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Thread: How do you know when your tubes are going home?

  1. #1
    Join Date: Aug 2008

    Location: Suffolk, UK

    Posts: 1,468
    I'm Paul.

    Default How do you know when your tubes are going home?

    I've been into hifi and audio electronics for quite a while now but it occurred to me the other day unless there is an obvious failure I dont really know how to tell when valves are coming to the end of there life.

    Anyone??

    Is it something you can hear or do you have to swap in another set when you think its about time to see if they sound remarkably better than the older ones?
    ~Paul~

  2. #2
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

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    Swapping in new for old is what I'm going to be doing shortly on the Croft's power supply and phono stage valves...

    You know when a valve amp gently fades the sound away when switched off? My ancient experiences with our Bush table radio from the mid fifties (and Dad's Deccalian 88 record player) was that the sound goes a bit "weak" and lacking in "drama" over its re-valved counterpart. In the case of my preamp, the bass rolloff in the phono stage changes as the ECC83's go down, making the sound currently brighter than the tuner and CD inputs (!!!!!). The ECC82's supplied on the line stage (I very much doubt by Glenn) sounded incredibly "tired" and rather washed out. Putting in the 5841a's transformed it, although I've a sneaking suspicion they're over-egging the pudding a little.

    Once I have the short-plate Mullards in the phono stage (and a new one in the power supply, which uses three valves including an EL86) I'll report back. I didn't like the long-plate Mullard ECC82's I tried, as they sounded too lush for my tastes, but we'll see..

    Do these comments help at all?

    P.S. I forgot that my Tube Technology Genesis amps ate their EL34's in around a year (500 hours). The sound went dull and bland from hard but "fast" in this time. The one amp that took to the Groove Tube replacements sounded fantastic straight off, although the other amp couldn't be biased low enough and had to be returned for fettling. I sold them straight after.
    Last edited by DSJR; 28-11-2009 at 12:38.
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  3. #3
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,465
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Paul,

    I've been into hifi and audio electronics for quite a while now but it occurred to me the other day unless there is an obvious failure I dont really know how to tell when valves are coming to the end of there life.

    Anyone??
    Give them to someone with a proper valve tester, such as Anthony TD, and get them measured. If they test fine, then they are fine. This is one area where measuring things gives a definitive answer

    I had all mine done recently

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #4
    Join Date: May 2008

    Location: Lancaster(-ish), UK

    Posts: 16,936
    I'm ChrisB.

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    From The Grave

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