: ‘Willy the Pimp’. It is well known that Zappa was always interested in classical composition, having been inspired from an early age by the works of Edgar Varèse. In this album one can hear some ideas Zappa had which would eventually lead to some of his more ostensible classical compositions. Overall ‘Hot Rats’ might be conveniently pigeonholed under the genre ‘jazz rock’, but as with all things Zappa, such generalisation is misleading and inaccurate. In fact some of the tracks are reminiscent of the film music of Richard Rodney Bennett; indeed in the sleeve notes Zappa describes the album as a “movie for your ears”. However it is filed, the album has universally been described as a masterpiece; a description with which I would wholeheartedly concur.
There are six tracks on the album:
1 Peaches En Regalia
2 Willie the Pimp
3 Son of Mr Green Genes
4 Little Umbrellas
5 Gumbo Variations
3 It Must Be a Camel
It starts with a joyous up-beat fanfare: ‘Peaches en Regalia’, followed by the delightfully saucy ‘Willie the Pimp’, featuring Captain Beefheart on vocals and Sugar Cane Harris on violin. ‘Little Umbrellas’ has a nice sleazy Kurt Weill feel to it. ‘Son of Mr Green Genes’ is a good example of Zappa’s compositional and guitar playing skills. ‘Gumbo Variations’ is a veritable tour de force of jazz-rock/rock-jazz with some fine sax playing by Ian Underwood (the only member of the Mothers of Invention, retained by Zappa after he disbanded the group) with Sugar cane Harris on electric violin. After the manic energy of ‘Gumbo Variations’, ‘It Must Be a Camel’ is the perfect antidote, and nicely finishes off this “movie for your ears”, with Ian Underwood on keyboards, flute and clarinet and Jean Luc Ponty on violin. The ending of ‘It Must Be a Camel’ always reminds me of Gershwin for some reason.
There are two versions or mixes of this album. The first version to appear on CD, in 1987, was a re-mix achieved when Zappa handed over his catalogue to Rykodisc. Later the original mix used on the LP was transferred to CD in 2012, and for many, including myself, is regarded as the better version. Zappa Records ZR 3841
I think it’s brilliant – hope you enjoy it too.
PegsHwCW6WY
Spotify: http://open.spotify.com/album/0WYYrC9My9rYWigac003hw/3toxxSU3TcvzgmeR8LLUiX
Grooveshark: http://grooveshark.com/#!/album/Hot+Rats+Remastered/5423234
For some reason, the remastered version on Grooveshark omits the vocal track ‘Willie the Pimp’.