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Thread: Moving Coil high or low?

  1. #31
    Join Date: Feb 2012

    Location: Falun, Sweden

    Posts: 2,245
    I'm Mike.

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    My experience with HO MC's is really not all that great, beginning with a Benz Micro Silver. It did, however, lead me into more refined vinyl playback. Not that the cart itself is bad or so, but it was already used and quite worn.

    A friend does have a Benz Micro Ace SH on his VPI Classic MkII, and that doesn't sound bad at all, when fed into a McIntosh Pre/Power combo. It lacks a little refinement and punch though, when comparing to my own Ace SL.

    The problem, imho, is that you can never compare a HO MC to its LO equivalent without involving step up or other high gain RIAA. And i do believe the phono stage makes a lot bigger difference than the carts when comparing identical otherwise than the output.

    Br Micke

  2. #32
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    The trouble is that the 'consensus' is always wrong - if 'safe'. The 'right' answer has been posted on the thread - it's not quite what you asked for.

    Decca.
    Lol, Patrick - aye!

    The 'right' answer is that everything in audio is a compromise, including cartridges.

    Deccas are great, for those who value their particular sonic strengths (count me in), but like any other cartridge, they are no universal panacea.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


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  3. #33
    MartinT Guest

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    Quote Originally Posted by chris@panteg View Post
    Do mc's sound sweeter or more spacious , more refined or is it detail ?
    That gets to the heart of it, Chris: for me, low output MC strengths are not sweetness but detail within a pronounced wide and deep soundstage, superb midrange presentation and dynamic impact.

  4. #34
    Join Date: Nov 2008

    Location: Banbury, Oxfordshire/Panteg is where my late father was born

    Posts: 4,382
    I'm Chris.

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    Quote Originally Posted by MartinT View Post
    That gets to the heart of it, Chris: for me, low output MC strengths are not sweetness but detail within a pronounced wide and deep soundstage, superb midrange presentation and dynamic impact.
    Thanks Martin

    The Troika was the only genuine MC i ever used , (been gone 13 years) until now that is Thinking of mounting the AT33EV tomorrow , feeling a bit nervous .
    Chris

    We've gone on holiday by mistake !

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