Like I said in that other thread it had just picked up dust from when I had taken it off and put it on the arm of the sofa or whatever... Because the underside is White you don't see the dust build up in the same way as you do on the top
Like I said in that other thread it had just picked up dust from when I had taken it off and put it on the arm of the sofa or whatever... Because the underside is White you don't see the dust build up in the same way as you do on the top
CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra
No worries - mine just sits on the platter doing its thang. It hasn't moved since Dave fitted the Mike New bearing, and will probably sit there until I next need access to the 'internals' - when fitting the new platter, perhaps?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
I thought you used a record weight Hamish? Dont tell me youve given up on them i just bought one. I thought that was one of the benefits.
Location: Germany
Posts: 40
Sir, possesion of target object confirmed, sir!
Well, that static issue disturbs me a lot... I also thought about ordering a thicker mat from Herbie, but I'm also open for any suggestions for newer mats, that would perform better - that's why I was looking and asking for mats made of carbon and other material - hoping to get some better behaviour regarding static & dust..
However, it seems there are only few 285mm diameter mats for the 1210 - and everybody seems to be happy with his Herbie mat.
Ben.
I have that static problem too, but only if I don't use the carbon cleaning brush on my records... Isn't there some kinda anti static clicker thing that can be used to ferther decrease that sort of issue
CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra
Hi Ben,
Lol!Sir, possesion of target object confirmed, sir!
Do you fit the lid when your 1210's not in use?Well, that static issue disturbs me a lot... I also thought about ordering a thicker mat from Herbie, but I'm also open for any suggestions for newer mats, that would perform better - that's why I was looking and asking for mats made of carbon and other material - hoping to get some better behaviour regarding static & dust..
The thicker Herbie's mat is not as good because all you're doing then is creating a greater 'sandwich effect' between the record and the platter, when ideally you want to minimise this, and for the mat therefore to be as thin as possible, so that the record and platter are held together closely as 'one'.
The thicker mat is only of benefit for damping the platter slightly more. What you really want for the best effect is to clamp the record, mat and platter firmly to each other, so that everything couples together with minimal 'sandwich effect'. For that, you need the thinner Herbie's mat, which will still damp the platter sufficiently well, especially once a record is placed on it.
Indeed. The problem is that it's a trade-off: use an acrylic or carbon mat and (possibly) get better behaviour regarding static and dust, but end up with a less sonically effective interface between record and mat.......However, it seems there are only few 285mm diameter mats for the 1210 - and everybody seems to be happy with his Herbie mat.
Me? I'll keep the Herbie's/Sound-Hifi mat and 'soldier on' regardless with the static and dust
Tip: Use a professional record cleaner in conjunction with a Zerostat gun and Nagaoka/Musical Fidelity anti-static sleeves (like I do), and you'll all but eliminate the latter!
Marco.
P.S Colin, you have a question to answer on your Jelco 250 thread.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Location: Lancaster(-ish), UK
Posts: 16,937
I'm ChrisB.
QUOTE MARCO: Tip: Use a professional record cleaner in conjunction with a Zerostat gun and Nagaoka anti-static sleeves (like I do), and you'll all but eliminate the latter!
Anyway, what's with all this mat sandwich business? I keep reading about these folks who feel they've got to stack 'em up. Doesn't anyone make one that works properly on it's own?
I've got a theory about all this..............