Brian gave me a try of his supertweeters had a wee play about positioning wise. firing vertically velcroed to the 57s they seem to do the business.
he never got them back-57s are singing....
Location: Troon
Posts: 2,476
I'm tony.
Brian gave me a try of his supertweeters had a wee play about positioning wise. firing vertically velcroed to the 57s they seem to do the business.
he never got them back-57s are singing....
Excellent Tony
Location: Troon
Posts: 2,476
I'm tony.
batpure i think. Brian housed them in a wee wooden box.
They come from japan and were about 50 quid but Brian got stung for import duty this time round to replace my ones so mid 60s.
https://www.ebay.co.uk/itm/Monacor-S...sAAOSwiYlaDRag
Note that these are 8 ohm so some resistive padding may be required if the tweeter used isn't 8 ohms, as in my case.
Misterdog (PFM) had a set of small ribbons on his, he's recently swapped them for a set of ADAM's AMT ribbons. Both had the effect of lifting the height of the speakers. Call it a broader sweetspot, more diffuse, less focussed. I doubt it's more accurate in terms of lobing, defraction, timing etc, just an easier listen in terms of accommodation.
Kuzma Stabi/S 12", (LP12-bastard) DC motor and optical tacho psu, Benz LP, Paradise (phonostage). MB-Pro, Brooklyn dac and psu, Bruno Putzeys balanced pre, mod86p dual mono amps, Yamaha NS1000m
Anyone??
"Is there some trick whereby you can adjust the L Pad volume control to give the right level for the driver, then take some measurement of the volume control and replace it with two quality resistors. You can probably tell I am no expert at electronics."
This shows how to calculate for an entered value of required attenuation
http://www.sengpielaudio.com/calculator-Lpad.htm
With a constant impedance L pad 'volume control' it is impossible to measure the resistance to ascertain the attenuation, as the impedance is designed to stay constant.
Thanks Alan
Looks like a case of laying in a few cheap resistors to experiment with.