worrasf
23-10-2011, 14:20
I recently bought a stunning NOS AKG P8ES SuperNova which although sounding wonderful was not a terribly good match to my Jelco 750 :eyebrows: This seemed a good opportunity to build a "vintage" TT to partner my Quad 33/303.
Last week I took delivery of a TD150 motor unit and lovely custom teak finish plinth that David (Moko) had rebuilt and very fine it is to. Motor is whisper quiet with perfect bearing/spindle and inner/outer platter. David uploaded pictures of his rebuild at http://s787.photobucket.com/albums/yy154/MokoMilk/Thorens%20TD150%20Rebuild/
I bought a NOS SME 3009 II improved and had it rewired and an RCA conversion kit fitted by J7 at Audio Origami - stunning service and what a nice chap.
The original Thorens arm board was cut for a REGA arm so I made a new one from Brazilian Teak and added a Sound Supports SME aluminium mounting plate. Cutting the rebate on the under surface of the bard was a bit fiddly but ended up perfectly flat when installed in the TD150. To keep a "period look" I lifted the Thorens armboard badge of the original and inset it into the new one then covered it with a thin sheet of clear acrylic.
David had made a very heavy thick base board which was a very snug fit into the plinth - the SME with RCA conversion required the board to be cut to take the tonearm cables and allow for forward/backward adjustment of the arm. To raise it up and keep the tonearm cable "grounding" on the shelf and to add further isolation I fitted a set of heavy adjustable brass spikes and feet. I also lifted the original sales label off the original base board David gave me and glued it to the new base board.
I fitted a new bearing thrust pad and original Torens drive belt, changed the oil and lubricated the motor spindle courtesy of Joel (ex Thorens Technician) at http://www.ebay.co.uk/itm/JOEL-S-KIT-THORENS-TD-150-160-145-125-126-166-320-/290621721223?pt=Vintage_Electronics_R2&hash=item43aa678a87#ht_585wt_966
and a new platter mat http://www.ebay.co.uk/itm/120768762628?ssPageName=STRK:MEWNX:IT&_trksid=p3984.m1439.l2649#ht_1249wt_966
Setting up the SME was a breeze - first SME I have ever owned and I must say adjusting the arm base rather than the cartridge to set tracking is so much easier. Tracking force calibration off the arm was spot on when I checked with a stylus force gauge as was the bias adjustment.
Leveling deck/platter was very straight forward thanks to the adjustable spikes and the tonearm lead is clear of the support below as planned. David had obviously set the suspension properly because it bounced just fine - I thought the new arm/armboard might throw it out but it didn't require any adjustment - just as well really as I remember from when i owned an LP12 you could chase your tail for hours - although I understand the Thorens is more forgiving in that regard.
I’d bought a new tonearm cable RCA-5-pin DIN from Flashback Sales where I purchased all my other Quad cables and it is perfect for the Thorens - it’s thin and flexible so does not interfere with the suspension and is fully screened - there is absolutely no hum/noise at all which J7 warned me could be a problem with certain cables.
There was the usual trepidation when connecting up a new piece if kit for the first time - especially after so much modification - will it work? - but needn’t have worried - all worked fine from switch on - my biggest concern regarding possible earth hum proved groundless ;) silent as the grave even with the volume knob fully clockwise.
So how does it sound? In a word wonderful. Just as I had hoped for really - it seems a perfect sonic (and visual) match for the Quad amp. Presentation is very detailed and dynamic - tending to the warm side of neutral but not overly so. Given the small size of the Ruark’s bass extension is very impressive, tight, tuneful and controlled. Cymbals/hi hat are crisp and clean - zingy - not a hint of splashiness. PRaT seem spot on - certainly to my ears - on complex pieces notes start and stop precisely with no “bleed” or overhang”. I’ve been playing a few “tester” albums (Dark Side, Pious Bird of Good Omen, Desire, Bob Seger Greatest Hits) smiling all the way.
Only thing left now is to sort out the dust cover. I’ve got the original but it needs lots of scratches polishing out and some new hinges fitted and then I’m done.
All in all a very satisfying project with a great outcome. :cool:
Steve
Last week I took delivery of a TD150 motor unit and lovely custom teak finish plinth that David (Moko) had rebuilt and very fine it is to. Motor is whisper quiet with perfect bearing/spindle and inner/outer platter. David uploaded pictures of his rebuild at http://s787.photobucket.com/albums/yy154/MokoMilk/Thorens%20TD150%20Rebuild/
I bought a NOS SME 3009 II improved and had it rewired and an RCA conversion kit fitted by J7 at Audio Origami - stunning service and what a nice chap.
The original Thorens arm board was cut for a REGA arm so I made a new one from Brazilian Teak and added a Sound Supports SME aluminium mounting plate. Cutting the rebate on the under surface of the bard was a bit fiddly but ended up perfectly flat when installed in the TD150. To keep a "period look" I lifted the Thorens armboard badge of the original and inset it into the new one then covered it with a thin sheet of clear acrylic.
David had made a very heavy thick base board which was a very snug fit into the plinth - the SME with RCA conversion required the board to be cut to take the tonearm cables and allow for forward/backward adjustment of the arm. To raise it up and keep the tonearm cable "grounding" on the shelf and to add further isolation I fitted a set of heavy adjustable brass spikes and feet. I also lifted the original sales label off the original base board David gave me and glued it to the new base board.
I fitted a new bearing thrust pad and original Torens drive belt, changed the oil and lubricated the motor spindle courtesy of Joel (ex Thorens Technician) at http://www.ebay.co.uk/itm/JOEL-S-KIT-THORENS-TD-150-160-145-125-126-166-320-/290621721223?pt=Vintage_Electronics_R2&hash=item43aa678a87#ht_585wt_966
and a new platter mat http://www.ebay.co.uk/itm/120768762628?ssPageName=STRK:MEWNX:IT&_trksid=p3984.m1439.l2649#ht_1249wt_966
Setting up the SME was a breeze - first SME I have ever owned and I must say adjusting the arm base rather than the cartridge to set tracking is so much easier. Tracking force calibration off the arm was spot on when I checked with a stylus force gauge as was the bias adjustment.
Leveling deck/platter was very straight forward thanks to the adjustable spikes and the tonearm lead is clear of the support below as planned. David had obviously set the suspension properly because it bounced just fine - I thought the new arm/armboard might throw it out but it didn't require any adjustment - just as well really as I remember from when i owned an LP12 you could chase your tail for hours - although I understand the Thorens is more forgiving in that regard.
I’d bought a new tonearm cable RCA-5-pin DIN from Flashback Sales where I purchased all my other Quad cables and it is perfect for the Thorens - it’s thin and flexible so does not interfere with the suspension and is fully screened - there is absolutely no hum/noise at all which J7 warned me could be a problem with certain cables.
There was the usual trepidation when connecting up a new piece if kit for the first time - especially after so much modification - will it work? - but needn’t have worried - all worked fine from switch on - my biggest concern regarding possible earth hum proved groundless ;) silent as the grave even with the volume knob fully clockwise.
So how does it sound? In a word wonderful. Just as I had hoped for really - it seems a perfect sonic (and visual) match for the Quad amp. Presentation is very detailed and dynamic - tending to the warm side of neutral but not overly so. Given the small size of the Ruark’s bass extension is very impressive, tight, tuneful and controlled. Cymbals/hi hat are crisp and clean - zingy - not a hint of splashiness. PRaT seem spot on - certainly to my ears - on complex pieces notes start and stop precisely with no “bleed” or overhang”. I’ve been playing a few “tester” albums (Dark Side, Pious Bird of Good Omen, Desire, Bob Seger Greatest Hits) smiling all the way.
Only thing left now is to sort out the dust cover. I’ve got the original but it needs lots of scratches polishing out and some new hinges fitted and then I’m done.
All in all a very satisfying project with a great outcome. :cool:
Steve