Macca
21-01-2012, 12:26
This is a follow up to my previous thread about the Stanton 520V3 which I was mucking about with a few months back - here http://theartofsound.net/forum/showthread.php?t=12993 if you're interested.
Although the 520 was a lot of fun with bass power and slam to die for it showed itself up on more demanding material where there was no escaping a sort of 'wedding disco' taint to the sound.
So I figured moving to the top of the Stanton range might mean I could keep what I like about the 520 (the bass, the sure-footedness) and have a little more subtelty and , yes, sparkle in the sound. Bear in mind my overall aim is to find a cartridge that is truly a good match for the stock Technics arm.
So, at a penny shy of £110 delivered, I aquire a brand new 'triple E'. Figuring it would be sacrilaege to mount it in the £5 OEM headshell I was using for the 520 I also aquired a Sumiko headshell.
Here's how it looks on the deck:
http://i903.photobucket.com/albums/ac233/Macca_photos_2009/004-2.jpg
http://i903.photobucket.com/albums/ac233/Macca_photos_2009/003-3.jpg
Those of you with eagle eyes will notice I have mounted the finger lift at the back of the headshell instead of the front. Why? I have no idea but it does mean I now cannot line up the front off the cart to the front of the headshell:doh: so I have a slight protrusion - will this effect tracking? Should I redo this - I have to have the finger lift as I hate lift/lower devices and never use them.
The combination of headshell and cart is pretty heavy and I had to add the little additional weight to the back of the arm to get it to balance out.
Anyway, on to the sound - It is petty far removed from the 520, that is to say we are certainly back in real hi-fi territory here folks. This really is a sweet -sounding cartridge - guitars and brass sound especially rich. The upper mid is spotlight without being bright, mid is dark and rich, bass is full but not as full as the 520 which is a bit of a shame, but timbre is much improved.
Drawbacks? - A little excessive sibilance on vocals, male and female, recording dependant and not enough to really spoil the fun but not 'right'. Also there is some slight splash to cymbals - I am wondereing if this is related to the not especialy correct set up described above? Comments and suggestions welcome, cheers all.
Although the 520 was a lot of fun with bass power and slam to die for it showed itself up on more demanding material where there was no escaping a sort of 'wedding disco' taint to the sound.
So I figured moving to the top of the Stanton range might mean I could keep what I like about the 520 (the bass, the sure-footedness) and have a little more subtelty and , yes, sparkle in the sound. Bear in mind my overall aim is to find a cartridge that is truly a good match for the stock Technics arm.
So, at a penny shy of £110 delivered, I aquire a brand new 'triple E'. Figuring it would be sacrilaege to mount it in the £5 OEM headshell I was using for the 520 I also aquired a Sumiko headshell.
Here's how it looks on the deck:
http://i903.photobucket.com/albums/ac233/Macca_photos_2009/004-2.jpg
http://i903.photobucket.com/albums/ac233/Macca_photos_2009/003-3.jpg
Those of you with eagle eyes will notice I have mounted the finger lift at the back of the headshell instead of the front. Why? I have no idea but it does mean I now cannot line up the front off the cart to the front of the headshell:doh: so I have a slight protrusion - will this effect tracking? Should I redo this - I have to have the finger lift as I hate lift/lower devices and never use them.
The combination of headshell and cart is pretty heavy and I had to add the little additional weight to the back of the arm to get it to balance out.
Anyway, on to the sound - It is petty far removed from the 520, that is to say we are certainly back in real hi-fi territory here folks. This really is a sweet -sounding cartridge - guitars and brass sound especially rich. The upper mid is spotlight without being bright, mid is dark and rich, bass is full but not as full as the 520 which is a bit of a shame, but timbre is much improved.
Drawbacks? - A little excessive sibilance on vocals, male and female, recording dependant and not enough to really spoil the fun but not 'right'. Also there is some slight splash to cymbals - I am wondereing if this is related to the not especialy correct set up described above? Comments and suggestions welcome, cheers all.