Not for sale and it's likely you've seen it before but this is one on the most amazing collections of vintage hifi anywhere. Browse room by room.
Good reference material too.
http://www.gokudo.co.jp/Vanguard/room1/room1.htm
Location: Kent
Posts: 1,357
I'm Clark.
Not for sale and it's likely you've seen it before but this is one on the most amazing collections of vintage hifi anywhere. Browse room by room.
Good reference material too.
http://www.gokudo.co.jp/Vanguard/room1/room1.htm
What an incredible collection of ancient equipment. Obviously the man is not married!
No doubt it sounded amazing in 1930, but I'd imagine it sounds hopelessly coloured now. Fancy using a record cutting lathe as a turntable!
Seriously, the only items that interest me and that I covet are: the Nagra 4.2 reel to reel; the wonderful collection of Ortofon/EMT cartridges and possibly the Mimisis amplifiers.
Sorry
Barry
Location: Kent
Posts: 1,357
I'm Clark.
Don't fudge an old book by it's cover. Granted some of the old 78 equipment may not be up to todays standards but most of the eqipment would show a clean pair of heels to the majority of hifi produced today.
A large ammount of the collection is kit built for cinema and recording studio use and were built without cost constraints. You would be amazed how uncoloured a large vintage cinema horn system is. The only area where the old kit may not match todays standards is in the HF response. Most of the old stuff never went above 16-17kHz. Then again most of us probably can't hear much above that anyway.
The neumann cutting lathe is a not the cheapest way to play vinyl but considering considering it's direct drive and most of the classic recorings were cut on one its specs must be good. Incidently the motor in these was made by Lyrec and the collection has a Lyrec AG40-2, thats the one that looks similar to an EMT 927F. It uses the same motor as the lathe and is direct drive. In later years some of these lathes were converted to use the Technics SP10 Mk 3 motor.
He also has a few Neumann tonearms and cartridges that were contemporary with the Ortofon cartridges that are novel in their design.
Bazza, old chap, soz, but you're showing your ignorance (or perhaps, bias?)....
I have to agree here with Andy:
Indeed - Altec 'Voice of the Theatre' stuff rules! It sounds freaking amazingYou would be amazed how uncoloured a large vintage cinema horn system is.
I just love horns, done well, as they have a realism and dynamic impact completely lacking in 'conventional' speakers. I mean, you've gotta lurve this:
I can just imagine how AWESOME that must sound on the end of a top-notch system!
And of course, everyone's lounge should look something like this:
Like Andy says, apart from the old 78 stuff, most of the gear that guy has would sonically piss all over much of the equipment made today!
Marco.
P.S Oh, and check out his music collection!! This dude's not just a vintage hi-fi freak.....
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
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Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Location: Kent
Posts: 1,357
I'm Clark.
There's so much to see on that site it's like visual overload. I hadn't really noticed those amps in the pic. Obviously new build but looks like single ended WE 212 or STC 4212 driven by a WE 205D. Voltages to fry an elephant on the anode of that 212 and supposedly can put out 90 watts single ended.
Marco, at one time my lounge/music room did look like that.
No cutting lathe but plenty of Klangfilm, Telefunken and british valve amps plus cinema horns and drivers (BTH, Vitavox, BAF etc), 3 pairs of big JBL's and quite a few EMT's and Garrards. Fortunately we have another two lounges and a dining room so the wife was ok with it.
Hi Andy,
I know, that's what you call a valve!!
I'd love to hear those amps, with some Klangflims, Westrex or Altecs on the end!!
Hehehe... Respect! You really do need a dedicated listening room to be able to build a proper system, unless you live alone.Marco, at one time my lounge/music room did look like that.
No cutting lathe but plenty of Klangfilm, Telefunken and british valve amps plus cinema horns and drivers (BTH, Vitavox, BAF etc), 3 pairs of big JBL's and quite a few EMT's and Garrards. Fortunately we have another two lounges and a dining room so the wife was ok with it.
What you mention is proper hi-fi equipment that most people these days wouldn’t have a clue of its capabilities, produced in an era when there was genuine innovation in audio. The cinema horns, in particular, are just awesome things.
If anyone wants to hear the closest thing to live music in their room, those are the babies to use!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Jon
A person who never made a mistake never tried anything new.
Set up
Lafayette el84 power amp , Audio note M1 pre , Tannoy Sterlings, Garrard 301 , SME 3012 , puresound P10, Ortofon SPU, Cambridge CXN streamer
Micro mega Duo 3 cd transport ,
Location: Kent
Posts: 1,357
I'm Clark.
The cinema horns, in particular, are just awesome things.
If anyone wants to hear the closest thing to live music in their room, those are the babies to use!
Marco.
Only ever had the one of these but with a pair of 18" vintage dual concentrics (effectively permanent magnet WE 4181's with a horn centre) in a makeshift front loaded horn and wired up to use the bass cones only and driven by a Decca PAVI Px4 amp the result was astonishing. Obviously mono only but with great depth, height and body. Too big and bulky to live with though.
Lol - Andy, that's just outrageous, but I love it!
Is that your room? If so, very nice it is, with a superb collection of vinyl
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!