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Thread: Aren't we lucky?

  1. #1
    Join Date: Oct 2011

    Location: London Town

    Posts: 2,441
    I'm Julian.

    Default Aren't we lucky?

    On another thread I was complaining about the turgid sound quality of a Coldplay cd

    Today, just to remind myself about what great sound quality is like, I put on a newly acquired copy of Dvorak's Cello Concerto with Maurice Gendron and Bernard Haitink. It's a Philips recording from 1968. A truly life-affirming experience! I'm reminded that my hi-fi can make well-recorded music like this sound immortal. Massive dynamic range, air & space in the music, soaring, intensely lyrical cello playing.

    Just heavenly ...
    Sonore Rendu - Cambridge Audio Edge W - Sonus Faber Venere 2.5

  2. #2
    MartinT Guest

    Default

    A lot of classical recordings show up rock recordings as being somewhat limited. However, Coldplay can't even offer feeble competition. I've complained before about their dire recordings. Shite doesn't begin to cover it.

  3. #3
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    How about 'pishanto'? That's my new word for this month!

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  4. #4
    Join Date: Oct 2012

    Location: Napier, New Zealand

    Posts: 1,519
    I'm Andrei.

    Default Dvorak

    Quote Originally Posted by julesd68 View Post
    Today, just to remind myself about what great sound quality is like, I put on a newly acquired copy of Dvorak's Cello Concerto with Maurice Gendron and Bernard Haitink. It's a Philips recording from 1968. A truly life-affirming experience! I'm reminded that my hi-fi can make well-recorded music like this sound immortal. Massive dynamic range, air & space in the music, soaring, intensely lyrical cello playing.
    I have several recordings of this but not with Maurice Gordon. My two preferred recordings (both LP) are with Rostropovitch and Guilini in one and Rostropovitch and Karajan on the other. Ros had a great instrument. Now I suppose I have to find the Gendron recording. Do you know if it is better on CD or LP?

    On a different point: I note the date 1968. This reminds me of an audiophile who said that his favourite music was Symphonic music recorded in the 1960s - all on LP obviously. The reason he gave is that this was a time of great optimism. European nations had recovered from WWII and orchestras were playing with great energy.

    Cheers, Andrei
    [COLOR=#a52a2a][B]Sources:[/B] [B]1[/B][/COLOR] PC & Wyred4Sound DAC-2 DSDse   [COLOR=#a52a2a][B]2[/B][/COLOR] Oppo BDP105   [COLOR=#a52a2a][B]3[/B][/COLOR] Technics SL·1210 MK5 (Jelco 750D · Benz Wood).    [COLOR=#a52a2a][B]Speaker Cable[/B][/COLOR] [COLOR=black]Nordost Frey.[/COLOR]    [COLOR=#a52a2a][B]Interconnects [/B][/COLOR][COLOR=#000000]Oyaide[/COLOR][COLOR=black] & [/COLOR][COLOR=#000000]Geisha [/COLOR][COLOR=black]Silver.
    [/COLOR][B][COLOR=#a52a2a]Phono Stage [/COLOR][/B][COLOR=black]Fosgate Signature V2. [/COLOR]   [COLOR=#a52a2a][B]Preamp [/B][/COLOR][COLOR=#000000]Ayon Eris[/COLOR][COLOR=black]. [/COLOR]   [COLOR=#a52a2a][B]Power Amp[/B][/COLOR] [COLOR=Black]ATC P1. [/COLOR]  ​ [COLOR=#a52a2a][B]Speakers[/B][/COLOR] Triangle Magellan Cello.     [COLOR=#A9A9A9]Oh Sting, where is thy death?[/COLOR]

  5. #5
    MartinT Guest

    Default

    I prefer Pierre Fournier for the Dvorak.

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