Yeah Chris, that's completely true.
I had the isonoes standing on a MDF shelf, covered with hard vinyl.
Then I put on the shelf a square of glass 1 cm thick, and the sound changed a lot, with more controlled and deep basses.
I had a more impressive change, however. Without the glass over the shelf, raising the volume, all the bass frequencies tend to flatten. Since it was the same with the stock feet, at first I thought that was because of my 40 W Class A amp, reaching the clipping limit.
But with the glass under the isonoes, hey, more volume, more bass punch![]()
Giovanni.
Indeed, Chris, I find the Isonoes nothing short of extraordinary for their isolation properties. To my ears they took some thickness out of the sound compared with the Technics original feet, lightened the sound compared with the Foculpod sorbothane feet and allow the cleanest sound at high volume of them all. I use glass discs underneath them but I'll bet that those granite coasters would be ideal too.
After more listening, I would add definitely more transparent, microdetails are now coming through with the platter, stiffening plate/bearing and armboard from Mike. All I can think of is that the stock platter was ringing a bit and muddying the frequency spectrum from top to bottom.
The techie now sounds fabulous, highly resolving and very organic.
The upgrade is not subtle. Definitely worth it, for me anyway.
It will be interesting to see if the Hynes PR3HD module changes the sound any, compared to the Kab PSU I am now using.
Hearing is believing
SL-1210 Mk5 w/Mike New Platter/bearing/armboard; Hynes SR5 DIY PSU;
Zyx Airy3X; SME V; Hashimoto HM7 SUT; CJ PR15MkII Phono w/teflon caps.
Modwright LS36.5 Dual Mono Preamp & KWA 150 amp > Paradigm Ref 100 v.4s
Hi Paul,
It's the SR5 you want to listen to, which is absolutely phenomenal!
I've got my Techie hooked up with one now, and quite frankly, it's a *MAJOR* upgrade on any PSU I've used so far
That massively over-specified transformer it uses seems to be doing the business!! I can't wait to hear it with Mike's platter at Martin's place on Saturday............
(A rather shocked and stunned) Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
I now have the Mike New base plate and will try fitting it this week. Looks complicated and I won't start unless I think I can finish it by Saturday.
Oooh, lurvely.... Get yer screwdriver out then, dude, as I've a feeling it will make a significant sonic improvement!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Hearing is believing
SL-1210 Mk5 w/Mike New Platter/bearing/armboard; Hynes SR5 DIY PSU;
Zyx Airy3X; SME V; Hashimoto HM7 SUT; CJ PR15MkII Phono w/teflon caps.
Modwright LS36.5 Dual Mono Preamp & KWA 150 amp > Paradigm Ref 100 v.4s
Lol - yes! Where on earth did I get Paul from?![]()
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Ah, I see.... As I'm not into D.I.Y, I just know the completed unit as the 'SR5'. Well, I can tell you that you're definitely in for a treat!
The sheer weight and power in the lower registers, increased clarity and detail retrieval, and sense of 'rhythmic flow' the SR5 has given over the (already excellent) SR3 is very impressive and extremely addictive.
For anyone who used to have an LP12, and remembers the Norton Airpower PSU, and how it sounded compared to the Linn Lingo and Naim Armageddon, of the day ('bigger' and more powerful), the sonic effect it has on the Techie, compared to other PSUs I've heard so far, is almost identical.
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
I spent most of tonight working on the SL-1210 to mount the Mike New Base Plate to go with his bearing and platter. Mike's instructions were excellent and the only things I can add to them are 1) you really need a vacuum cleaner with nozzle as the shavings and mess get everywhere; 2) there is an additional bit of filing to do which may only be relevant to certain castings, see later.
You definitely need a steady hand, a good clean work area and very good lighting. This is not a job to be rushed!
The kit of parts from Mike. Lovely engineering.
The deck prepared for work.
One of the more tricky moments: drilling down the three lugs to create a flat surface.
The base plate offered up ready for tightening down. Note the casting number at bottom of plate which needed filing down.
Underside of the chassis with the rubber base and composite middle layer removed. The nuts have been tightened down.
Showing the bearing and PCB reassembled onto the base plate with new spacers.
The deck assembled with the platter, ready for the arm to be re-mounted.
The completed deck. Note the increased ride height.
Close up of the ride height with a very happy Dynavector and lots of VTA adjustability.
I must sleep now as I usually get to work for 6:30am, so listening notes to come tomorrow![]()